आलोचक समीक्षाएं

As provocative as all this is, Trumbull keeps things grounded, interested to an almost baffling degree in the technical and logistical sides of this theoretical technology, as well as the emotional arcs of the humans creating it.

However adversely it must have affected the morale of those involved in making Brainstorm, the death of Natalie Wood hasn't damaged the film. Her performance feels complete. Playing a more mature character than she had done before, Miss Wood brought hints of a greater sturdiness and depth to this role, which is pivotal but relatively small.

Interesting but flawed.

As a thriller it's a bit soft, as sci-fi it's a bit simple.

This could have been a wonderful film, but the makers fell in love with the hardware and forgot the humanity. BRAINSTORM is chockablock with special effects that sometimes obstruct rather than enhance the story.

This is a good idea for a movie. Unfortunately, in Brainstorm it remains basically an idea. The characters take such a secondary importance to the gadget that we never feel much for them.

Producer-director Douglas Trumbull’s effects wizardry – and the concept behind it – is the movie...On the downside, majority of players, including stars Christopher Walken and Wood as a married couple in a research environment, seem merely along for the ride.

As though this ridiculousness weren’t sufficiently groan-inducing, the scenes depicting the mischief Brace wreaks on the corporation while he’s mid-hack undergo a bizarre tonal shift into Keystone Kops slapstick.

No ears for dialogue around here, either: Several characters observe that the invention "blew my socks off," an expression so odd that we expect it to lead to a comic payoff. But there is none, and there's not much to the movie, either. [30 Sept 1983, p.D1]

Doug Trumbull has spent years maneuvering a potentially stirring mystic pretext to the threshold of realization, only to balk and stumble at the act of finally crossing that threshold. [29 Sept 1983, p.D1]