Yentl

I discovered this film recently when it came out on DVD in France at a knock-down price. Picture quality is no more than average and seems to have a little over-dominance of sepia. I assume the film was originally destined for a Jewish audience as many of the references contained therein concern the Jewish religion of which I know nothing ! All that said, I was very very satisfied with this film, Barbra Steisand gave a magnificent performance, you could see that she put her heart into this, apart from being really cute, her voice and songs were magnificent. There's also quite a lot of humour and potentially embarrassing situations which is normal, given the fairly original plot line. I think that the end is a satisfying one indeed the only satisfying one possible. I know little about Jewish culture but do, as an "outsider" find it attractive. Indeed this may indeed be a prerequisite to fully appreciate this film.

"Yentl" is Barbra Streisand's adaption of an Issac Bashevis Singer short story. Set in Eastern Europe at the turn of the century, it tells the story of a woman who must disguise herself as a man in order to study scripture. Along the way she falls in love with a fellow student, Avigdor, who is engaged to be married. Due to a family secret he is prevented from doing so by the bride's father. In a desperate bid to keep him from leaving, Yentl, now known as Anshel, marries her instead.

The story has been modified for the film in that the role of Yentl is somewhat older and her internal dialogue is fleshed out in the form of songs. A sort of musical narrative solely from her perspective.

The opening song "Where Is It Written", the soulful "Papa, Can You Hear Me?", "The Way He Makes Me Feel" and the closing "A Piece of Sky" are some of the stand-out performances. This is Streisand's first directing effort and she was the first woman to win a Golden Globe for it. She pulls solid performances from everyone and tells her story with a fresh sense of style rarely seen in film today. There are moments when Streisand lingers a bit long to make sure you "feel" what she is trying to convey. Her subsequent directorial efforts, the 1991 "The Prince of Tides" and the 1996 "The Mirror Has Two Faces" are more fluid. Avigdor's concern over his affection for "Anshel" is not adequately explored, but the "girl marries girl" theme is approached with great humor and tact.

For music fans, check out the "Yentl Medley" from the 1994 "Barbra - The Concert" and the soundtrack album, which contains studio versions of "The Way He Makes Me Feel" and 'No Matter What Happens". Her 1991 box set "Just For the Record" includes "The Moon and I" which was written for this film but never used.

At the end, Streisand dedicates this film to her father, and all our fathers... I'm sure he would be very proud.

*Academy Award for Best Score* *Grammy nominations for TWO songs*

I'll be the first to admit that Barbra Streisand is not my favorite performer--I can take her or leave her, depending on my mood. However, I enjoyed Yentl immensely, despite its flaws.

First of all, the music is magnificent. Michel Legrand wrote songs that are both perfect for the movie and can be taken out of context as concert material (some of them, anyway--"Papa, Can You Hear Me?" is somewhat of a stretch). However, I was supremely disappointed that Mandy Patinkin doesn't sing a note in this movie. Obviously, the movie was meant for Barbra--it was HER baby--but still. Why cast Mandy as your leading man (and he was very appealing, I must say) in a "movie-musical" and not write a single song for him? Gah.

And to everyone who says that the movie is not credible because Barbra could never pass as a man, I say listen to the soundtrack. There's a lyric in "Tomorrow Night" (the one about her wedding to Hadass) that says "They may have eyes but they don't see,/They never really look at me./People are blind!/How else would everyone believe me?" Yentl didn't think that her plan would ever work, but people are easily deceived by her man's clothing.

Anyway. I liked this movie very much, and I certainly recommend it, but I can see how, if one can't stomach Barbra Streisand, it might be a bit jarring and obnoxious.

I recommend you see this movie if only for the singing at the end! It is wonderful! I am only a new-comer to Streisand movies, but I loved her in 'The Mirror Has Two Faces', and 'The Prince of Tides'. I saw the end of 'Yentl' when it was on TV a few months ago and absolutely loved the singing, and after seeing 'The Prince of Tides', I had to borrow it out just to see another Streisand movie! 'Yentl' is inspirational, and the singing is great! I recommend it!

Despite an ostensibly somber tone and an autumnal look that gives the film a burnished coffee-table feel, Barbra Streisand's directorial debut "Yentl", about a turn-of-the-century Jewish girl disguising herself as a boy to study the Talmud (religious writings for men only), has a lot of heart, a romantic soul and a ticklish sense of humor. Streisand's strengths as an actress are never more apparent, and as a director she's thoughtful and careful, though perhaps too anxious to display her sentiment (leading to a woebegone conclusion which peaks and ebbs before the fade-out). Streisand is the only actor who sings, and the songs--though mostly ornate and melodramatic--are cleverly interwoven into the narrative. The final number (something about rebelling against "a piece of sky") is simply too much, but Barbra is in strong, assured voice throughout and she gets wonderful acting support from Mandy Patinkin (in arguably his finest performance, which should have netted an Oscar nomination) and Amy Irving (who did receive an Oscar nod). An enjoyable film with a surprisingly light-hearted quality which catches one off-guard. *** from ****