Strange Invaders

"Strange Invaders" is a cheerful and likable 80's movie, regretfully forgotten these days because nowadays audiences don't understand the charm and inside jokes of authentic "Alien Invaders"-science fiction from the 1950's. This movie is one giant spoof/tribute to wonderful films such as "Invasion of the Body Snatchers" and "Invaders from Mars", but the screenplay is intelligent enough to add new and surprisingly original twists of its own. We have the typical remote American town – Centerville, Illinois – getting colonized by hideous aliens that take over the identities of the locals and examine the earthly life-style in the meantime. The ingenious elements in the script are, however, that this whole invasion-project was seemly approved by the government AND that the aliens never evolved after they landed on our planet. Centerville still looks like a swinging 50's town, with jukeboxes, old cars and traditional dress codes. University professor Charles Bigelow teams up with a gossip-journalist Betty Walker to investigate the town's bizarre secret. "Strange Invaders" is well-directed by Michael Laughlin ("Dead Kids") and cleverly co-written by Bill Condon. There's very few gore, which is a good thing, but the special effects are definitely not bad with a couple of adorable space-ship designs and the aliens' inventive method to "cristalyze" people. The acting performances are vivid, with Paul LeMat ("American Graffiti) and Nancy Allen ("Carrie", "Dressed to Kill"). The supportive cast is even better with spirited roles from Michael Lerner, Diana Scarwid and the wonderful Louise Fletcher, once again as the mean shrew. The happy-ending is somewhat lame and far too Disney/Steven Spielberg-like, but I suppose that's forgivable. Good, cheesy and nostalgic 80's entertainment.

A college professor (Paul Le Mat) goes looking for his missing wife and finds a town that appears to be stuck in the 1950s. While there, he's attacked by an alien but manages to escape. He then tries to get a reporter (Nancy Allen) to believe his story, which she does after she has her own close encounter.

The '80s was a fun decade for movies, not only for original material but also for movies that were inspired by the great sci-fi flicks of the '50s, such as this one. It's an enjoyable sci-fi horror movie that doesn't take itself seriously but isn't a straight-up comedy, either. Nancy Allen is lots of fun and Louise Fletcher is terrific in a supporting role. Paul Le Mat makes for an unassuming lead but he's quite good in the part. My favorite part of the whole movie is Michael Lerner's flashback scene. Love seeing older actors like Kenneth Tobey, Charles Lane, and June Lockhart. There are also some amusing genre references I got a kick out of. The sets, props, and special effects are excellent. Good use of location filming by director Michael Laughlin. Why does it seem no one shoots in small towns anymore?

It's a little slow-going and I can imagine some viewers will be frustrated that it skirts the line between straight sci-fi and comedy as much as it does. It's an entertaining movie, particularly if you like '50s sci-fi. I think it gets better with repeated viewings.

In 1958, in Centerville, Illinois, a spacecraft lands on the city in an alien invasion and the population vanishes.

Twenty-five years later, Margaret Newman (Diana Scarwid) leaves her daughter Elizabeth in New York with her ex-husband Charles Bigelow (Paul Le Mat), who is an entomologist and professor of Columbia, since she would go to her hometown Centerville to attend the funeral of her mother. Margaret disappears and Charles drives with his dog Louie to Centerville to seek out his ex-wife. He finds a weird population living in a typical 1958 town. While looking for Margaret, Louie disappears and Charles is attacked by an alien but he succeeds to escape.

Back in New York, Charles visits a government department directed by Mrs. Benjamin (Louise Fletcher) to report his findings but she does not give credit to his words. Charles finds a tabloid newspaper with a picture of an alien and he visits the editor Betty Walker (Nancy Allen) that discloses that she has made up the story using a photo that the newspaper received ten years ago from a lunatic. Soon Betty has a close encounter with an alien disguised as Avon Lady and is chased by them. So she teams up with Charles expecting to rescue Elizabeth from the extraterrestrial beings.

"Strange Invaders" is a nostalgic tribute to the sci-fi from the 50's. The naive story is very well written with humor and good screenplay. The cameo of June Lockhart and Mark Goddard from the original "Lost in Space" is another tribute to the series that is part of the childhood of a generation. My vote is six.

Title (Brazil): "Estranhos Invasores" ("Strange Invaders")

The decidedly miscast Paul LeMat here plays Charles Bigelow, a Columbia University entomology professor who tracks his odd-duck ex-wife Margaret (Diana Scarwid) to her old hometown, which is typical Smalltown, U.S.A. (She'd left their daughter (Lulu Sylbert) with him and then disappeared.) Not only does he find it to be a strange environment (it seems to be stuck in the 50s), but the locals aren't exactly welcoming. A couple of WTF experiences later and he realizes that, in fact, the aliens have landed, and have kept this town in this state for a quarter century. He teams up with a tabloid journalist, Betty Walker (ever lovely and appealing Nancy Allen), and a supposed nut case (the excellent Michael Lerner) to take on the "strange invaders".

This film was fashioned by director Michael Laughlin ("Dead Kids") and his co-writer, Bill Condon (a future director, himself) as both a loving tribute to and parody of vintage science-fiction. In that respect, it gets its look and feel just right. It's often amusing, has its heart in the right place, and in this viewers' humble opinion, actually has a fairly decent pace. The script isn't perfect; it does have some holes, but overall Laughlin and Condon did a nice job here. Having partly shot their film in Canada, it does have a delightful scenic quality, which is only enhanced by the widescreen photography. It also features some wonderfully icky and gross makeup and creature effects that are certain to have some more squeamish viewers going, "Ewww." Best of all is the score by John Addison, which does a fine job of truly evoking the era.

As part of their presentation, Laughlin and Condon cast the film with some supporting roles and cameo appearances for performers from old time sci-fi: June Lockhart and Mark Goddard from 'Lost in Space', Kenneth Tobey ("The Thing from Another World", etc.). Cinemas' original grumpy old man, Charles Lane, co-stars along with Louise Fletcher (playing a not-quite-on-the-level government agent), Fiona Lewis, a too briefly seen Wallace Shawn, character actor Jack Kehler (in his film debut), singer Bobby "Boris" Pickett, and Dan Shor & Dey Young, the young stars of "Dead Kids". LeMat is a rather bland hero, but Allen is luminous, and Lerner pretty much delivers the best performance in the thing. Condon has an uncredited cameo as a guy listening in a doorway.

Perhaps the most value lies in trivia revealed by Laughlin on his audio commentary: at the time, he was young Sylberts' stepdad; her real dad was the legendary Hollywood production designer Richard Sylbert, and her mom is Susanna Moore, the production & costume designer on this film; Laughlin was involved with Moore when this film was made.

Pay close attention during an early scene to hear what may have been the first use of an R.E.M. song in a movie.

Seven out of 10.

This movie is pays great respect to the Sci-Fi movies of the 50's, but takes itself somewhat serious. If you view this film in that sense, you will have a great time!

The special effects are on a low budget and some of the camera angles are kind of strange, but the acting and the story are what keep this film going. A pre Barton Fink Michael Lerner is here and is great as always!

Be sure to look for two cameo's from former Lost in Space stars! Also, a very early R.E.M. song can be heard in the back ground of one scene.

Again, if you watch this with the frame of mind that this is a 50's sci-fi movie made in the 80's, you will get a real kick out of it!

I give this film a B+