Le Dernier Combat

Le Dernier Combat is an interesting and memorable take on the familiar postapocalyptic scenario, and its primary conceit -- its near-total lack of dialogue -- is effective, but ultimately it's a stylish but overly familiar "lone hero of the apocalypse" story without much to add to our understanding of human nature.

The absence of dialogue in the film, while interesting, is not quite original -- it was done 20 years earlier in the Twilight Zone episode "Two" (starring Charles Bronson and Elizabeth Montgomery), which like this film took place in postapocalyptic wasteland; and that story, compressed as it was into a half-hour episode, carried an emotional heft largely lacking in Luc Besson's take.

The problem with this film, as with most of Besson's work, is its essential shallowness; while Le Dernier Combat is undeniably a visually appealing work which showcases Besson's ample talents as a maker of stylish, humorous and thrilling action films (Le Femme Nikita, Leon), and while it does feature some genuinely touching and quirky moments, Besson's ability to plumb the depths of human nature falls far short of what a story of this kind demands.

The other major problem with this film, for a contemporary audience, is the music. Le Dernier Combat is saddled with a laughably inappropriate early 80's jazz-disco score that practically drains any dramatic impact from scenes in which it appears. Jaunty dance music isn't quite what one expects in a scene of tragic human suffering. Even Tangerine Dream would be preferable to Eric Serra's work on this film.

Le Dernier Combat is a film worth seeing, if only so that Luc Besson fans can get an early glimpse of the Besson style in its infancy, and there is no denying the appeal of its performances and the impressive fact of how visually dynamic the film is given its rock-bottom budget. But science fiction fans expecting a powerful human drama should lower their expectations.

no way it would get greenlighted in hollywood today oh my gosh a movie that doesn't use it's dialogue to explain the plot?? great story everyone has lost their ability to speak. the hero is a man trying to survive in post war europe. he escapes a gang in a homemade plane and finds a doctor hiding a "secret" then he helps him fight off a "brute" played well by jean reno. the movie even has raining fish. how could you not like that ? this movie gives us a peek at luc besson's talent. before la femme nikita, and leon watch this with an open mind I would like to see someone pitch this idea to hollywood and see what would happen today

This film was shot a few years after the Mad Max and in some way it does seem similar. However, it is a very innovative and refreshing film. "Le Dernier Combat" has no dialogues, but it does have sound. It was also shot in black and white and the total budget was $500,000! It is very refreshing to see a good story well told, on a shoe string budget. This was Eric Serra's first film score, Luc Besson's first feature, but everything came together thanks to Luc Besson's genius and creativity. Excellent acting on everyone's part (especially Jean Boise, Jean Reno and Pierre Jolivet) helped a great deal. It seems that French actors just can't do a bad job... The film is about a loner in the middle of nowhere who somehow befriends another loner in that weird post apocalyptic world. Their interaction (even if non verbal), as well as the drama around them kept me glued to the screen. The occasional funny moments were great and contrasted well with the dark story. I consider this to be Bessons second best film (after Nikita). One can only wish that all the low budget independent films turn out to be this good.

Shot in black and white, this Luc Besson's early film is quite artful. Here we have an interesting flick with a post-apocalyptic setting which centers around the primeival struggle for survival. A unique thing about it is a deliberate deprivation of any dialogue what's so ever. Besson turns this aspect into the film's advantage, thanks to his own skills and the talents of the cast. I still wouldn't call it mindblowing, but it's definitely a well done movie that's worth seeing.

Shot entirely in black and white and set in a barely inhabited post- apocalyptic world where the atmosphere has rendered humanity mute, Luc Besson's feature length début was nothing short of ambitious. The plot ostensibly follows The Man as he scavenges for parts to keep his light aircraft in repair - venturing out into the wasteland he stumbles across a hospital where he meets The Doctor, a man living in fear of The Brute (played by Jean Reno) who is attempting to gain entry to the hospital and kill the Doctor. Through non-verbal communication, The Man and The Doctor come to help each other in an attempt to survive and keep The Brute at bay. Despite the innovative premise and stark, stylish beauty of Besson's direction, the film moves at an odd pace whereby it's more confusion and intrigue that keeps the viewer watching, rather than for any substance of character or story. The daring decision to have next to no intelligible dialogue throughout doesn't help matters, as the viewer is left to piece together the characters motives without explanation, but it's the score (the epitome of awful 80's synth soundtracks) more than anything else that dates the film and hindered this viewers enjoyment. While still worth checking out for any fans of Besson, the post-apocalyptic genre and cinema in general, it's not the easiest of films to watch, but one that rewards the viewer in spades through Besson's fantastic direction.