I sette magnifici gladiatori

Move over Kurosawa and Sturges, Bruno "SS Girls" Mattei has got this. Basically the old Seven Samurai plot reworked for ancient Roman times. A demigod douchebag is terrorizing frightened villagers. So some of the village women go and get a magic sword that only one man can wield (heard that before?). Then they recruit Lou Ferrigno, Brad Harris, sexy Sybil Danning, and a few forgettable types to help fight the villain.

Reunites the stars of Cannon's Hercules movie, released the same year. It's directed with what can only honestly be called a complete absence of talent. Badly acted, badly dubbed, with stunt choreography that appears to have been made up on the spot not unlike my brother & I play fighting as kids using sticks as swords. Filmed in Italy and utilizing actual ruins as sets, this should have at least had some local flavor or scenic appeal going for it. But nope. I wanted to like it in spite of itself, but it's just not that much fun.

My review was written in August 1985 after watching the movie on HBO.

"The Seven Magnificent Gladiators" is an uncredited (and subpar) remake of John Sturges' "The Magnificent Seven", itself a remake of "Seven Samurai". Action has been transplanted to ancient Rome in this quickie, made in 1982 as a warmup for Lou Ferrigno just prior to his starring in Cannon's "Hercules". Like "Hercules", the film set no box office fires when released regionally in August 1984. A third pic, "Hercules II", remains on the shelf.

Ferrigno toplines as Han, a barbarian who, after proving his prowess as a chariot racer, is asked by the women of the beleaguered village of Clusium to defend their town against the supposedly immortal demigod Nicerote (Dan Vadis), who annually descends upon them to exact a tribute and kill off any able-bodied men. Han passes the test as the only man able to wield the magical Sword of Achilles.

Accepting the assignment, Han teams up with a gladiator Scipio (Brad Harris), whom he bested in the chariot race, Scipio's pal Julia (Sybil Danning) and four other out-of-work warriors.

Plot twists and individual scenes are right out of the Yul Brynner-Steve McQueen classic, with Goliath (Ivan Beshears) introed chopping wood in a vignette identical to Charles Bronson's entrance in the original film and Giafiro (Michael Franz) going through a truncated version of Horst Buccholz' role. Main changes are the introduction of campy scenes in Rome of the emperor (Yehuda Efroni), including the anachronism of oiled-up women in bikinis wrestling for his entertainment. Also, instead of the strategy of defense in the original films, director Bruno Mattei stages two ho-hum swordplay battles. Only point of interest is Sybil Danning's femme warrior, convincingly integrating the previously all-male, he-man format.

Cast, though articulating in English, is sabotaged by poor dubbing and film develops very little period atmosphere.

The mighty Lou Ferrigno stars in this swords & sandal take on Akira Kurosawa's classic The Seven Samurai, brought to us in this case by the ever maligned Bruno Mattei.

Big Lou's mission, along with his assembled warriors, is to defend a small village from the annual onslaught of a sadistic immortal and his cronies. To aid him in his task, Lou wields a magic sword, a sword in fact that only he can hold and formerly the trusted side arm of none other than Achilles - or so we're told.

Cue plenty of fairly enjoyable (if slightly handled) battles as our hero's fight for justice on behalf of the victimised community.

OK despite the title this is sadly most definitely NOT magnificent stuff, but it is nonetheless a harmless enough way to pass an hour and a half or so. Besides, how can any man really complain when none other than the gorgeous (and wonderfully buxom!) Sybil Danning is present?!

Not all of them can be winners, even Buñuel and Fernando de Fuentes had their own lower tier films, while this isn't exactly on the same level as La hija del engaño (1951) or something like that it's still a very tepid entry for Mattei, devoid of life and stimulating ideas, it never rises above being a slightly above average peplum/Conan rehash/parody. Mattei and Fragasso only made one of these after all.

Bruno, predictably, has zero interest in this story and directs a lot of the action sequences with laziness and carelessness, which sort of works considering the style of his oeuvre as in that the parodic elements and complete degradation of the genres and subjects he touches can easily flourish even on auto-pilot but this outing lacks compelling images, expressive touches and a cohesive sense of direction that typically unites all of the elements of a good film, things we usually find on Mattei films but not here, making it one of his least interesting ones.

The first person sequence with Sybil Danning and a couple of the delirious scenes kind of bring this one up a notch but the poor budget restricts much of it. With the classically mostly static camera, the kitschy outfits and the abundant wide shots that capture the fights, one can understand that it's totally a peplum send up, after all, it's on Italy's DNA regardless of whether or not they try to rip-off Conan. As its own peplum tribute/parody it works just fine even in its poor condition.

Nothing on television again and man this is on. Lou (Hulk) in this and man this is so bad that it hurts to watch but I am anyways just to laugh at it. How can the Director and Producers even think that this is something someone would love to watch? So many bad movies that get rated higher.

Not this movie being rated higher but there are. This one is just nothing to praise for it but the acting and playing too much instead of being a serious movie. Who ever likes this has to be completely nuts. No way someone could like it. Lou is terrible actor and okay body builder.

Oh well, they just keep showing bad movies on television. Just like America 3000 is bad too.