अपनी भाषा में प्लॉट जोड़ेंAs part of a deal with an intelligence agency to look for his missing brother, a renegade pilot goes on missions with an advanced battle helicopter.As part of a deal with an intelligence agency to look for his missing brother, a renegade pilot goes on missions with an advanced battle helicopter.As part of a deal with an intelligence agency to look for his missing brother, a renegade pilot goes on missions with an advanced battle helicopter.
- 1 प्राइमटाइम एमी जीते
- 4 जीत और कुल 7 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
As a young teenager at the time, Airwolf was compulsory viewing for a generation who wanted their "Cowboys and Indians" to have amazing gadgets and whizz-bang explosions.
In many ways, the show was essentially Knight Rider in the skies: similar comic-book technology, a central character who was essentially a loner, and echoing the concept of one man making a difference.
But in other, important ways, it was thematically very different from Knight Rider, Street Hawk, The A-Team and other action shows of the time. For one thing, the premise of the series is built not on a desire to help those in need, but by Stringfellow Hawke's possession of Airwolf for essentially selfish reasons (as leverage to try to find his MIA brother, St John). And then there is the dark edge provided by basing the series firmly in an 80s Cold War context, complete with Soviet espionage and Central American dictators, not to mention the enemy within. Sure, The A-Team constantly referred back to Vietnam and the team's status as fugitives, but it was generally done with a light touch and was rarely central to the plot itself. With Airwolf, the intrigue was key to the tone and direction of the show - although this was (ill-advisedly) diluted as the series went on.
With hindsight, the Cold War setting clearly dates the series, many of the stories are creaky and contrived, and much of what Airwolf does is clearly implausible even with today's technology. But that's really not the point. Airwolf was rip-roaring fun, it tried to tell interesting stories without relying solely on the big action sequences, and it didn't sugar-coat everything by miraculously ensuring nobody died. Sometimes it failed, but often it succeeded admirably - and on a TV budget to boot.
For UK readers, DMAX (Sky channel 155) have just started (Jan 2008) daily re-runs of Airwolf. Set your Sky+ box for this blast from the past - we may even get the re-tooled, re-cast (and sadly vastly inferior) fourth season, which to my knowledge has never previously been shown in the UK.
In many ways, the show was essentially Knight Rider in the skies: similar comic-book technology, a central character who was essentially a loner, and echoing the concept of one man making a difference.
But in other, important ways, it was thematically very different from Knight Rider, Street Hawk, The A-Team and other action shows of the time. For one thing, the premise of the series is built not on a desire to help those in need, but by Stringfellow Hawke's possession of Airwolf for essentially selfish reasons (as leverage to try to find his MIA brother, St John). And then there is the dark edge provided by basing the series firmly in an 80s Cold War context, complete with Soviet espionage and Central American dictators, not to mention the enemy within. Sure, The A-Team constantly referred back to Vietnam and the team's status as fugitives, but it was generally done with a light touch and was rarely central to the plot itself. With Airwolf, the intrigue was key to the tone and direction of the show - although this was (ill-advisedly) diluted as the series went on.
With hindsight, the Cold War setting clearly dates the series, many of the stories are creaky and contrived, and much of what Airwolf does is clearly implausible even with today's technology. But that's really not the point. Airwolf was rip-roaring fun, it tried to tell interesting stories without relying solely on the big action sequences, and it didn't sugar-coat everything by miraculously ensuring nobody died. Sometimes it failed, but often it succeeded admirably - and on a TV budget to boot.
For UK readers, DMAX (Sky channel 155) have just started (Jan 2008) daily re-runs of Airwolf. Set your Sky+ box for this blast from the past - we may even get the re-tooled, re-cast (and sadly vastly inferior) fourth season, which to my knowledge has never previously been shown in the UK.
This show was one of my favourites as a child. Everyone I knew wanted to be stringfellow hawke, if only for the chance to fly Airwolf. The characters were good and interacted well (hawke being the moody one, Dom the comic relief). The only bad thing was towards the end of Airwolfs run they changed all the characters (actually killing off "Dom" (or a lookalike)) and making String disappear giving the helicopter to the now magically rescued St John Hawke! IF you want to enjoy this show then under no circumstances should you watch the pathetic end season (aka Airwolf II) and stick with the original characters!
