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I think this film, probably more than any other, causes me to talk to the characters on the screen in an exasperated way--something akin to the way you want to yell at the characters in a slasher movie not to run outside to investigate sounds.

The only difference is that this film is fantastic, whereas cheap slasher movies are not. Blood Simple is emotionally involving and the suspense is played to perfection. While the characters are completely clueless as to what has gone on around them, we know everything. What we don't know is what the characters are going to do next.

As in every Coen film, things quickly get out of control. Some people have commented that the characters here acted unbelievably, but I'd have to say that when you think about their situations, the reactions are completely compatible with the way the characters are set up. The problem is that nobody knows what's going on except the viewers.

Coen fans will notice many recurring themes from their other films (especially Fargo and The Big Lebowski) such as the use of headlights, passing motorists witnessing a crime, shower curtains and bathroom windows, detectives driving VW beetles, husbands hiring the wrong people to carry out a crime... I had a longer list in mind earlier while watching it but I've forgotten some. It's almost like these films all go together as a series of films depicting how similar situations would end up in different locations in America.

Blood Simple is pure Coens. There are the usual bag of cinematic tricks, the twisting storyline, the seamy characters, and the occasional droplet of dark humor. The story concerns a bar owner who thinks his wife is cheating on him. He hires a sleazy private investigator to find out, and when he learns the truth, he wants them dead. Trouble is, things get kind of complicated when a murder occurs. The film creates a palpable feeling of tension, where you don't know what to expect next. Half the fun of this film is trying to figure out what will happen. A true testament of the well sturctured nature of the film, is the fact that there are only four main characters, and they hold your attention till the very end. And in traditional film noir fanfare, all of these characters have some sort of sordid business to attend to. The Coens drew on their experiences on Blood Simple and made the similar, but very different, Fargo. Watch Blood Simple for a good old fashioned film noir that will keep you guessing.

As far as directorial debuts go, few are as ambitious and inventive as the Coen brothers' first film, Blood Simple, as it mixes genres and moods in a way that anticipated Tarantino's similar experiments by a decade, while still retaining an apparent simplicity, both narratively and formally, that few people originally saw as the beginning of one of American cinema's most extraordinary careers.

Set in a stark Texas landscape, Blood Simple opens on a premise that seems to be borrowed from the likes of Double Indemnity or The Postman Always Rings Twice: someone steals another man's wife. However, the two adulterous lovers (Jamie Getz and Frances McDormand) do not plan to assassinate the betrayed husband (Dan Hedaya). On the contrary, he hires a sleazy PI (M. Emmett Walsh) to spy on them to carry out some twisted plan of his own. That is, until the investigator goes rogue and the situation escalates in the most grotesque of ways.

This escalation is matched by the Coens' constant shifts between genres, achieved through lighting, music and camera movements. Noir, straightforward thriller, horror, black comedy: Blood Simple is each of these and all of them at once, but the transition is never forced or unnatural; in fact, these transitions occur because somehow the story itself demands that they happen. In a way, this is a film that is aware of its own fictitious nature and toys with it as much as possible - because it can. This has since become a trademark of the two brothers, and it is as fresh and original now as it was back in 1984.

The same can be said of the four main actors: Getz and McDormand (soon to be Mrs. Joel Coen) form a solid leading couple, thoroughly menaced by the sudden ferocity of Hedaya, then best known for playing Rhea Perlman's dim-witted ex-husband on Cheers (an image he gladly, and expertly, reverses here). And then there's Walsh, who takes his practically identical role in Blade Runner and increases the character's unlikability, turning in one of the most brutally charming villainous performances of the '80s (and of the Coen canon).

Joel and Ethan Coen had a very clear idea of what they wanted to achieve in the movie business from the get-go, and Blood Simple is one of the best examples of this: for 90 minutes, it takes you to a whole new world, one that most people are happy to revisit as often as they can.

This was the Coen Brothers first movie and I think it might rank second-best to more-famous "Fargo."

This is suspenseful neo-noir (modern-day film noir) filled with fun direction by the Coens: low camera angles, closeups, concentration of sounds such as the whirring of an overhead fan, some dramatic pauses, strange characters and even stranger events taking place. The only thing missing I'd like to have is 5.1 surround sound.

Warning: some bloody scenes in here are downright gross, but they sure produce some memorable scenes.

Character-wise, Dan Hedeya proves to be the toughest man to kill I've ever seen in a movie! Frances McDormand is young and looks pretty, the best I've ever seen her look. John Getz's character is strange and sometimes to frustrating to watch and Emmet Walsh is outstanding at playing the sleazy private detective. Those four, along with Samm-Art Williams, comprise almost all the speaking parts in this film.

