Getting It On

I recently watched Getting It On (1983) on Tubi. The story follows a high school peeping Tom and virgin who stumbles upon video equipment, taking his obsession to the next level. Will his new hobby deepen his fixation, or will it unexpectedly lead him to love?

Written and directed by William Olsen (Southern Belles), the film stars Terry Loughlin (Out of Time), Martin Yost, Heather Kennedy (Leprechaun), and Jeffrey Edmond (Out of the Black & Blue).

This is a by-the-numbers 80s sex comedy in the vein of Porky's, Animal House, and Hardbodies, but without the charm or impact. Everything about it is mediocre at best. While there's the expected nudity, the storyline feels like an excuse to make a movie rather than something with any real substance. The acting is average, the dialogue is uninspired, and the coming-of-age elements are watered down. There's no standout scene that makes it worth watching.

In conclusion, Getting It On is a forgettable 80s sex comedy with far better options available. I'd rate it a 3/10 and recommend skipping it.

Wow is this a bad film,even by T&A standards. Other reviews have said it well...Not funny at all,creepy/sleazy story (this coming from a fan of R rated teen sex comedies),bland acting and ALMOST NO NUDITY. To make things even worse the film is shot poorly and the print is very dark and flat,i'm sure at least partly due to next to zero budget.

Who came up with the brilliant idea to make a T&A comedy about a guy secretly video taping women undressing,and then make it not funny with barely any nudity!?

I am telling you as a T&A connoisseur-avoid this movie at all costs,its a complete waste and there is nothing to see here.The DVD cover is the only thing good about Getting It On.

Two high school video nerds use cameras to peep on classmates in their underwear. No hilarity ensues. The cast actually appears to be playing a coming of age sex comedy straight! And (almost) without the sex...

Putting aside the creepy and legally actionable invasion of privacy premise, Mr. William Olsen, if you are trying to make one of the hundred or so no budget 80s teen romps that came out in the wake of Porky's - many direct-to-VHS - start by writing a few JOKES. If your budget is so small that driving to an audio-video store in a borrowed Gremlin counts as an action scene, if the best film stock you can afford has resolution below the quality of a late night infomercial, if your cast has less experience than the theatre department of the local community college, and your cameraman has to use in situ track lighting, you can still get by as long as the viewer has something to laugh at and a few busty co-eds. That's the basic formula. But here we get little of either.

The leaden pace is a hindrance as well. TV sitcoms also lack cinematic flair and are shot on only two or three sets. But any sitcom producer knows that all that is forgivable if you can wring some laughs out of the situation and keep things moving. A little character humour, some insult comedy, a bit of bug-eyed hyperbole, a few classic set up and payoff exchanges, a squirmy situation or two... Throw us SOMETHING. A badumbump joke. A prop gag. A pratfall. Manufacture a laugh and then push things ahead to the next setup.

No sex comedy with this little gratuitous nudity should be this utterly devoid of guffaws too. This is what results from failing at your one job.

GETTING IT ON bills itself as a typical promiscuous sex comedy and fails miserably. It is a painfully amateur production with a cast of no-names that tend to make a viewer cringe every time they open their mouths. The cast is lead by Martin Yost, who plays Alex, a teen-age Peeping Tom who decides to turn his perverted pastime into a money-making scheme. His father blindly agrees to give his son the $4000 to start a security surveillance business, which Alex can then use as an excuse to spy on other people, presumably "in the act". The father is unbelievably naive. It would have helped if the father was more suspicious of what his son was doing with all this expensive equipment. As for the "peep" sequences, they are far and few in the film and lack imagination for what the film is trying to advertise. No new ground is broken here.

There is no drive to the film. It is dull and the actors just seem to be going through the motions. That and the director tries to use two different sequences in which an actor pulls a gun on someone else as a surprise comedic effect, which is a lousy attempt at cheap laughs. The film weighs in at about 90 minutes, and by 90 minutes it's too long! Don't bother with this one. Try PORKY'S or MISCHIEF instead.

This was filmed in my neighborhood when I was a Freshman in High School. I was an extra in the school auditorium scene where the "sex tape" is shown, Want to know more, email me. This was originally called 'American Voyeur' when I went to the premiere where the mayor of Hickory, NC gave Olsen a key to the city, with a crowd full of people dressed to the 9's. Then, a coming-of-age flick movie came up on the screen; nice surprise for that crowd.