Two of a Kind

God returns after 25 years and he's disappointed with humanity under the four angels; Charlie (Charles Durning), Earl (Scatman Crothers), Gonzales (Castulo Guerra), and Ruth (Beatrice Straight). God proposes to start over but the angels convince him that there is goodness even in a man like Zack Melon (John Travolta), a failing inventor who owes money to gangsters. He tries to rob a bank but teller Debbie Wylder (Olivia Newton-John) switches the money with worthless slips. God agrees to bet that Zack would sacrifice himself for her and her for him... within a week's time. The Devil (Oliver Reed) has other plans.

Travolta and Olivia Newton-John reunite for this less-than-stellar follow-up. They are not as appealing as the first time. Their characters are a bit clunky. Their charisma and a few pop hits are the only saving grace. Everything else has that clunky muddle.

This was, effectively, John Travolta's last film before his near-decade long hiatus in the 1980's, and while it marks the end of the cheesy, romance genre with which he'd become synonymous at the time, it's not a bad vehicle in which to reunite the former "Grease" stars.

Travolta is a down-on-his-luck inventor who bungles a bank robbery to pay off gambling debts. Newton-John is the bored bank teller who takes pity on his predicament, teaming up as they dodge enemies and the law. Amid all the chaos, God has decided that the world is no longer worth the effort and plans to bring about its end. Only the intervention of a trio of well meaning angels (and Travolta and Newton-John as the saviours) can change God's mind. Encapsulating the unusual plot in a few sentences almost makes it sound complicated (not to mention absurd), but in reality, it's very light and entertaining.

Diverse cast in the supporting ranks (Reed, Durning, Crothers, Straight and Hudson most notable) provide madcap characterisations, and Travolta and Newton-John have an on-screen chemistry that is warming, if hopelessly corny at times. The soundtrack featuring some minor hits from Chicago, Journey and Boz Scaggs as well as Newton-John, is easy listening and fits the lighthearted mood well. There's some reasonable action sequences, stunts and set-work, and enough entertaining moments to fill out the 85-odd minutes.

An honest invention, not the typical self-indulgent romantic comedy that became stock standard of the nineties. Good cast, more comedy than romance, what's not to like?

This movie's unintentional humor is just as funny as the real humor intended to be. There's a lot to watch for here, the once-hot trendy hairstyles hairstyles, edible sunglasses, an small role by an up-and-coming Kathy Bates, are all in here. John's physique was still lookin' hot from "Stayin' Alive" (waxed chest and all), and Olivia's "Physical" haircut had grown out to a nice length by this time. Their clothes and hair are classic mid-80s. I'm sure it was a refreshing change for ONJ from the peasant dress she wore in "Xanadu." The plot is incidental, but an added reason to see this film is the wonderful presence of the late actors Scatman Crothers, Oliver Reed, and Beatrice Straight (a dramatic actor who inexplicably made this one of her only comedic roles). Reed is a pleasure to watch, and Crothers is as jovial here as he was playing Kick the Can in "Twilight Zone: The Movie." They should have realized what they had and made it more campy; but hey, as long as we're in on the joke. This should play on local UHF stations Saturday or Sunday afternoons in a double bill with the Carol Burnett/Alan Arkin film, "Chu Chu and the Philly Flash"!

This movie is worth watching because it's easy to see how much fun John and Olivia are having working together. Plus there's Oliver Reed and some simple fun special affects; although the general plot-line is a very overused one.

This movie didn't get as much credit as it deserves. I guess everyone expected it to have the same power as Grease because of its stars. This movie I think can stand on its own. It has a cute story and it does have that great star power. It has times when it's funny and it has times when it's romantic and it has times when it's dramatic. So it didn't have that same spirit as Grease if you give it a chance to prove itself you might actually enjoy it and not punish it for not living up to what people expected.