Dune

DUNE is an odd film. After having watched it several times over the years, I'm not afraid to call it a very flawed classic. That sounds strange, but it fits for this movie. Lynch got so many things right, but in the end the shortcomings of trying to squeeze an epic story into a little over 2 hours was simply too daunting a challenge. Besides, I'm sure many went into the theatre expecting a film in the vein of STAR WARS.

DUNE is not a story with which one can delve into brainless. It does require thought, for it's inaccurate to portray it as anything less than a thinking person's story. It's not space battles, laser-gun shootouts, funny aliens, etc. There's nothing wrong with those things, it's just not what DUNE is about. It touches on everything from politics, religion, ecology, the true power of the human mind and will when fully realized, God, etc. Some heady stuff.

So imagine trying to fit all that in a movie.

Lynch got the feel, the imagery down, but wasn't able to cohesively bring the story around w/o really making it a Cliff Notes version of the story. You get the main gist, but don't get the "full story", the themes, etc. So in the end it does disappoint because you're left wondering what may have been had the movie conventions of that time allowed for a 2 or even 3 movie epic. Oh wait, STAR WARS did that. I guess DUNE wasn't viewed as bankable enough to make such an investment.

Anyway, I still like the film a lot. The visual realization by Lynch makes it a classic in my book, too bad it couldn't be matched by an equally strong script. I wonder if Peter Jackson would be willing to tackle another 3 film epic? Hmmmmmm.....

Dune is very interesting, if not downright odd. However, the lore/universe has an alluring charm. Unfortunately, they don't do a good job of explaining the intricate political backstory of the movie. Another major problem is the pacing of the story, it's so too rushed. They made the mistake of trying to cram 2-3 movies worth of storytelling and lore into one 2 hours and 17 minutes movie. The production value (camera angles, special effects sets, costumes, etc.) is generally good for the time period. Some of the costumes are unintentionally comical and weird but that is what gives this movie its charm. Generally the acting wasn't great, besides the main protagonists. Over all it is an interesting tale that unfortunately fell short.

How do you adapt a highly complex book over 400 pages long with with a similar apendex to lord of the rings with well over 20 important characters all integral to the plot with multiple worlds giant sandworms interesting technology and a history spanning thousands of years to just over a 2 hour run time in a entertaining mainstream popcorn movie. Not to mention spice, the book has huge dialogue said in the characters minds. Well the simple answer is u can't do justice to the source material with this runtime.

But for all the faults this film as I remember back in the day being passed to me via a VHS recording off TV some of us still remember those days I was blown away I had never seen anything like it as a teenager the sets the costumes the visuals, the action, just strangeness of it all and that opening score wow, got me to read the novels and what novels they are each one different from the other with profound statements on what a hero is, and if you haven't read Dune you will certainly be confused by the sheer mass of strange names and fast moving plot. Was David lynch the wrong captain to steer this ship?, I'm not too sure he greatly respected the source material and wanted final cut making a three hour plus movie but the studio wanted a 2 hour star wars clone and Dune is nothing like Star wars although there are minor aspects George Lucas might of been influenced from for his famous space opera.

One will either be confused by the complex plot or intrigued to search out Frank Herberts masterpiece of a novel.

Then there's the cast easily as good as the modern version and in some respects more faithful to the book. A miss fire of adapting the source due to the length but if David lynch was given a 5 hour runtime I shudder to think he might of just of nailed it. But the better version of Frank Herberts novel is adapted to the screen is the 2001 Denis Villeneuve part one and the much anticipated part 2 with reference to length both will clock in together around the 5 hour mark.

Seriously, I do not understand why so many people dislike this movie. I think you have to take a couple of things into account. First: It is a 2 hour movie telling a story that spans several hundred pages in a book - so certain losses are just natural. Second: Compared to three times recycled multi-million-dollar-trash like the new Star Wars Episodes, this movie offers something really unique: A style of its own. The mixture between scifi elements, medieval setting and the culture of the the Middle East is excellent and Lynch welded them together into one solid piece of art... even though he seems to disagree today. Within this setting the lack of non-stop-action or overwhelming SFX never bothered me. On the contrary, this movie gives you time to watch... and many scenes are worth a second look. Third: I loved the actors, who were just as stiff, ugly, arrogant, noble or nice like the characters they tried to represent.

In the end it is a question of taste if you like this movie or not. But for me, it will always have a place in my DVD-shelf...

Say what you will about incoherence, this is more sensuous than any Star Wars. In fact, it is the most expensive 'tripping' ever produced in film - though far from the most satisfying.

It helps to know the book and forget it as you watch this. Not being familiar with the book, you're left with a disjointed tapestry of weird costumes and special effects, some of them impressive, but if you are, and don't have to burden yourself with following the constantly clumsy explanation of the multifaceted Dune universe, you can enjoy this as illustration of a few core ideas.

Herbert's novel was the product of strange and powerful times. The US public was experiencing the Civil Rights upheaval, its short-lived infatuation with Islam and meditation, and the same year as the book came out, LSD had spilled out of some top-secret government labs into the streets and youth culture of San Francisco. The first satellite images of Earth had just been published. The Black Panthers had entered the vernacular.

So all the stuff about prescient visions, mentats and mastering mind, (herbally) expanded consciousness as the tool to the navigation and 'folding' of space, Herbert wrote with one eye on the Jordan Belson, Beatles and Maharishi crowd - the generation between film noir and Lucas that for a brief time projected truths into constructed cosmologies.

Herbert was more erudite than most. But he was caught under the same spell - the expectation of a noble jihad of the people and wise lamas from the East coming to teach 'the way'. And you can tell that he was exposed to Eastern thought through Jungians, by his laboriously constructed mythology and (now trite) focus on a Chosen One's journey.

Lynch was a late bloomer in that scene. To my knowledge, he fell in with what was being marketed as 'transcendental meditation' in his AFI years, while filming Eraserhead. I don't know what they practice behind closed doors - my interest lies with the Chinese model and they seem cultish to me. But, there's no doubt to me that he passed on the Lucas gig, thinking he was going to work on a vision of some power.

The film outright fails because the scope of the book is too big (to think that Hobbit is being stretched into a trilogy these days), and because he lacked the right collaborators and probably the predisposition to make an 'action' Dune.

Now Jodorowsky's Dune would have been something to see, probably as cumbersome about spirituality but much more organic. But, it's worth noting a few interesting things about this, in context of how Lynch would expand in later years.

He zeroes in on the transcendental experience of 'awakening the sleeper'. He does so in an obvious manner. Rambaldi's spiceworms as blossoming desert flowers top his visual meditation. And that all of Herbert's pomp and mythological noise work against him submerging the idea.

Keep in mind the Chinese notion - from the Tao Te Ching - that the 'soft beats the hard', stressed twice in the film even though no one actually thinks or fights in the Chinese way. Discard everything that is hard, from the crass Harkonnen to the acting style (mentat Dourif!) to the sophomoric rousing of Fremen rebellion, laser battles and final redemption.

The one part that is soft is at House Atreides, the preparation for Dune. What is there? Familiar dynamics - it's soap opera if you discard the costumes. Premonitions of murder and telepathic wiring with a fabric behind reason. A woman with her box of illusory sensations. A space flight through the doors of perception.

It's heady. None of it really works, because Herbert's synchretic universe is not one of internal martial arts, what we see matters. But does any of it remind you of a David Lynch film you know?