Two of a Kind

The most important thing to remember when watching "Two of a Kind" is that is was really a vehicle for the two stars, based upon the idea that their chemistry in Grease would make for another hit, which sadly, in this case, it didn't. They were determined to do another film together and had looked through over 30 scripts before choosing this one - one wonders quite how dire some of those must have been...

Other reviewers have already written about the plot, so I won't concentrate on that, rather on the performances and the way the film comes across.

There is a pretty starry cast here - Gene Hackman plays God, Oliver Reed plays the Devil and angels include Charles Durning and Beatrice Straight. Unfortunately, as a film experience, it just doesn't seem to work - probably the reason why it did so poorly at the Box Office at the time, despite a $5m marketing budget. Lots of rewinding and stopping time, which can be confusing if you're not paying attention; Oliver Reed singing(badly); and minor characters (Olivia's flatmates, her landlord) that do nothing for the plot and tend to irritate when they appear.

However, Olivia and John do make a very cute couple - I spent the entire second half of the film with a grin on my face, feeling very soppy, once they get it together.

The acting on the part of the two stars is fine. If I'm nit-picking, ONJ gives a slightly uneven performance in TOAK - one or two scenes where she seems to be saying the words with a bit too much "acting", but very commendable otherwise. They both have a good sense of timing, and that comes though. There is even a "love" scene, although hardly x-rated - they keep most of their clothes on, although ONJ reported that she felt quite nervous about it at the time. She even swears in one scene, which is a bit weird the first time you hear it!

I always felt sorry that ONJ had a poor run with films after Grease and pretty much chucked the acting in, bar the occasional TV movie, although she seems to be making a slow return in a few indie films in the last 5 years. I think she could of gone on to a decent film career if she'd have picked some better films in the early 80's. She does have a good sense of comic timing (she is known in entertainment circles for a wicked sense of humour) - maybe in an alternate universe could have been the Meg Ryan of her generation...

The soundtrack is probably the strongest thing about TOAK - ONJ sings about half of what you hear in the film; she is head and shoulders above everything else. Olivia and John even do a duet - "Take a Chance", although it's not really anything to write home about. Give me "Twist of Fate" anyday.

I am a fan of both Olivia and John and I do love this movie. However, I appreciate its faults, and I'm not going to pretend that it's something it isn't. All in all, it's not a "great" movie in the traditional sense of the word. Where you are going to get rewarded watching TOAK is if you are a fan of Olivia and/or John (especially the two of them together.) It is a romantic comedy, and not a particularly good one at that, but that chemistry between them is certainly still there after "Grease", and that does give TOAK a certain something.

"Two of a Kind" originally opened citywide at Christmas time 1983 without any pre-release screenings for the critics (and you know what they say...they must have something to hide!). True, the wheezing, inane plot and phony contrivances of "Two of a Kind" are tough to wade through, yet the film has a cartoonish kind of magic that is appealing, especially if you're an admirer of Olivia Newton-John (looking her best here). John Travolta, on the other hand, is slumming it, walking through a rather hopeless role as a would-be inventor so deep in debt he stoops to robbing a bank; Newton-John is the teller who dupes him out of a small fortune. Likable supporting performances by Charles Durning, Scatman Crothers, Castulo Guerra and Beatrice Straight as bantering angels; Oliver Reed also has fun as a dapper Satan. Cheesy but big-hearted film is a sweet fairy tale, a comic-book romance that doesn't strive for anything loftier than silly laughs and star-crossed love. ** from ****

God returns after 25 years and he's disappointed with humanity under the four angels; Charlie (Charles Durning), Earl (Scatman Crothers), Gonzales (Castulo Guerra), and Ruth (Beatrice Straight). God proposes to start over but the angels convince him that there is goodness even in a man like Zack Melon (John Travolta), a failing inventor who owes money to gangsters. He tries to rob a bank but teller Debbie Wylder (Olivia Newton-John) switches the money with worthless slips. God agrees to bet that Zack would sacrifice himself for her and her for him... within a week's time. The Devil (Oliver Reed) has other plans.

Travolta and Olivia Newton-John reunite for this less-than-stellar follow-up. They are not as appealing as the first time. Their characters are a bit clunky. Their charisma and a few pop hits are the only saving grace. Everything else has that clunky muddle.

Two of a Kind is a 1983 American romantic fantasy comedy film directed by John Herzfeld and starring John Travolta and Olivia Newton-John. The film reunited Travolta and Newton-John who had appeared together in 1978's Grease. The original musical score was composed by Patrick Williams. Travolta plays a cash-strapped inventor while Newton-John plays the bank teller whom he attempts to rob. They must come to show compassion for one another in order to delay God's judgment upon the Earth. Despite being a critical and commercial failure, Two of a Kind yielded three popular singles for Newton-John and a Platinum certification for the soundtrack.

I expected the worst when I decided to watch Two of a Kind. I'm a huge fan of Grease and Olivia Newton-John so I thought even if it is dreadful, the soundtrack and Olivia may make it bearable. The film begins with four angels who have been in charge of Heaven for the last 25 years. God decides he is fed up with what he sees down on Earth and decides to start a fresh. The four angels persuade him to reconsider, reasoning that, if a typical Earth man can reform, it would prove that all mankind is capable of it.

Then comes in Zac (John Travolta), who decides to rob a bank served by Debbie, (Olivia Newton-John) who leaves her number on a bag supposedly filled with money which is empty, Debbie takes the money for herself and the two characters become infatuated.

With such a bizzare plot you'd think they'd have come up with something a little simpler to reunite the two leads, even an average romance comedy would've sufficed and probably been more successful than this. The film instead is plodding, 80s cheese - the cinematography of the film is ugly and it's generally a lifeless film to watch. The chemistry between the leads is virtually non-existent and a far-cry from Grease less than 10 years before this was filmed. There are also too many characters in the film we couldn't care less about. I can't imagine the disappointment of cinema-goers in 1983 when they sat down in a theatre to watch this. The ending is also laughably bad.

However, I didn't completely hate the film, it has a certain charm about it that I liked- the soundtrack is upbeat and fun although the energy didn't always match that of what was on-screen. It has that sticky-sweet 80s charm that always wins me over, no matter how bad the rest of the film is. I can't recommend the film completely, but it's nice to see the leads together again after Grease.

4/10

This movie's unintentional humor is just as funny as the real humor intended to be. There's a lot to watch for here, the once-hot trendy hairstyles hairstyles, edible sunglasses, an small role by an up-and-coming Kathy Bates, are all in here. John's physique was still lookin' hot from "Stayin' Alive" (waxed chest and all), and Olivia's "Physical" haircut had grown out to a nice length by this time. Their clothes and hair are classic mid-80s. I'm sure it was a refreshing change for ONJ from the peasant dress she wore in "Xanadu." The plot is incidental, but an added reason to see this film is the wonderful presence of the late actors Scatman Crothers, Oliver Reed, and Beatrice Straight (a dramatic actor who inexplicably made this one of her only comedic roles). Reed is a pleasure to watch, and Crothers is as jovial here as he was playing Kick the Can in "Twilight Zone: The Movie." They should have realized what they had and made it more campy; but hey, as long as we're in on the joke. This should play on local UHF stations Saturday or Sunday afternoons in a double bill with the Carol Burnett/Alan Arkin film, "Chu Chu and the Philly Flash"!