This is an involving movie. Once started, you're hooked on this strange story. I wish the Coens would have made more movies like this.

This film is the Coen brothers' homage to the great noir thrillers of the golden age. Cheating spouses, feckless private dicks, mistaken identities, a bundle of dirty cash are rendered to their bare essence in the mess of rotting fish sitting on Marty's desk. The film is notable as much for the audacity of the Coen brothers in getting it made as it is for its success in turning the broad, open expanses of west texas into a claustrophobia unknown even to Saddam in his spider hole. It appears the Coens made five minutes of the film to show to investors, though they had absolutely no idea what the rest of the film would look like. They basically sold the mood of the film, and their efforts bore fruit. The film established the Coen brothers as a creative force and Frances McDormand as a rising art house star whose journey would eventually garner Oscar for the Coens' "Fargo." I rate it highly for visual appeal, intelligent story and good sheer suspense and terror.

Demented and dominant directorial debut for Joel Coen as he and brother/co-writer Ethan Coen weave a film noir-styled tale of bad coincidences and worse planning. Sound familiar? In a bleak Texas landscape the wife (Frances McDormand) of a bar owner (Dan Hedaya) has a torrid affair with one of her husband's employees (John Getz). Hedaya hires mysterious private investigator/windbag M. Emmet Walsh to spy on the duo and then re-hires him to kill the adulterers. Naturally though nothing is as simple or clear as it seems. An excruciatingly dull start takes a backseat finally to a tense little tease of a film that benefits from a deliberate pace and a haunting musical score. "Blood Simple" is so well realized that it would have worked just as effectively as a silent flick. The dialogue is just a distraction to the picture's creepy atmosphere and enigmatic Texas landscape. Walsh, always known as a character actor, dominates most within the production's unique ensemble. Could be called "Pre-Fargo". 4 stars out of 5.

The Coen Brothers' first foray into feature film is a darker, more brooding affair than usual. 'Blood Simple. (1984)' features less fanciful dialogue and more slow-burning tension and when it works, it really works. Its blistering, nail-biting finale is a real highlight of the piece, as well as the eclectic directors' career. Often there are long stretches where I was honestly starting to get a little bored, though. This is down to is mostly down to a lax pacing that give the flick a laid-back and loose feel but contributes to a lull in excitement on more than one occasion. Still, the moments that stand out are really good. 6/10

The Coen Brothers first commercial film tells a noirish tale of murder, double-cross, and betrayal in small town America. A greasy small-town Texas saloon owner discovers his wife is having an affair with one of his bartenders. He hires the private detective that documented the affair to kill the couple. But the PI has different plans, and then everything starts going wrong, very wrong. The acting is great especially M. Emmett Walsh as the double-crossing PI. The direction and camera work presage the Coens subsequent work.

This movie is a treat of a rental if you can find it. It's worth looking for.

Blood Simple. follows a man who, upon discovering that his wife is cheating on him with one of his employees, decides that he wants to get rid of both people.

The story itself is very good. It's an interesting revenge-ish murder story that is presented very differently from how one might expect, as are many Coen Brothers' movies. The audience might make a prediction as to how it's going to go, then something totally unexpected will happen. Sometimes the movie will focus on something simply for the sake of throwing the audience off, which I think was an awesome idea.

Despite the amazing story and mostly great presentation, this movie is one of the most boring ones I've seen all year. I don't know why, it had everything going for it, I just couldn't enjoy it as much as I was probably supposed to. I ended up taking a couple breaks even just so I could move around and wake myself up a little more.

Nothing else about this movie is particularly exceptional. The acting is fine, the camera work is fine, the soundtrack is fine. There's nothing else worth mentioning, despite the fact that that's exactly what I'm doing right now.

Overall Blood Simple. is an unpredictable, interesting story that drags it's butt slowly along a bed of nails. Sure, there were parts of the movie that did pick up, but that was maybe ten minutes of this 95 minute movie. In the end I'd still recommend this movie. It's a story definitely worth seeing, and who knows? Maybe you won't find it as boring as I did.

The Coen brothers' debut feature is a sign of what was to come in their careers. Smart uses of tension, outlandish situations, and camerawork are on full display here and set the tone for their unique style. The story is pretty simple, but it's the viewer's perspective of all the misunderstandings between characters that make this film interesting to watch. Great suspense makes Blood Simple a worthy watch and debut for the Coens.