Of course, Airwolf was one of the premier action shows of the 80s and was more believable than the sugar-coated antics of Knight Rider and A-Team, because it was set in the world of espionage and Stringfellow killed LOADS of bad guys when he battled them in The Lady. The series started off as a spy thriller with Airwolf duking it out with Russians, German terrorists, war criminals, renegade US agents and hardened mercenaries. If I remember rightly, ITV showed these episodes on Friday nights at 7pm back in November '84.
When the 2nd season kicked in, they moved it to an afternoon Saturday slot. This is when a new co-pilot Caitlin was introduced. She wasn't bad, and they still did good intrigue episodes such as the gripping thriller Moffatt's Ghost, Fallen Angel and HX-1 (Once A Hero was a spectacular actioner), but gradually, the series became cornier, as the Airwolf team began helping out ordinary people and there were some soapy stories such as String falling for a rock singer. They also started using stock footage in some episodes, more so in the third season.
The 3rd season got off to a cracking start with the menacing Horn Of Plenty. Richard Lynch did a good job as the manipulative Van Horn and Caitlin proved she could be a bad*** as well. Other top episodes were Airwolf II, Annie Oakley and Deadly Circle, but as I said before, they started over-using stock footage from previous series and the stories were becoming slushy. Despite this, Airwolf was arguably the best action-packed thriller on the small screen during the Reagan era.
When the 2nd season kicked in, they moved it to an afternoon Saturday slot. This is when a new co-pilot Caitlin was introduced. She wasn't bad, and they still did good intrigue episodes such as the gripping thriller Moffatt's Ghost, Fallen Angel and HX-1 (Once A Hero was a spectacular actioner), but gradually, the series became cornier, as the Airwolf team began helping out ordinary people and there were some soapy stories such as String falling for a rock singer. They also started using stock footage in some episodes, more so in the third season.
The 3rd season got off to a cracking start with the menacing Horn Of Plenty. Richard Lynch did a good job as the manipulative Van Horn and Caitlin proved she could be a bad*** as well. Other top episodes were Airwolf II, Annie Oakley and Deadly Circle, but as I said before, they started over-using stock footage from previous series and the stories were becoming slushy. Despite this, Airwolf was arguably the best action-packed thriller on the small screen during the Reagan era.
In my opinion - the answer is definitely yes. I'm not speaking of the monstrous super-copter, or at least, not mainly of it. The character of Stringfellow Hawk, who is the main attraction of the show, is one you might find in nowadays shows. Not a shallow hero, but rather a complex and deep one. In fact, I found Hawk's character to be very similar to another, more recent one - that of FBI's legendary agent Fox Mulder. I'm sure many eyebrows must be raised right now but think of the following - Both characters are eccentric, isolated and have only one close friend whom they trust, both Hawk an Mulder are obsessed with a missing sibling and their lives are centered around that issue. Both have their own truth and won't hesitate risking their lives for that truth. Need I say more? Jan Michael Vincent was the perfect choice for Hawk's roll - Hawk and Vincent are one. JMV brought a lot of him self into his character, the two are one, practically inseparable. In on of the discussions forum I'm participating in, a question was raised regarding the possibility of making an Airwolf movie. I said that I hope no such movie will be made because I can't see anyone entering JMV shoes as Stringfellow hawk. All of the forum members agreed. All in all, I think that what made Airwolf the great show it was, is JMV and of course we must not put down Ernest Borgnines contribution. Airwolf will always remain a classic.
What a great TV show, that deserves to have been made into a movie, the flying squences are great,the cast were so right. The only stain on the series are the people that tried to remake the series on a home movie budget and replaced all the actors from the original series. This is a show that deserves to be rerun for many years to come.
क्या आपको पता है
- ट्रिवियाJan-Michael Vincent's addiction to alcohol and drugs was a constant problem during filming.
- गूफ़Airwolf's control stick has two buttons controlled by the thumb: On the left side to enable "turbos", on the top to fire a missile. Throughout season 3 Hawke and Dominic sometimes press the top "missile" button to engage turbos.
- भाव
Dominic Santini: [after they've flown Airwolf into the Upper Atmosphere] Now, would mind telling me why the hell we did that?
Stringfellow Hawke: I just wanted to see if it could be done.
- इसके अलावा अन्य वर्जनIn the Italian version Hawke's surname is "Stradivarius".
- कनेक्शनFeatured in Jan-Michael Vincent Is My Muse (2002)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Lobo del aire
- फ़िल्माने की जगहें
- Monument Valley, यूटा, संयुक्त राज्य अमेरिका(establishing shots of the Valley of the Gods)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं(60 min)
- रंग
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें