Star 80

I already had previous knowledge of Dorothy Stratten and her creeper husband, Paul Snider. Going into this film, I knew ultimately how it would end. This was a very disturbing film. Poor Dorothy, some innocent kid plucked out of Dairy Queen by Paul Snider, a low-rent pimp and promoter. He tried to make himself look and act cool, but he just came across as creepy and desperate. He desperately wanted to be part of a higher class of people, aka, richer people, but most people saw through him for what he really was--except for tragic Dorothy. Snider saw how naive, young and innocent she was and preyed upon her.

Despite everyone warning Dorothy, Snider is able to emotionally manipulate her into staying with him. She owed it to him for discovering her. Hugh Hefner gives Dorothy her big break after making her the August Playmate of the Month in 1979. He tries to warn her about her husband. I also get the sense that Hefner tried to protect her from Snider by not inviting him to the Mansion. Apparently Hefner did not like Cliff Robertson's portrayal of him in this film. I didn't really see what there was to object about. Robertson's portrayal was fine and even empathetic. It didn't seem over the top in the least.

I thought Mariel Hemingway did an excellent job as Dorothy. She was able to bring the right level of naivete and sexiness to the part. I liked how her Dorothy evolved from a shy, conservative teenager to a more assertive young woman with a promising career ahead of her (albeit, a Playmate's career I imagine, doesn't last a lifetime). Dorothy was learning to stand-up to her husband, but unfortunately, her caring nature proved tragic in the end.

It's probably not something I would want to see twice.

Whitin this shockingly beautiful docudrama there is a performance by Eric Roberts that goes beyond anything we had ever seen an actor do on screen. He explodes in front of our eyes. Fearless, horrible, pathetic, sad but above all truthful. With the kind of truth we're not use to deal with. I was horrified because I understood it, like James Mason in Lolita. I'm not sympathising with him but I'm understanding him. The counterpart to Roberts's human monster is not Mariel Hemigway's beautiful Dorothy Stratten but Carroll Baker as Dorothy's mother. We can tell by looking into her face that she knows. She knows,she senses, she fears to be right because there is so little she can do. Carroll Baker's superb portrayal represents us. We dread what she dreads and like her, we're impotent to the unavoidable. Star 80 is a masterpiece. Like all of Bob Fosse's work, nothing is casual. The puzzle that he presents us with, connects the dots in a twisted, although immediately recognisable, pattern, leading inexorably to the most excruciating domestic tragedy. From Othelo to O J Simpson. Our every day horror served cold as a shattering work of art.

In 1978 Vancouver, Dorothy Stratten (Mariel Hemingway) is a teenager working at a Dairy Queen. She falls under the influence of narcissist scheming con-man Paul Snider (Eric Roberts). He takes Polaroids of her nude and sends them to Playboy. Hugh Hefner (Cliff Robertson) is taken with her and she rises to be the centerfold in the August '79 issue. As she gains more success, his possessiveness drives him mad with jealousy.

While Hemingway is the title character, this is Eric Roberts' movie. She is very capable as an innocent. He is doing the heavy lifting. He makes this a difficult watch. It's uncomfortable and disturbing not in a fun way. He is super creepy without any rooting interest. Legendary choreographer Bob Fosse steps out to direct this. He has a very intriguing list of directing work and shows that he is drawn to edgy material. This is not for everyone and I suggest a long shower to wash away the Eric Roberts of it all.

This was probably Eric Roberts' best movie. He steals the show as the sleazy, small-time hustler Paul Snider. Snider aches to be the big-shot, the real "Star 80" but is a failure at everything he tries---except when he gets Dorothy Stratten recognized by Playboy. Then, just as things might break through for them, Dorothy dumps him for a film director (in real life, Peter Bogdanovich). Of course we know the rest---sleazeball Snider kills Dorothy and himself.

Bogdanovich wrote a scathing book about the case, "Death of the Unicorn" in which he lam basts Hugh Hefner (no more invitations to the mansion for him). What is really weird is that Bogdanovich later married Dorothy Stratten's younger sister, who was in junior high when Dorothy was killed.

It's hard to do a review of a movie where the real life events are so tragic AND this movie is sad from the start because you know how it's gonna play out. I will say though that I have seen this many times and that it is a very well done, terrifically acted movie. Obviously, no matter how good this movie was I'd prefer it not to have ever been made because I'd prefer the real life events this is based on, never to have happened at all. Since it WAS made, however I can say without a doubt that the main cast members do their job-Roberts makes you hate,dispise him with a passion and Hemmingway is fragile, lovely and achingly sweet. I have no doubt how easy it was to get swept up in the glamourous lifestyle Stratton lived, I think most people would have myself included. Seeing the story enfold as it did, and knowing the final outcome, it's hard not to yell at the screen at the end,even knowing that you can't go back in time and change the events that happened. Dorothy Stratten was young and lovely and kindhearted and had her whole life in front of her-it's hard to say one "enjoyed" a movie where the ending was so tragic and in this case true so I won't say that. But it IS a movie I have seen more then once and would recomend wholeheartedly. VERY very welldone.