The King of Comedy

'The King Of Comedy' is easily Martin Scorsese's most underrated and misunderstood movie. Scorsese and Robert De Niro's previous collaboration was the brilliant boxing biopic 'Raging Bull', generally regarded by most people as a masterpiece. Then the two made 'The King Of Comedy'... What a brave move! You couldn't find a more different movie, but one just as impressive and extraordinary. This movie is disliked by many, deliberately ignored by others. It's a very uncomfortable film. It's a (very) black comedy and is genuinely funny in places, but much of it is embarrassing to watch. Not because it is inept, but because of the believability of De Niro's obnoxious and irritating "loser" and wanna be comic Rupert Pupkin. De Niro has made a lot of disappointing movies in the last few years but 'The King Of Comedy' reminds you of just how brilliant he can be. I can't think of many actors who would be brave enough to play this part! Jerry Lewis is a performer I have always disliked, but he is excellent in this movie, probably because he is playing someone very close to himself in real life. The rest of the supporting cast aren't the most obvious choices, led by confrontational comedienne Sandra Bernhard and the "forgotten" Charlie's Angel Shelley Hack. Plus there are Tony Randall and a couple of other celebrities playing themselves, and a blink and you'll miss it cameo by The Clash (!). I really admire Scorsese for taking such a risk with this movie, which is one of the most original and provocative ever released by a major Hollywood studio. Bravo! This is must see viewing for not only all Scorsese or De Niro fans, but anyone who appreciates unusual or difficult movies.

Martin Scorsese and Robert De Niro seem to have taken a different road to arrive to very familiar places. Forttunately we're all in for the ride. This is a bitter, dark comedy in the tradition of Pietro Germi and Mario Monicelli. In Scorsese's hands it becomes something we've never seen before. De Niro travels unknown territory with the panache of a seasoned explorer. His Rupert Pupkin is a sub Jay Leno without an agent. His hunger is as shallow as his talent. The arrival to Jerry Lewis's house without an invitation trying to impress his girl is one of the most painful studies in modern humiliation ever put on film. I found myself laughing in horror. "The King of Comedy" is ripe for a revival. Some people consider it a "minor" Scorsese. I disagree. I think it's one of Scorsese and De Niro's best.

The time when Scorsese took another turn by making a disturbing dark comedy. This film turns the spotlight towards the show business industry by exploring the subjects of fame and celebrity and their influence over individuals and society as a whole. With a nice tone, excellent cinematography, good setting and a thrilling plotline, Scorsese crafted the perfect image of a delusional and obsessive sociopath portrayed by none other than Robert De Niro. I have to say that "The King of Comedy" along side "After Hours" are the most overlooked pictures in Martin Scorsese's catalogue.

This is one of the most memorable films I have ever seen. The first time I saw it in 1983, my dad took me to see it with my older cousin, who laughed hysterically throughout the film, then said afterwards how much he hated it. That was a memorable moment, but the film itself also made a very large impression on me. Despite the title, it is anything but a comedy, save for some amusing moments that could pass for dark comedy.

The story involves a 34 year old nerd (Robert DeNiro) who wants badly to be a standup comedian, but his only method of trying to attain this goal is by essentially stalking a popular talk show host played by Jerry Lewis. The performances are amazing, of course DeNiro can never fail at playing someone offbeat and deranged. Jerry Lewis is very good as the talk show host, and Sandra Bernhard is also well cast as a fellow stalker. The film is a tough watch as its tense and uncomfortable throughout, yet entertaining and intruiging enough so it never crosses the line into unbearable, which I imagine must have been exactly what filmmaker Scorcese was going for. Overall, the film is a combination of disturbing, entertaining, and unforgettable. What's more, it holds up extremely well seventeen years later, although it initially did not do well at the box office. Score: 9/10

I don't know about anyone else, but that catchphrase courtesy of Rupert Pupkin is immortal. As for this movie, it is a black comedy masterpiece. As far as Martin Scorsese's movies go, I would personally put Goodfellas, Raging Bull and Taxi Driver over this, but The King of Comedy is in the top 5 of his movies. When it comes to the direction, The King of Comedy is to me one of Scorsese's most strongly directed movies and he also creates a more cruel and bewitching New York here.

The King of Comedy scores highly visually too. New York does look beautiful, while the costumes, locations, sets and cinematography are all very impressive, and the whole film is beautifully edited. The script is sharp, witty, funny yet it also has moments when it is restrained and poignant. The story is always compelling as well, and the soundtrack is wonderful.

As is the acting. Robert DeNiro gives a very powerful performance, it's probably not his most iconic role(Travis from Taxi Driver), but it is his most complex. Jerry Lewis is also magnificent as the chilly old pro chat-show king Jerry Langford. All in all, a fine film, with the direction, writing and acting especially to be admired. 10/10 Bethany Cox