Mausoleum

This was a strictly okay horror flick. I'll tell you how bad the quality of film this was: it looked old the first time I saw this,on a Saturday afternoon horror film fest on the USA Network in 1988! It had only been in the can for five years and it looked like it was at least ten years old!

Bobbie Bresee was(still is?)a fox whose acting prowess wasn't bad enough to merit her among the legendarily bad(think Pia Zadora,Denise Richards,Kim Bassinger),but was still just wooden enough that producers smartly decided to put her in films with more scream,cleavage and probably less dialogue. I cannot fault the poor bastards who were victimized by her demon-breast,glowing eyes seduction. I'm not sure I could resist that temptation,either!

Don't try to make sense of this film.Just enjoy the sex and silly special FX.

Four out of 10 Stars

I first saw this in the late 80s on a vhs.

Revisited it recently.

Had enjoyed the movie as a kid those days, especially the nudity n some gory kills.

The movie is cheesy n non scary by today's standards.

The special effects n make-up by John Carl Buechler (Celler Dweller, Troll, Hatchet, etc) were pretty ok for those days.

The nudity from Bobbie Bresee is soothing and the gore is nice and splattery.

Watch out for the twin demonic heads.

This cud have happened only in the 80s.

Watch out for the gardener with his weird goatee, large belly due to which the buttons of his shirt gets open, his large eyeballs n cartoonish smile.

In the end he keeps on laughing. Maybe cos at least he gave off, before he gave off.

Bobbie Bresee (the temptress in "Ghoulies") stars here as Susan Walker Farrell, whose family history is colourful, to say the least. It dictates that she will fall victim to demonic possession as an adult, when she is married to concerned nice guy Oliver Farrell (Marjoe Gortner, "When You Comin' Back, Red Ryder?"). Various people are killed off by her while she is in this demon incarnation, and it will be up to her longtime psychiatrist, Simon Andrews (Norman Burton, "The Gumball Rally"), to do his reading on the Nomed family (the name is a clumsy clue) and find out how to save the day.

The 80s live on in ultra-cheesy spectacles like this one. While hardly a "good" film, that matters little. The truth is, it's a VERY amusing low budget horror / sleaze / schlock film, complete with negligible acting, ropey visual effects, decent gore, a dose of nudity from Ms. Bresee, entertainingly designed creatures (the "demon breasts" are the most original touch), melodramatic music by Jaime Mendoza-Nava, and a fair amount of humour, at least some of which I believe IS intentional. The silly script is credited to Robert Barich (who pulled triple duty; he was also a producer and the cinematographer) and Robert Madero. The film is never more fun than when Ms. Bresee is undergoing her monstrous manifestations. These are always worth hearty laughs.

Marjoe, commendably, looks very serious as the distraught husband. The same goes for the great character actor Burton. Bresee is very sexy, but not much of an actress. Laura Hippe ("The Swinging Barmaids") plays Susan's aunt Cora. Maurice Sherbanee ("Charlie Wilson's War") is the horny, seedy gardener; La Wanda Page of 'Sanford and Son' fame is priceless as the maid who just might be the smartest character in this whole thing. And that's Bill Vail, Kirk from the original "Texas Chain Saw Massacre", as the final incarnation of the demon.

"Mausoleum" is a hoot and a half, a film very much of its time that can barely be considered scary, but is awfully damn entertaining much of the time.

Seven out of 10.

"Mausoleum" follows Susan, recently turned thirty, who is plagued by an ancestral demon she encountered after her mother's death in the family mausoleum. This pesky parasite causes her to transform into a grotesque monster and kill everyone around her.

This retro 1980s schlockfest is one of the better possession/"Exorcist" knockoffs, blending elements of slasher films with possession horror and the monster movie. The result is potent with campiness, but it's really all in good fun. Bobbie Bresee plays the lead Susan, who falls in and out of her possession with a complete lack of awareness; her eyes glow green when she's under the influence of the demon, and green smoke rolls out under the door of her bedroom. At her most extreme, she morphs into a revolting creature that predates Angela in "Night of the Demons." What's surprising here is that by and large, the special effects (helmed by the famed John Carl Buechler) are very good given the time period. There are some effective levitation sequences, and the monster effects are impressive and practical.

The film also boasts solid cinematography that is at times legitimately nightmarish and recalls Italian horror cinema of the '60s and '70s, and is tied together with a moody score that adds to the ambiance. Where the film falls flat is the writing and acting, which are both mixed bags. Bresee is alternately decent and awful as Susan, but her character is so vacant that it hardly matters. Norman Burton is serviceable as her psychologist, and LaWanda Burton provides short-lived comic relief as the maid who gets the heck out of dodge before becoming demon mincemeat. It seems to me that part of the pitfalls in the performance have to do with the dialogue, which feels stilted many times throughout. Then again, this is an early-'80s monster possession flick, so I'm not sure the bar is to be set quite so high.

Overall, I found "Mausoleum" an effective early-'80s supernatural horror film. Save some lazy writing, there is a lot of fun to be had here, and the movie is chock full with gruesome murder scenes and all sorts of other supernatural (and green-glowing) mayhem. Fans of other "Exorcist"-esque horror such as "Beyond the Door" will have a riot with it, and in some ways it's better. 7/10.

Mausoleum is a strange and somewhat interesting film about demonic possession. The special effects for the gore were exceptional, however, the special effects for other aspects were quite poor and low budget. The acting is fair and the storyline is a little far-fetched but the movie itself is pretty good. The movie has its creepy moments and it has a tendency to keep your interest. This is a fairly good B film and if you get a chance check it out.