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If it’s all more than a bit silly, not to mention derivative, Krull manages to cast a fantastical spell courtesy of Peter Yates’ direction.

Strong on stunts and special effects but often rambling and ponderously lurching into comedy, it's not the greatest of Christmas treats, but does have enough cherishable moments between the wordy longueurs; and in Lysette Anthony's Princess Lyssa, a heroine for whom many a young Turk would walk through fire and ice.

Krull is a gentle, pensive sci-fi adventure film that winds up a little too moody and melancholy for the Star Wars set, though that must be the audience at which it is aimed.

Krull provides much swashbuckling cheese. But that’s precisely what gives the film a coy, relative appeal. Despite his role’s poor definition, Ken Marshall delivers Colwyn with some charisma. Krull also features engaging art direction, including The Beast’s jagged, globe-hopping fortress, and ambitious make-up effects that–if nothing else–seems a real challenge to function in.

Professionalism of director Peter Yates, the large array of production and technical talents and, particularly, the mainly British actors keep things from becoming genuinely dull or laughable.

This is, in other words, an adventure film for the 6-to-12 set, a movie for the void left by Disney's forays into the elusive teen market. All but the most easily frightened children should enjoy it; all but the most easily diverted adults are likely to find it tedious. [01 Aug 1983, p.C6]

While perfectly presentable and agreeable, especially if you are in an undemanding frame of mind, Krull remains a thin, dogged exercise in extravagant adventure. [03 Aug 1983, p.B1]

Krull is only half bad, which makes it half good, which puts it a broadsword ahead of most films set in the land of the mightily mythic. [30 July 1983]

One of the dreariest outer space swashbucklers of all time.

Under the tone-deaf direction of Peter Yates, Krull manages to be both lavishly overdone and bizarrely half-baked. [08 Aug 1983, p.55]