Storie di ordinaria follia
- 1981
- 1 घं 41 मि
कवि/व्याख्याता चार्ल्स सर्किंग के लिए लंबे समय से अपनी मादक बेहोशी से लॉस एंजेलिस तक वापिस बस ले जाने तक जागते है, और फिर वे शराब सेवन और यौन अवसाद के एक तांडव में डूब जाते हैं.कवि/व्याख्याता चार्ल्स सर्किंग के लिए लंबे समय से अपनी मादक बेहोशी से लॉस एंजेलिस तक वापिस बस ले जाने तक जागते है, और फिर वे शराब सेवन और यौन अवसाद के एक तांडव में डूब जाते हैं.कवि/व्याख्याता चार्ल्स सर्किंग के लिए लंबे समय से अपनी मादक बेहोशी से लॉस एंजेलिस तक वापिस बस ले जाने तक जागते है, और फिर वे शराब सेवन और यौन अवसाद के एक तांडव में डूब जाते हैं.
- पुरस्कार
- 9 जीत और कुल 3 नामांकन
- Girl on Beach
- (as Katia Berger)
फ़ीचर्ड समीक्षाएं
Ben Gazzara does a very good drunk poet (he would be better if he had a bigger belly) and Ornella Muti is divine as usual. Forget all the idiots who felt bothered with the reality shown by the film and enjoy.
This film presents a completely downtrodden view of the world and director Marco Ferreri completely succeeds in creating a dirty and sleazy atmosphere for everything to take place in. There's plenty of full frontal nudity and sex in the film and it's all portrayed as being very dirty and thus is not erotic at all. The style of the film is excellently matched by a stunning performance from Ben Gazzara in the lead role. The actor fits into this role amazingly well and always convinces as the central character. The film doesn't hold back when it comes to showing things such as nudity either, although it's all done in such a 'matter of fact' way that sometimes the film is not even shocking. The female lead is taken by the stunning Ornella Muti, who is a real beauty and convinces alongside Gazzara. The film feels too smart to not have a point, and while the substance comes from the central character and his plight; there's not really a defining point to the film. Overall, Tales of Ordinary Madness is a film that is well worth seeking for the cult fanatic and I can recommend it.
Ornella Muti, as Serking's sexual muse, is Venus incarnate and turns in a powerhouse performance as Cass, an emotionally damaged whore with a penchant for pain. The scenes of Gazzara swaggering in and out of LA's fleapit bars, apartments and hotel rooms convey a filthy, delirious ambiance that is vividly captured by Tonino Delli Colli's superb cinematography and Dante Ferretti's exquisitely oily production design. This is such an amazing looking film with a thick, steamy, anything-goes atmosphere of lust-ridden anarchy.
Much grittier than the accomplished "Barfly" and more watchable than "Love Is A Dog From Hell", the entire affair has an emotional, raw resonance that slavishly captures the Bukowski sensibility and remains consistently perverse in its singular vision of a man enslaved by alcoholic and sexual gluttony.
Phillipe Sarde's score is moody and rich, as is Gazzara's breathy voice-over.
A masterpiece.
The picture is worth watching -because Gazzara is very good and Ornella Muti as well, she's also so sweet and gorgeous...-. The film is interesting because it tries to capture Bukowski ideals and his pessimistic ways to see the world.
I think nevertheless that it is very difficult to film "materials" from a writer like him, because he's so excessive and outrageous... It's particularly difficult to translate his thoughts in pictures. The film is quite boring, the action is slow. Sometimes we have the feeling that there's no story. Marco Ferreri did doubtless better films (see "La grande bouffe" and "Don't touch the white woman").
क्या आपको पता है
- ट्रिवियाAs told by his fellow actor and friend Massimo Ceccherini on a podcast, the actor Carlo Monni is credited in the opening credits but isn't actually in the movie. He was supposed to play a role and was on set for the whole production but he had some personal issues that put him in strong emotional distress and made him incapable of acting. Marco Ferreri kept his name in the credits as an act of friendly affection.
- भाव
Charles Serking: [First lines. Off-camera from a theater lecture stage] Well, here I am.
[Jeers are heard from the unseen audience and an unseen voice yells out, "Fuck you, turkey"]
Charles Serking: Ayyyyy... watch it. I've been working out with weights.
[More jeers and another unseen voice yells out, "Are you drunk?"]
Charles Serking: Ill just drink my wine and leave. Right...
[More jeering]
Charles Serking: Okay, let's begin. Forget the bullshit and get into the so-called art... Style...
[Audience is restless and an unseen voice yells out, "We love you, Charlie!" as he guzzles wine from a brown bag]
Charles Serking: Style is the answer to everything... a fresh way to approach a dull or dangerous thing. To do a dull thing with style is preferable to doing a dangerous thing without style. To do a dangerous thing with style is what I call art. Bullfighting can be an art. Boxing can be an art. Loving can be an art. Opening a can of sardines can be an art.
[the audience bcimes restless again and an unseen voice cries, "Come on!"]
Charles Serking: Not many have style. Not many can keep style. I have seen dogs with more style than men - though not many dogs have style. Cats have it in abundance.
[He guzzles more wine from his brown bag]
- क्रेज़ी क्रेडिट'Copyright' is spelt as 'copyrigth'.
- कनेक्शनFeatured in Marco Ferreri 1928 - 1997 (2008)
- साउंडट्रैकSmile Away The Rain
Written by R. & M. Berardi
(r) Mureo Music Pub
टॉप पसंद
- How long is Tales of Ordinary Madness?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Tales of Ordinary Madness
- फ़िल्माने की जगहें
- अटलांटा, जॉर्जिया, संयुक्त राज्य अमेरिका(Closing beach scenes.)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 41 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.66 : 1