I am such a fan of the work of the Coen brothers and I thought I have to watch their very first movie. Everything sounded great. The plot, the actors even the title. I expected fun for the next 90 minutes. All I got was DISAPPOINTMENT. I am not that kind of a Person who gets bored easily but I had to fast forward the last 30 minutes because I could not handle it anymore. The plot made absolutely no sense to me. I'm sorry I feel this way.

We're dealing with other persons assuming something. It's always the case but sometimes it drops beyond even our low standards. Than we have a complete mess. This story is a perfect example of it. The characters don't talk much to each other, they study the environment instead to find out what they want to know. They think it's more trustworthy. And then they make conclusions based on what they found. Indeed, this is a sad story of misunderstanding and mistrusting. Excellently told with a lot of art-cinema stuff.

Blood Simple is directed, written and produced by Joel and Ethan Coen. It stars John Getz, Frances McDormand, Dan Hedaya, M. Emmet Walsh and Samm-Art Williams. Music is scored by Carter Burwell and cinematography by Barry Sonnenfeld.

Suspecting his wife of having an affair with one of his bartenders, Texas bar owner Julian Marty (Hedaya) hires sleazy Private Investigator Loren Visser (Walsh) to find the proof. When that proof comes, a deal is struck to have the unfaithful couple killed, but this is merely the start of a sequence of events that prove that when blood is shed unlawfully, things are never simple.

The Coen brothers announced themselves to the cinematic world in 1984 with this deadly neo-noir of some narrative substance, that's in turn resplendent with technical smarts. Taking their cue from the edgy film noirs of yesteryear, the Coen's wrap their own original bent for off kilter cinema around the vagaries of the human condition. The story always remains interesting throughout, continually keeping the viewer on their toes, managing to remain easy to understand, logical; and this in spite of some required convolution. Humid atmospherics are drip fed into the production, pulsing ceiling fans, seedy motel rooms, barely lighted highways and faces half bathed in shadow, Sonnenfeld's photography belying the low budget afforded production.

The characters themselves are soon submerged in a world of misunderstandings, double crosses and murder, this as Carter Burwell lays a score over it that blends a slow piano death rattle with low base throbbing, invoking images of some down on his luck gangster from the 30s lamenting on a bar stool in some back street Speakeasy. Cast are uniformly excellent, but Walsh just about steals it with sleaze, greed and cold blood running through Visser's veins. The brothers Coen show some of what would become their trademark body bag humour, while some scenes have a disgustingly cruel (gleeful) edge to them. Script is as tight as a duck's bottom, with dialogue often sardonic, and the final 15 minutes of film, practically dialogue free, is a masterpiece of tension building.

Quite a debut indeed. Essential neo-noir and not to be missed by those with a kink for such occasions. 9/10

All in all, the movie's cinematography is superb. The camerawork is outstanding. The angels, perspectives, the film's noir style lights an shadows takes the breath away. It's the story that baffles me. From the the 47th minute it descends to stupidity (very annoyingly I must add), and then to total chaos. In the end one may see what was it all about but even 'her' cannot be sure. Very disturbing.

The surly, dislikeable bar owner Julian Marty suspects his wife of having an affair with Ray, who is one of his bartenders. Hiring the sleazy private detective Loren Visser, it's through him that he is able to obtain the proof. Marty decides, however, that he's not going to take this lying down. Offering to pay Visser even more money if he will have them both killed, and their bodies disposed of. However, the embittered spouse gets more than he bargained for, when things take an unexpected twist. Eventually finding himself getting more than he bargained for. It leads to a series of events, that take several twists and turns for those finding themselves caught up in the machinations of the morally corrupt Vissier.

The feature film debut of sibling filmmakers Joel and Ethan Cohen, Blood Simple owed a debt to the Film Noir movies of the 40s. With The Postman Always Rings Twice and Alfred Hitchcock's Double Indemnity springing readily to mind. Shot on a budget of just $1.5 million, and in several locations in the towns of Austin and Hutto, Texas over a period of 8 weeks in the fall of 1982. Both brothers had no prior filmmaking experience. It was also noteworthy for being the screen debut of future Coen regular Frances McDormand. Who when still a relatively unknown actress. This being in spite of her career in film that followed would be a relative unknown, when she won a Best Actress Oscar for her role in the Coen's Fargo. Another low-budget film Noir, albeit one with a blackly comedic tone.

Blood Simple pretty much adheres to its title in that it's a movie with a basic plot that pays tribute to the pulp sensibilities, that would later be celebrated in Quentin Tarantino's masterful 1994 classic Pulp Fiction just under a decade later. For all its simplicity it's a grimly ironic, and macabre tale of bitterness, resentment, fear, and double-crosses told in the Coen's own inimitable style. Truthfully, the editing at times is pretty slipshod, although whether this is due to budgetary restraints or their lack of experience, it's really hard to tell. However, directorially given their lack of past filmmaking credentials, their aptitude for it is immediately recognizable.

