Careful, He Might Hear You

Nicholas Gledhill's portrayal of a child is one of the best I've ever seen. He was eight at the time, and the character seems more like five---and a really excellent capture of the body language and expression of a child of that age mystified by the odd grown-up world around him. The worst distraction in the film was the music, which never seemed appropriate, like it had been composed for a different film, in an earlier decade. A few acting performances were overbaked, but in general it was OK. Oddly, Nicholas never appeared in another film.

One of the greatest and least sentimental films about childhood and one of the best, yet most undervalued, of Australian pictures, Carl Schultz's "Careful, He Might Hear You", taken from Sumner Locke Elliott's best-selling book, is about a young boy, known simply as PS, (terrifically played by 8 year old Nicholas Gledhill), caught in the middle of an acrimonious custody battle between his two aunts after his mother's death and his abandonment by his father. It's a very simple, straightforward film with excellent performances from Wendy Hughes and Robyn Nevin as the two women in question, John Hargreaves as the returning father and Peter Whitford as his uncle.

Schultz films it so that we see everything through PS's eyes and it's often very moving though Ray Cook's over-emphatic score sometimes drags it down while the period setting is beautifully captured in John Stoddart's designs and John Seales' superb widescreen cinematography. A sizeable international hit in its day it was named one of the top ten films of the year by the National Board of Review.

This one is from Australia, and centers on an eight year old boy called P.S. (Nicholas Gledhill...this was his first role.) There's a tug of war for custody of P.S., between Aunt Lily and Vanessa. Right at the beginning, Lily tries to explain to the boy why he must go off with Vanessa, but he's only eight, after all. Quite a variation from the Auntie Mame story; here, its all serious education and proper behavior, pretty much the opposite of Mame. So much PINK! have you ever seen so much pink in one room? Large, imposing rooms. And not allowed to get out and play with others. Vanessa kept him all to herself. Not much fun for a youngster who had so much fun in Sydney. Here, he can't seem to do anything right. Vanessa thinks she is doing the right thing for him, but doesn't really know that a youngster wants to just play. Then, stuff happens... which might help turn things around for him.

Story by Sumner Elliott. The novel was written when he was about 46... film done when he was about 66; wonder if its his own story. Elliott was born down Undah, and died in NYC. Directed by Carl Schultz, who did mostly television projects. Finally it's out on DVD. Good story.

One of Australia's great films of the 80s...big, lavish and crafted for an international audience.......along with GALLIPOLI, THE LIGHTHORSEMEN and MAN FROM SNOWY RIVER, "Careful"..is different in that it is set in Sydney harbourside suburbs of the 1920s......most period films made at this time are set earlier and are rural.....also like the sublime masterpiece THE IRISHMAN. The cast for "Careful" is theater professionals who fit the passionate personalities the extremely emotional and personal roles demand. Their transformation to film is also thanks to the great director Carl Schultz who also made the superb Australian films GOODBYE PARADISE and TRAVELLING NORTH. Much under employed here and almost forgotten ...... Nicholas Gledhill is still in Sydney theater and occasionally appears in fringe productions.

Robyn Nevin is the supreme being of the Sydney Theatre Company and the great Wendy Hughes is the goddess of the Australian screen.....see NEWSFRONT for that confirmation. The late great John Hughes such a genuine Australian man in his perfect realisation of the irresponsible but lovable main male character "Logan". This film is Australian screen perfection, however the end credits come too early.

"Careful He Might Hear You" showcases the full talent and wonderful potential of the Australian film industry and must rank as one of the best Australian movies ever made. The depth of excellence, talent and acting in this movie is second to none and absolutely superb The plot and background to this movie is intriguing and the script and the way that the plot unfolds keeps the viewer engaged and intrigued until the end. Everything is done to a standard of superb excellence down to the scenery and the portrayal of the two very different lifestyles depicted in this movie. The musical score is absolutely beautiful. Everything about the background and setting of this movie works out perfectly.

But this all pales in comparison to the acting. I have perhaps never seen a movie so perfectly cast where each of the actors and actresses involved -even the supporting cast -gives a wonderful and creative depth and dimension to their portrayal of the characters. Nicholas Gledhill is an excellent child actor and a maturity in conveying emotions beyond his years. Robyn Niven is perfect in her role as PS's aunt and guardian Lila and Peter Whitford is also wonderfully believable in his role as her loving, affable husband. John Hargreaves gives a breathtaking performance (if only briefly) in his heartbreaking role as PS's father, who obviously deeply loves his son but is incapable of caring for him.

But a special mention must go to Wendy Hughes for her portrayal of Vanessa. This character has many complexities to her personality and Wendy Hughes portrays all of the different aspects to her personality flawlessly and with a depth of reality and emotion that really brings the character to life. She is strikingly, breathtakingly beautiful and she is more than perfect for this role. In fact I would perhaps rank this as the best character portrayal I have seen in Australian cinematic history and one of the best character portrayals I have ever seen in any movie.

This movie is seriously underrated and I can't recommend it enough. 10/10 and I'd rate it higher if I could