Svengali

I watched this well over 30 years ago and have just rewatched.

Peter O'toole's performance was memorable and that is why i sought it out for a second viewing.

Well worth watching for his performance alone. Brilliant.

George L. Du Maurier's novel "Trilby", first filmed as "Svengali" in 1931 with John Barrymore and Marian Marsh, gets an embarrassing '80s make-over here, with New York bar-band singer Jodie Foster discovered and sent to vocal tutor extraordinaire Peter O'Toole for refinement. They share a begrudging relationship at first, accented by ego-mad Svengali O'Toole's stormy temperament, until Foster's Zoe eventually lands a record deal--putting into question her need to rely on this man who has come to be her mentor and love-interest. Well-produced for television, the movie gets off to a good start but eventually flags, with Foster unconvincing as a vocalist and O'Toole looking ragged and disinterested. There's a funny bit performance by a young Holly Hunter (whose screws are so loose, she clashes with the relatively somber tone of this piece), and Elizabeth Ashley has some fine moments near the beginning before she is unceremoniously lost in the shuffle.

Most of the people that have seen it, will not have anything bad to say about the performances of the leading actors. Yet, it is obvious that Foster cannot sing, and that O'Toole is being Bela Lugosi, the star of the early Dracula films.

Nevertheless, it is not their fault if in the late seventies they were asked to star in such a tremendously average and weak movie about a young rock star in the making whose mentor is a tough Hungarian and former musical star. Eventually, the 50 year old becomes romantically involved with the 22 year old, and I hate the way in all these movies in the end they actually do 'make it' as they say in the film, but there is never just a strong admiration or platonic love. It would have kept O'Toole's character interesting, before it too crumbles down and becomes a sad little human being.

Anyways, it's free on youtube somewhere so check it out there, though mind you, you could be bored to hell with, particularly every time O'Toole is away from the action.

Two of the greatest - playing together. They are doing it so good, that I can remember THEM; not especially the plot in the movie; but Toole and Forster WAUW! Their emotions became so real!

The significant alterations to the original source i.e. George Du Maurier's classic Victorian chiller, TRILBY (a novel which I have had the pleasure of reading for myself a few years ago) may perhaps put off some purists from giving this solid film adaptation a fair chance: for starters, the story here is not set in the art milieu of end-of-the-century Paris but in the dog-eat-dog world of the New York pop scene; the main characters are not even called Svengali, Trilby and Billy but have become Anton Bosnyak, Zoe Alexander and Johnny Rainbow; perfectionist taskmaster and rebellious pupil not only match wits word-for-word but genuinely fall in love!; 'Svengali' proves to his by-now established protégé that she does not need his influence to succeed!!; the teacher does not die in the end but, in fact, is seen taking on a new pupil under his wings, etc. Consequently, since hypnotism and kidnapping do not form part of the plot here, it cannot even be considered a horror film and, technically, I should not have included it in this ongoing Halloween Challenge…but, of course, I did not know about that before watching the thing! Anyway, that the film succeeds regardless is a testament to the acting talents of Peter O'Toole (nobody does flamboyant eccentrics like this formidable British thespian – whom I have had the privilege of watching live on London's renowned "The Old Vic" theater in the Summer of 1999 – and, therefore, perfect casting as the Svengali figure), Jodie Foster (at 21, she is totally capable of holding her own ground in her scenes with O'Toole – and she possesses a fine, raspy singing voice to boot), Elizabeth Ashley (a welcome addition to the mix as a former unsuccessful student of O'Toole's that has instead found her calling as a talent scout) and the music of John Barry (Foster keeps singing the same three songs throughout the picture but, at least, they're quite decent). It should also be noted that the film reunites both O'Toole and Barry with their own taskmaster on THE LION IN WINTER (1968) i.e. Anthony Harvey and that future Oscar-winner Holly Hunter makes a brief appearance early on as a nymphomaniac backing vocalist!