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Starring Christopher Walken in a tour de force performance, the film weaves a tale of supernatural intrigue and moral complexity. Walken's portrayal of Johnny Smith, a man who awakens from a coma with psychic abilities, is a revelation - his ability to convey the weight of his newfound powers and the ethical dilemmas they present is nothing short of captivating.

Cronenberg's deft direction and the film's moody atmosphere create an eerie ambiance that lingers long after the credits roll. As Johnny grapples with his psychic visions and attempts to prevent impending tragedies, The Dead Zone delves into themes of fate, free will, and the moral gray areas that arise from possessing extraordinary gifts. With a riveting narrative and a thought-provoking exploration of the human condition, The Dead Zone solidifies its place as a must-watch in the realm of supernatural cinema, offering a chilling and introspective experience that transcends the boundaries of its genre.

A schoolteacher Johnny Smith (Christopher Walken) a survivor of a road accident awakes from a five-year coma to discover he has psychic abilities, which he gets visions of the past, present and the deadly future. And how he does it, is through the use of touch. But life has changed within that time with his girlfriend (Brooke Adams) being married; he's basically crippled and no longer having a job. So now he uses his abilities to help a sheriff (Tom Skerritt) solve a murder case, to save a child's life and predicting world's fate from an evilly corrupt politician (Martin Sheen) who plans to be president.

It's definitely one of my favourite King adaptations and you could say Cronenberg at his best. This time around Cronenberg has taken a more mainstream (even though depressing) approach with none of his grotesque and disturbing visuals evident, but that doesn't take away from the experience - as on show is good story telling, performances and film-making. Visually the film does hold strong imagery (especially the vision scenes) and also the picture truly captures the unsaturated colours of the wintry backdrop, which makes the bleak atmosphere such a dour affair. Though the sharp stabbing sounds when Johnny gets a vision truly knocks you, but it's the stinging outcome that made the film for me. Distinctive photography by Mark Irwin was beautifully constructed and pretty smooth in the detail of the settings. While, the driving score stood out and was particularly on the spot with capturing the right mood. Sound performances are given by the likes of the sympathetic Christopher Walken and the innocent Brooke Adams. Martian Sheen delivers a rather hammy performance and Tom Skerritt's performance is the total opposite, being rather toned down. Cronenberg's solid direction paces the film swiftly and also creates some well-staged sequences of tension that stick in your head. In all you can always expect dashing film-making by Cronenberg and that's what you get in this picture.

The story is what I had some gripes with. At times it felt like writer Jeffrey Boam was trying to squeeze too much into the story. Some interesting and intelligent sub-plots (murder investigation) felt hurried and rather contrived - it was like it was concentrating and building more towards the final act instead. But then again time is money and it didn't take away from my overall enjoyment of this film. The plot is basically a portrait of a man coming to grips with his pain and accepting the fate his been chosen and also throw in some social commentary into the mix. Also added is the occasional dabbing of dry/witty remarks, but for me it was uncomfortable humour. That being pretty much the state of the film. One thing I noticed, but don't know if this symbolism was intended but the way Johnny is always wearing the black coat reminded me of death (fate). Especially with touch his can see into the future and actually alter what can happen (say death). Maybe it was just I?

It isn't gut wrenching stuff (visually speaking) we've come to expect by Cronenberg, but still he nails down a well drawn up and gripping drama/thriller.

The Dead Zone is one of those critically acclaimed movies which I'm astounded has taken me this long to get around to.

Starring Christopher Walken, Martin Sheen and the late great Herbert Lom this Stephen King adaptation tells the story of a man who upon coming out of a coma learns he has gained the power of premonition.

The interesting thing about the Dead Zone is it's almost like a mini-series squeezed into a single film as it doesn't have one solid storyline throughout and instead is a series of stepping stones to the brilliant finale.

The cast are on point and Lom who is famous for his villianous characters (Pink Panther for example) is highly likeable and steals every scene he's in.

I'm so glad coming out of this that I finally got round to it as it is yet another great King adaptation worthy of its acclaim.

The Good:

Opening a movie with an Edgar Alan Poe quote works for me

Perfectly executed from performances to writing

Great finale

The Bad:

Cheating protagonists, they never get old

Would have benefitted from at least 30 minutes more

Things I Learnt From This Movie:

It's scary how alike Martin & Charlie were around the same age

If Hollywood could get back to maving good honest movies like this. You know the sort of movie. One that you can go to the cinema, pay your money and be entertained by a good story unspoiled by ugly CGI effect and mediocre TV actors who think they're A listers.

I watched Dead Zone after trying to tackle Cronenberg's Cosmpopolis having already seen the movie back in the 90's. I think I wanted to just check if Cronenberg really did make The Dead Zone and it was as good as I thought it was after seeing the turkey Cosmopolis.

My curiosity was confirmed. The Dead Zone was a good old fashioned horror thriller, intellectually provoking, great cinematography, great acting from all especially Walken who rarely disappoints. Is it too much to ask that Hollywood goes back to doing what they were always able to do very well? Probably!

The story is about a man who attains psychic abilities after 5 years in a coma due to a car crash. From that point Walken finds himself in various scenarios where his new super powers are put to the test. Martin Sheen hams it up as the nasty presidential candidate. I found the movie, sad in places, at times exciting and also thought provoking. Not as much gore as we normally see from Cronenberg but this was a mainstream production, probably the only one of two he made in that bracket, the other being The Fly.

The Dead Zone had all the ingredients of a good movie and I guess that's why it stands the test of time. I wonder who will remember Cosmopolis?

I'm a great admirer of David Cronenberg, and "The Dead Zone' could well be his most underrated movie. The problem is that it's just not very Cronenbergesque, and being "Deprave" Cronenberg's first mainstream Hollywood movie, and coming hot off his provocative and mind blowing 'Videodrome', many people regard it as some kind of sell out. I really cannot agree. If you forget your preconceived idea of what Cronenberg movies SHOULD be (and let's not forget his other career oddities 'Fast Company' or 'M. Butterfly'), and just accept it for what it is, you'll see that it is a very well made and well acted thriller, and is almost impossible to fault. In my opinion it joins Kubrick's 'The Shining' and De Palma's 'Carrie' as the most effective Steven King adaptations to date. Christopher Walken is on top form here, and I think gives one of his very best performances. The supporting cast are also excellent, the lovely Brooke Adams ('Invasion Of The Body Snatchers'), horror veteran Herbert Lom ('Mark Of The Devil'), Martin Sheen ('Badlands'), Tom Skerritt ('Alien'), Anthony Zerbe ('The Omega Man'), and Cronenberg regular Nicholas Campbell, who is involved in the movies most unforgettable sequence. I've lost track of how many times I've watched 'The Dead Zone' over the years, but it never fails to hook me in, and I always get something more out of Walken's performance every time I view it. This movie may not be typical fare from David Cronenberg, but it is one of his most straightforward and entertaining films. Highly recommended.