Utilizing its Texas backdrop to great effect. The relatively desolate, dry atmosphere of its small-town setting is cemented from the very first opening shot. It shrewdly reflects the emptiness, the sense of futility, and the emotional isolation that exists for Abby in her marriage. Throwing her into the arms of John Getz's bartender Ray. The cheap, graininess of the picture quality also adding something to the gritty tone and ambiance. Given that this was for all intents and purposes an amateur production, the level of overall professionalism is pretty impressive. From the technical production aspects to the general caliber of the acting on hand. Both veteran actors M. Emmett Walsh and Dan Hedya come as little or no surprise. Each of them plays two of the most abhorrent of human beings, particularly Walsh as the scuzzy, disreputable Loren Visser. Playing him with a slick, door-to-door salesman smarminess, although not without slipping into parody. Bringing the right level of callous flippancy, while Hedya plays off of him, and the rest of the cast gives a more dialed-down performance as the equally hateful Julian. Bringing a subtle twitchy nervousness to a man, who is more than aware of the potential grave ramifications of what he's paying Vissier to do for him.

It comes as something of a surprise that actor, John Getz who gives a strong turn as Ray has dwindled into obscurity although he has continued to have an acting career. Arguably he has the most difficult performance of a more ambiguous character. This is in regard to both his motivations and feelings. On the face of it, a cool customer who at first keeps his head, unlike Abby who is fearful of how Julian if he learns of their affair will react. It's a demeanor that swiftly vanishes when events take a chilling twist for the worse. Getz really manages to change gears in his performance without it ever feeling forced or stilted. McDormand plays off of him exceptionally well, when Abby suspects something is wrong, with her star quality as an actress back then more than unmistakable. She brings ample vulnerability to her, without being reduced to a quivering, helpless wreck. It's no little thanks to Coen's script, which while it sticks to the conventions of Film Noir, never feels derivative or overdone. While also never reducing itself to showy histrionics.

The use of music by the sibling partnership is also expertly handled. And none more so than The Four Tops It's The Same Old song which plays frequently in the movie. Used to be fully effective, and which at one moment is beautifully utilized, as the strains of it echo in the background of one particular scene. It's knowingly subversive and holds a chilling resonance that is truly sublime. There is plenty in the way of chilling horror, but any blood or gore, no doubt due again to the budgetary restrictions is kept to the barest minimum. However, it never the less retains its ability to be effotlessly bonechilling.

For all its simplicity, when comparable to their later similar work which includes, the Oscar-winning No Country For Old Men. Blood Simple as already mentioned is a deliciously ironic story. One that is without any pretensions and is encapsulated by its final line delivered by M. Emmet Walsh. While lacking the blackly comic tone of Fargo, it's not lacking in a sense of its own absurdity. With Vissier's offhand nonchalance compounding it. Blood Simple is by no means a perfect movie. It's a bit rough around the edges due to its brotherly writer-director teams then overall lack of experience. Especially when compared to something like Reservoir Dogs. Another movie by the aforementioned Quentin Tarantino which like this marked his first feature as both writer and director. Joel and Ethan never the less managed to pull off something quite remarkable given all the elements entering into the equation.

Blood Simple: 6/10: Some movies are victims of their own success. Alien is a great film but it seems a little slow nowadays and the plot while very fresh in 1979 has been done to death. (I still love it mind you but if I saw it for the first time this year I would probably wonder what the big deal is) The surprise is gone. I bring that up because at its time Blood Simple was a critics darling. A breath of very fresh air in our nations multiplexes. Not anymore.

This kind of noir has been done to death since the Coen brothers revived it twenty plus years ago and Blood Simple through no fault of its own suffers as a result. The plot of the jealous husband and double crosses has had so many spins of the same record (1/2 of them seemingly starring Tim Matheson) that the original simply doesn't have the freshness or power it undoubtedly had back in '84.

The movie has great strengths still however. Seeing Frances McDormand looking this cute reminds me of see Lucille Ball or Bette Davis in one of their first films when they were sex objects. And while John Getz gets swallowed up in his straight role Dan Hedaya (Cheers) on the other hand plays sleazy so well I forget I have seen it so many times since.

Overall very well done if slightly slow paced and certainly worth a view just too familiar to encourage a repeat viewing.

Perhaps watching this about 37 years after it came out doesnt do it justice, but still... Extremely slow paced, muddled story and not very believable characters. The film is kind of saved by the nice ending, but it isn't enough.