एक अक्खड़ शहरी लड़का खुद को एक तनावग्रस्त शहर में पाता है जहाँ नृत्य और हर मज़े की चीज़ पर प्रतिबंध लगा दिया गया है.एक अक्खड़ शहरी लड़का खुद को एक तनावग्रस्त शहर में पाता है जहाँ नृत्य और हर मज़े की चीज़ पर प्रतिबंध लगा दिया गया है.एक अक्खड़ शहरी लड़का खुद को एक तनावग्रस्त शहर में पाता है जहाँ नृत्य और हर मज़े की चीज़ पर प्रतिबंध लगा दिया गया है.
- 2 ऑस्कर के लिए नामांकित
- 2 जीत और कुल 7 नामांकन
Chris Penn
- Willard
- (as Christopher Penn)
फ़ीचर्ड समीक्षाएं
A film of enormous charm. It's about dancing but unlike many films about dancing it doesn't take itself seriously. It's loose-limbed and goofy and it lifts you up. It's set in a high school in a small mid-western town where dancing has been banned; (it reminds me of a joke I heard here in Ulster; 'Why do Free Presbyterians disapprove of making love standing up?' 'It might lead to dancing').
Kevin Bacon is the new kid in town who wants the ban lifted. Indeed, this boy seems to live to dance and he's immensely likable. He uses his killer smile to great effect. In this movie the dancing is integral to the plot and it evolves from it naturally and, for once, the director Herbert Ross takes things easy. As well as Bacon, the film has Lori Singer, (the obligatory love interest), and John Lithgow and Dianne Wiest as her parents. He's the bible-thumper who thinks that dancing is sinful and Wiest, with her wan, other-worldly smile, is the wife who doesn't as well as a very young Chris Penn as the over-weight farm boy Bacon teaches to dance in a wonderful sequence choreographed to Denise Williams' 'Let's hear it for the boy'
Kevin Bacon is the new kid in town who wants the ban lifted. Indeed, this boy seems to live to dance and he's immensely likable. He uses his killer smile to great effect. In this movie the dancing is integral to the plot and it evolves from it naturally and, for once, the director Herbert Ross takes things easy. As well as Bacon, the film has Lori Singer, (the obligatory love interest), and John Lithgow and Dianne Wiest as her parents. He's the bible-thumper who thinks that dancing is sinful and Wiest, with her wan, other-worldly smile, is the wife who doesn't as well as a very young Chris Penn as the over-weight farm boy Bacon teaches to dance in a wonderful sequence choreographed to Denise Williams' 'Let's hear it for the boy'
Small town America where dancing is banned. New kid in town conquers high school, catches the eye of the preacher's daughter and attempts to plan a school dance.
Such fantastic music! Kenny Loggins in his prime!!
Such fantastic music! Kenny Loggins in his prime!!
Prior to seeing this movie, all I had heard suggested that I was better off not watching it unless it was to ridicule. I looked at my uncle dancing round his living room to some of its music and asked myself if anybody expected me to take that seriously. It's got a place in movie history even for the title song alone, though, so I decided I couldn't live with myself unless I gave it a chance. It was definitely worth it.
The style is reminiscent of a whole host of other '80's teen flicks, but only a handful are better. Most of the cast do great things with their roles. Kevin Bacon actually manages to make the clichéd concept seem kinda cool, here showcasing an easy charm that was to become the hallmark of much of his later work. Crucially, the music is actually pretty good too! (Even if I am torn between wanting to cringe and dance when I hear the theme!)
On reflection it's no cheesier than something like "All the Right Moves" (which has a great cast doing their best but suffers from a plodding story) In fact, it's miles better! At least the music in "Footloose" gave the makers a viable way to pep things up whenever the story begins to flag. This film is much, MUCH better than I had been led to believe, so give it a chance if you ain't seen it yet but thought you knew the score. Chances are, you don't...
The style is reminiscent of a whole host of other '80's teen flicks, but only a handful are better. Most of the cast do great things with their roles. Kevin Bacon actually manages to make the clichéd concept seem kinda cool, here showcasing an easy charm that was to become the hallmark of much of his later work. Crucially, the music is actually pretty good too! (Even if I am torn between wanting to cringe and dance when I hear the theme!)
On reflection it's no cheesier than something like "All the Right Moves" (which has a great cast doing their best but suffers from a plodding story) In fact, it's miles better! At least the music in "Footloose" gave the makers a viable way to pep things up whenever the story begins to flag. This film is much, MUCH better than I had been led to believe, so give it a chance if you ain't seen it yet but thought you knew the score. Chances are, you don't...
Footloose is one of the few movies that I would watch over and over again. I love the music, the actors, and I love the story line!! My favorite part of all is when the preacher gives his decision about the dance, that part gets me everytime!! Watch this movie!!
Aw, come on IMDb'ers, why the low rating? Where's your sense of loyalty? I can't hear that Kenny Loggins title song and see those pairs of dancing feet during the opening credits without sitting down to watch this whole movie. And even if it's largely to make fun of it, I still love it for old times' sake.
Kevin Bacon is the tough city kid stuck in some podunk Midwest town where dancing has been outlawed. John Lithgow is the preacher who serves as Bacon's arch nemesis; Lori Singer is the preacher's daughter who has a hankering for the new dangerous kid. Dianne Wiest is the reasonable mom who acts as referee between dad and daughter. The whole thing is sillier than an episode of "Laugh-In," but many of the actors (particularly Lithgow, Wiest and Bacon) are good enough to actually sell the material. And come on, admit it, you know you like the music.
Grade: B+
Kevin Bacon is the tough city kid stuck in some podunk Midwest town where dancing has been outlawed. John Lithgow is the preacher who serves as Bacon's arch nemesis; Lori Singer is the preacher's daughter who has a hankering for the new dangerous kid. Dianne Wiest is the reasonable mom who acts as referee between dad and daughter. The whole thing is sillier than an episode of "Laugh-In," but many of the actors (particularly Lithgow, Wiest and Bacon) are good enough to actually sell the material. And come on, admit it, you know you like the music.
Grade: B+
क्या आपको पता है
- ट्रिवियाThe scenes where Chris Penn's character had to learn how to dance were added to the script because Penn really could not dance.
- गूफ़When Ren is dancing in the factory and is swinging on the high bar-type pole, he is wearing gloves. During the rest of the sequence he is bare-handed.
- भाव
Ren: You like Men at Work?
Willard: Which man?
Ren: Men at Work.
Willard: Well, where do they work?
Ren: No, they don't, they're a music group.
Willard: Well, what do they call themselves?
Ren: Oh no! What about the Police?
Willard: What about 'em?
Ren: You ever heard them?
Willard: No, but I seen them.
Ren: Where, in concert?
Willard: No, behind you.
- इसके अलावा अन्य वर्जनCBS edited 10 minutes from this film for its 1987 network television premiere.
- कनेक्शनEdited into Kenny Loggins: Footloose (Version 2) (1984)
- साउंडट्रैकFootloose
Performed by Kenny Loggins
Written by Kenny Loggins and Dean Pitchford
Produced by Kenny Loggins with Lee DeCarlo (as Lee DeCarlo)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $82,00,000(अनुमानित)
- US और कनाडा में सकल
- $8,00,35,402
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $85,56,935
- 20 फ़र॰ 1984
- दुनिया भर में सकल
- $8,00,48,492
- चलने की अवधि
- 1 घं 47 मि(107 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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