WarGames

Wargames was a movie that was way ahead of its time. No one was making films about hacking into computer systems. The only computers used in movies were on space ships. No home computer has ever really been brought to the big screen. Wargames broke from the normal studio sci fi norm of either Earth being visited by aliens (E.T) or battles of Good and Evil in space (Star Wars, Star Trek). With the raise in hacker crime rate now, and seeing how Dependant we've become on computers, Wargames was a movie with it the eye on the future. Imaginative story, great cast (who, despite other reviews, do not phone it in) Wargames is a true gem, as it was recently listed by AFI as one of the top 100 sci fi movies of all time. Broderick was perfect as a slacker teen, and Ally Sheedy turns in one of her best performance, making the most of an under developed character. Dabney Coleman showed why he was one of the busiest actors in the 1980's (though he always better cast as a villain), and Barry Corbin could play almost anything convincingly. while the special effects may be dated by todays standard, Wargames helped shape the way people think and speak. Backdoors, hacking, were not common terms like they are today. Without a doubt, much in agreement with AFI, Wargames remains one of the most important films ever made.

A rogue young man named David (Matthew Broderick) along with his best friend Jennifer (Ally Sheedy) hack into their high school's computer to change his grade and later on , find a back door into a military central computer in which reality is confused with game-playing, possibly starting World War III . As the United State's Department of Homeland Security is led to believe an American teen hacker playing a terrorist-attack simulator game online is a real terrorist out to destroy the U.S . The system is called the War Operation Plan Response, or WOPR for short, developed by brilliant but now deceased scientist Stephen Falken (John Wood), who programmed the system to learn continually through game simulations . At the end , a message : The only winning move is not to play.

This is an entertaining film of the 80s ; it was way ahead of its time and it stills grips the spectator . A popular flick in which a young computer whiz hooks into a game manufacturer's computer and accidentally starts WWII when he decides to play a selection titled ¨Global Thermonuclear Warfare¨ . The picture contains almost no violence , nor murders or any other sensationalistic content . Interesting as well as amusing screenplay by writers Lawrence Lasker and Walter F. Parkes who during their extensive research for the film, made friends with many 'hackers' and security experts. They later wrote ¨Sneakers¨ another film featuring 'hackers' and security experts. Likable starring couple , Matthew Broderick and Ally Sheedy , both of whom hold a great chemistry . Large support cast such as Barry Corbin , Dabney Coleman , Dennis Lipscomb and many of them uncredited as Michael Madsen , Eddie Deezen , James Tolkan , ArtLeFleur , William H. Macy , Maury Chaykin and John Spencer . Special mention to John Wood as Professor Stephen Falken ; main inspiration for this character was Cambridge Professor Stephen Hawking ; he was originally approached to appear in the movie, but he declined because he didn't want the producers exploiting his disability . Adequate musical score accompanying the action by Arthur B. Rubinstein and inventively photographed by classic cameraman William A Fraker . The film was part of a 1980s cycle of films about atomic bombs and nuclear warfare which had started in 1979 with ¨The China syndrome¨. The films included ¨Silkwood¨, ¨Testament¨, ¨Threads¨, ¨The day after¨ , ¨The Atomic Cafe¨, ¨Ground zero¨,¨Special Bulletin¨ , ¨Barefoot Gen¨, ¨Rules of Engagement¨, ¨Letters from a Dead Man¨ , ¨The chain reaction¨, among others . Followed by an inferior remake titled ¨ WarGames: The Dead Code (2008)¨ by Stuart Gillard with Matt Lanter as Will Farmer , Amanda Walsh as Annie D'Mateo , Colm Feore as Joshua and Chuck Shamata as Bill Carter .

The motion picture was professionally directed by John Badham , though the original director was Martin Brest, and several of the scenes he shot are still in the movie , but he was fired as filmmaker a short while into production due to creative differences . Badham's breakthrough credit was the box office smash Fever Saturday night (1977) ; other hits on his resume include The Blue Thunder (1983), War games (1983), and Shortcircuit (1986). He's a nice director who achieved his greatest success in the 80s and 90s . He directed several hits (Drop zone , Nick of time , Skateout ,Point of No Return , Bird on a wire) , though today making TV movies (Jack Bull , Floating away) and television episodes (Crossing Jordan, Psych, Las Vegas, Standoff , Heroes).

If you want to see a film with the most real style of hacking, forget Swordfish, The Net and all these other films where "hackers" work in graphically superb programs and can hack government server in few seconds. Broderick, working in his text-only mode, using social-engineering and having good abilities handling primitive electric devices is nearest the real world's "hacking", at least in his period.

