Valley Girl

I'm glad Cage changed his name from Coppolla and got this part on his own. Light-hearted, no deep thought needed, but a cute piece about opposites attracting- though her parents are still hippies.... Captures the voice of the early 80's- the whine of the valley and the funk of the other side. One can see the beginning of Cage's talent.

The first time I saw Valley Girl, I was bedridden and as sick as a dog, out of junior high school for two weeks with a nasty illness. I watched it on a tiny black and white set with the volume turned down to a whisper so my parents wouldn't hear and make me shut it off. I was mesmerized. It was a revelation. Martha Coolidge's milking of the Romeo and Juliet premise (with Nicolas Cage and Deborah Foreman filling in as star-crossed lovers in the San Fernando Valley) was smart and convincing. I was amazed by the hot "Val" chicks. I was thrilled by the interesting vocabulary words. I wanted to be like Cage's tough Randy and fall in love with a beautiful girl like Foreman's Julie to the sounds of Eddie Grant, Modern English, and The Plimsouls.

Everyone has a great list of cinematic guilty pleasures, and "Valley Girl" has been on mine from the first time I saw it. It was clear from the first "valley view" of the San Fernando that it was several cuts above your average teen-aimed movie. Obviously, Nicolas Cage was pretty impressive, even if I had no idea of his heritage or his future. I liked Deborah Foreman, too, and the supporting cast was well-chosen. If the plot was trifling, it was at least clever and certainly not pretentious. And the music, from the opening by Foremen and her friends to the closing shot of the limo ride to Modern English's "I Melt With You," is a big plus. Overall, an very entertaining take on love across the valley of cultural differences from Martha Coolidge, who is one of our most underrated directors.

It was 1983 and I was 13. I watched Valley Girl on HBO one night when my parents were working. After it ended I wanted to talk with someone about it immediately. Turns out my best friend watched it too and it became our favorite movie. Every weekend after that we watched it until we could recite it. We woke her parents up late at night laughing hysterically. We began to worship the main character, Julie, played by the beautiful Deborah Foreman. I am not saying this is a great classic. Although it is for me personally. And I understand that the whole Valley Girl talk becomes annoying but that was the 80's. But deep down at the heart of the movie-it is a love story, and a familiar but good one. Girl meets boy and there are sparks from both sides, an instant connection. Julie's friends don't like him-he doesn't fit in, doesn't go to their school, doesn't have money. They like her better with her ex-boyfriend the football player even though he is a jerk. She makes the ultimate sacrifice-her own happiness for her friends' happiness. And she has these really cool supportive hippie parents. It is one of Nicholas Cage's first movies and his first starring role. One minute he is absolutely hilarious and the next incredibly touching and romantic. His friend Fred is pretty funny too. If you were a teenager in the 80's you will love this movie or at the very least it will bring back memories. It is no longer my favorite movie but it is still one of my favorites, probably in my top 10. I am eagerly awaiting it's release on DVD if they ever release it. You can go to Deborah Foreman's website to sign a petition to get it released on DVD and there are 2 soundtracks from the movie that are must haves if you like 80's music.

In the tradition of "Romeo and Juliet," a punker named Randy (Nicholas Cage) begins a relationship with shallow teenage girl named Julie (Deborah Foreman), but peer pressure from her equally shallow friends forces her to break up and go back to her ex-boyfriend (Michael Bowen). Randy refuses to take this lying down and tries to get Julie back. Will he succeed?

Fine performances by Cage, Foreman, Frederick Forrest and Colleen Camp (as Julie's hippie parents), sensitive directing by Martha Coolidge, and totally tubular soundtrack by Modern English, The Plimsouls, and Men at Work (to name a few) makes this fun sleeper one of the best 80's teen comedies (fer shure).

My evaluation: *** out of ****