Suk saan: San suk saan gim hap

Set during a feudal period with many warring clans, Yuen Biao stars as a young warrior who deserts his army and , after falling off of a cliff, finds himself in a magical land in the middle of its own war. The forces of Good, lead by the ancient sorcerer White Brows (Sammo Hung), are at odds with the forces of Evil, lead by the Blood Demon (Corey Yuen). Biao teams up with a group of heroic warriors, including Adam Cheng and Brigitte Lin, to help defeat the evil menace.

Filled with bizarre characters (White Brows fights with his extendable eyebrows!) and dazzling, if primitive, special effects, this film is a non-stop feast for the eyes. It maintains a light tone for the most part, and the choreography, which utilizes a lot of "wire-fu", is spectacular. It has a low budget (for American audiences, anyway) can-do feel, and a lot of the effects are done with in-camera trickery that is quite clever.

The script is convoluted, the way a lot of kung-fu epics are, and there are times when you aren't quite sure who is who and what is what. Some of this I blame on the DVD I watched, a poor quality edition from a Chinese distributor, with a shoddy English-dubbed audio track. If someone were to put this out on a re-mastered Blu Ray, I would buy it in a second. Highly recommended for martial arts fans, and fans of weird world cinema.

If you are a fan of Hong Kong action films and you haven't seen this i would suggest you track a copy down right now.

As an opening paragraph it sums up the importance of this landmark title. Conceived by its' makers as a production to rival Western films for technical (behind the camera) as well as beating them technically in front as well.

Although it fails to rival the level of sophistication with its' effects (due to bane of all Hong Kong films, its' limited budget)to match those of Hollywood films of its' time is irrelevant, it looks and feels so Far Eastern as well as using cutting edge (for 1982)it is simply unique.

The story is set in mythical times in China, where constant wars threaten to consume everyone, soldier or otherwise. One such soldier (ably played by Yuen Biao) manages to alienate himself from his commanders and ends up getting lost in the mystical region of Zu, fabled for its' magic mountain.

He becomes embroiled in a quest to find a pair of magical swords to kill a blood demon which threatens the whole of humanity. The blood demon draws its' power from pain and suffering and there is enough in the world to allow it to destroy all mankind.

The film contains so much energy, unparallelled visual flair and a cast which has the skill and experience to make it all work. The directors' vision and imagination are easy to see and appreciate, if you take the time to look. It is too easy to watch the action and miss the subtleties. It is a film which is difficult to describe, but unforgettable once watched.

This eye-popping, special-effects-laden Asian fantasy is a real feast for the eyes. It stars Yuen Biao as a soldier who, fed up with the constant and seemingly pointless civil war, deserts his platoon only to find himself caught in another battle. He escapes the battle by falling off a cliff, but descends unharmed into a cave, where he is rescued from an attack by glow-eyed flying demons by a fantastic warrior with a magical flying sword. He goes under the tutelage of the warrior, who is reluctant to take on a new pupil. What follows, words cannot aptly describe. Suffice it to say, it's an absolutely frenzied mix of action, special effects and bizarre, magical occurrences. The action is non-stop and the editing is laser-paced. I was absolutely exhausted by the end of the film. The cast is likewise first-rate. I was impressed especially by Sammo Hung in a dual role: as Yuen Biao's soldier buddy, and as Long Brows, the ancient priest who holds the Blood Monster at bay using his "sky mirror" and magical extending beard and eyebrows...You'd have to see it to understand. Suffice to say that there's many moments in this film that will have you thinking, "I have no idea what's going on, but it sure *looks* cool." Trust me, you won't be able to tear your eyes from the screen.

This is a visual masterpiece that outdoes the special effects of later movies with sheer artistry, because it is a magical piece.

It is a larger than life movie about a fight against evil. It begins with a "scout" giving two leaders a report. They each give him conflicting orders, and then ask which he'll obey. He says "Both", so they both call him insubordinate and condemn him to die.

He finds himself on the run. This sets the pace for the film, which is nonstop action and breathtaking visuals. It helps that the visuals are perfectly placed, and logical in their Magic.

The scout finds comrades, at first another warrior from an opposing side, and then later some monks who work in a very magical world.

The film manages to be the best of all worlds. In spite of the magic, the comedy of human errors is always there. The characters fly in the air, fight demons, and do outrageous acrobatics, yet bump their noses, can't swim, and get smacked by pretty girls. They engage in battle, but play dead at the first opportunity, only to find dozens of others also playing dead.

It is one of the funniest films of all time, and also one of the most passionate.

This is how to make a masterpiece.

"Zu Warriors" certainly pushed wuxia to its limits; it has such a relentless air of enthusiasm, especially given its limited budget, that its incredibly easy to dismiss any faults it does have just because of its overwhelmingly extravagant nature. Its glorious, vivid production design and intentionally camp attitude makes it very difficult not to be totally drawn into its colourful images while completely forgetting the film has a plot.

Tsui Hark has included just about everything in this one. The special effects may not be up to much but that is a sideline; the wonderful swordplay starts almost immediately and the films rarely lets up as it jumps from one operatic martial art display to another, helped by an impeccable cast featuring iconic stars such as Sammo Hung and Brigitte Lin.

Unfortuantly it still took some work before films of this sort were appreciated in the west. Despite the efforts of John Carpenter, it still took over a decade and Crouching Tiger to truly bring this wonderful form of entertainment to the masses. There's only so much praise you can give a film before saying it has to be seen to be appreciated fully. This is certainly a landmark in wuxia and an essential showpiece of Hong Kong action at its finest. (A testament to this is the fact the DVD has a Bey Logan commentary.)