As thought that the film sometimes lacks tension, especially in the middle, it has its very strong moments. To be honest, I got most excited on the very beginning, I really loved it.

The performances are good, but I disliked and didn't believe the performance of the man, who should have played the wooden-head general. It seemed to be too overacted. He himself lowered my rating by one.

This film might not be so interesting for people, who aren't interested in computers, because, as I mentioned upper, the plot lacks some deeper crisis, but I thing that everyone else will like it, so if you match the upper criterion I can recommend you only one thing: Go and get it!

This was an old favorite for many younger baby-boomers, who were teenagers and in their twenties at the dawn of the personal computer age.

This one was a bit more than amusing, though. It opened many eyes to both the potential and the dangers we faced while coming into the computer age. The government had these marvelous machines and the internet by which they communicated for decades before the public was given access from these ancient Commodore 64's, Amigas, and Atari home computers via phone line, back in the late 1970's.

While this work is entertaining, it also bears a valid warning, even today.

Broderick and Ally Sheedy both were 21, playing 17 year olds, competently.

It rates a 7.6/10 from...

the Fiend :.

Cyberthrillers may not have started with "WarGames," but it was here the form achieved an early peak. As more filmmakers follow its example of portraying a high-tech faceoff between man and machine, "WarGames" remains a standard to be measured against. While it's not a film classic, it's a very, very good popcorn thriller of uncommon craft, charm, and humanity.

Seattle high schooler David Lightman (Matthew Broderick) has only a few hours to undo what he thought was a sneak preview of an upcoming computer game but what instead got him tinkering with the U.S. Air Force's WOPR (War Operation Planned Response) computer system in such a way as to trigger a countdown to World War III. The FBI thinks he's a Soviet spy, while classmate Jennifer Mack (Ally Sheedy) is wondering if this isn't all really about a rejiggered biology grade.

Broderick is solid, and Sheedy even better, but what really sells this film is everything else. Start with the excellent supporting performances. John Wood as a reclusive professor and Barry Corbin as a tobacco-chewing general get much of the kudos, and rightly, but there's a whole deep bench of quality work beyond that, like Kent Williams as a curt White House advisor, William Bogert and Susan Davis as David's out-of-it parents, Alan Blumenfeld as the swaggering bully of a biology teacher, and Juanin Clay as a beautiful but underappreciated assistant (even by herself as she uses her own mouth as an ashcan for her boss's discarded gum.) You know the casting people behind this movie were on the ball when the opening sequence features two very recognizable faces, those of Michael Madsen and John Spencer, in what were film debuts for both.

That sequence with Madsen and Spencer as missile men point up another quality of "WarGames," the way the movie works in terms of setting up expectations and developing pace. The harrowing business between the two of them is mercilessly presented ("Turn your key, sir!") and then effectively abandoned so as to work in the central storyline, the replacement of these men with computers. We get a macro-view where Dabney Coleman as a tunnel-visioned warroom executive effectively makes the case for "taking the men out of the loop" and then zoom back into what seems a totally unrelated story, that of slacker teen David Lightman and his high school travails.

The film could have just started with Lightman, and worked its way out to the business with the WOPR. But the early peek behind the curtain is a clever way of raising the stakes with the audience before the protagonist realizes what's up.

The set design, cinematography, lighting, and editing all work wonders as well. The NORAD warroom is really a character onto itself, the ultimate source of reality in this film (and better for my money than the warroom in `Dr. Strangelove,' an obvious inspiration.) The way the cameras dart around from terminal to terminal as uniformed USAF technicians follow the progress of an apparent Soviet attack, lighting onto one of them just before he or she relays an important piece of information, is highly addictive and entertaining.

There's some sloppiness in the movie. Madsen and Spencer's talk about this great pot Spencer's character has scored strains credulity in the high-security setting they are in, and its blindingly obvious that the two men we see exiting a helicopter and entering a jeep during the credits are not the same two men getting out of the jeep moments later. The musical score is terrible, except for the elegiac tune at the end by which time it's too late. And there's no real examination of the morality of Lightman's serial lawbreaking.

But this is a funny, exciting, consciousness-raising movie that is as entertaining now with the Cold War more than a decade behind us as it was all those years ago. For all the technical innovation on display, it's ironically appropriate we remember it for showing us how to butter an ear of corn, because it's the human side of the equation `WarGames' keeps in its sights at all times.

[The DVD features a terrific, candid commentary from director John Badham and writers Lawrence Lasker and Walter Parkes that gives one a real appreciation for the value of creative license as well as factual diligence in making a film of this kind work.]