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One of the things that really caught my attention about this film was the brief blurb at the beginning which stated something to the effect of "All of the surveillance equipment depicted in this film exists and is in use in the United States." Knowing what I do of technology, I am not surprised that those capabilities existed back then. However, I received a powerful demonstration of the stealth technology called "whisper mode" in the film, a couple of years after seeing it. I live near a major U.S. Army firing range, and our local airport hosts a considerable amount of military traffic. At this particular time, I was renting a house about one kilometer from the airport. I went out for a walk late one Sunday night, and, shortly after leaving the house, I heard a noise I could not identify. It was a loud hissing sound, 'which seemed very close at hand, but I could not locate the source, until I looked up. Passing overhead at about 200 meters was a Chinook helicopter, the type with two rotors, and fuselage that looks kind of like a banana. Normally, the rotor noise on these cargo helicopters will rattle windows, but this baby was tip-toeing out of town very quietly. If I had been indoors, I never would have heard it. This made me completely rethink the sequence where the helicopter was hovering right outside of a building, and the people inside couldn't hear it! I took it for artistic license at the time, but the demonstration I witnessed of "whisper mode" made it seem entirely feasible.

This film appealed to me strongly, for several reasons. I am a techno freak, to begin with, and I love anything that flies. Also, the characters in the movie are amazingly human, kooky, (especially the lead characters wife,) and easy to identify with. And the kind of shenanigans the Feds were trying to pull seem all too realistic to me, in light of some of the things that they have been caught doing! And I loved the response of sending a couple of F-15's armed with missiles after the renegade, when he is stooging around in downtown Los Angeles. Missiles are not known for being highly selective when they are of the heat seeking type, and urban areas are rich with thermal signatures which can confuse the tiny brain packed into an air-to-air missile. The filmmakers actually downplayed the havoc that could result from launching such weapons in a downtown area.

I found the film to be an enjoyable, realistic, thought provoking experience, which I would recommend to most people. The hardware is not the star, thanks to the excellent work of Roy Scheider and his supporting cast, and the dialog is tight and realistic. When informed that one of the suspects in a liquor store robbery is wearing a Hawiian shirt and a cowboy hat, Scheider's character says, "What ever happened to being inconspicuous?"

Tense and suspenseful aerial action film with an exciting final chase starred by superbly crafted high-tech helicopters and F16 on the L.A. skies among its big city skyscrapers . Frank Murphy (Roy Scheider) is a Vietnam vet and police pilot who forms a helicopter surveillance team along with his younger partner (Daniel Stern) , when they spontaneously catch a secret conversation . Booth of them discover the strange project Thor (Thunder Helicopter Offensive respond ) in which are implicated powerful authorities . Then they take to the skies against a nasty army colonel (Malcolm McDowell) who will defend his accomplices at whatever cost.

Gripping , original action movie that deal with Roy Scheider trying to find the means avoid a video disk to be taken by corrupt government agents . Acceptable thriller full of intrigue and tense, this is a fast-paced , stylized action-suspense film. The tension of this picture keeps snowballing as ever close for ending . Casting is frankly magnificent, Roy Scheider as tormented Vietnam vet , Malcolm MacDowell takes honors as a psychopath who attempts to turn the tables on the protagonist before he can inform the police. Plus, a good secondary cast, such as Daniel Stern , Candy Clark, Warren Oates , Joe Santos and usual baddie of the 80s Anthony James , among others . But the real star is ¨Blue Thunder ¨ a heavily armored prototype , an Apache helicopter-alike which is secretly being proved for use in a nefarious government conspiracy . The slick screenplay written by recently deceased Alien's Dan O'Bannon . Adequate musical score accompanying the action by Arthur B. Rubinstein and inventively photographed by classic cameraman John A. Alonzo . The motion picture is professionally directed by John Badham . He's a nice director who achieved his greatest success in the 80s . He directed several hits ( Saturday night fever , Short circuit, Blue thunder, Drop zone, War games,Skateout ) , though today making TV movies( Jack Bull, Floating away ) and television episodes ( Crossing Jordan, Psych, Las Vegas, Standoff , Heroes ). Blue Thunder was followed by a successful TV series also starred by the ultra-sophisticated helicopter with James Farentino and Dana Carvey.

I first saw Blue Thunder as a kid at the time of its release and enjoyed it purely as a slice of action/adventure typical of its time. I could name many films from the early 80s of a similar ilk, but this one stuck in my mind as a real favourite and it was only when I re-watched it recently that I understood why.

Unlike other films in the genre, Blue Thunder always strikes me as having been thought about and crafted in a very careful way. In fact I didn't remember there being as little action as there is. Instead we are given far more character development than we might be accustomed to, thereby enhancing the final aerial drama because we do care about the people involved.

Roy Scheider(who I must confess is my favourite actor of his era) gives a standout performance. His portrayal of Murphy with its wry humour & very human lapses shares more than a little with a certain Chief Brody, but the use of an aging rebel with little cause as the main character in a technological thriller is still refreshing now.

Malcolm McDowell gives the sort of OTT villainous performance that only he can (why has no-one ever cast him as a Bond villain?) and special mention must go to Warren Oates as Scheider's long-suffering boss.

The helicopter looks awesome with cool gadgets aplenty but it isn't the star here, Scheider is. Move over Top Gun, Airwolf, Wings of the Apache, et al; this is the number 1 fly-boy in town.

"Blue Thunder" . . . isn't this that movie where Roy Scheider uncovers a government conspiracy and then loops a wicked military chopper? You betcher sweet ass it is! And it's a shame the helicopter didn't talk. I mean, the comic potential of a reckless pilot and his snappy chopper is enough to salivate over. A more cynical person might find all of this silly, but not me. I was caught up in the whole thing; the car chases, the dofight through downtown L.A. It all works somehow, both as police procedural and conspiracy flick.

Scheider lends a great presence to validate the whole thing, Malcolm McDowell is a real slime of the first order, but neither one of these guys has a thing on the real star of the movie: ol' Blue, herself. That is one menacing attack helicopter, loaded for bear and still sleek. I can only imagine what it was like back in the '80s to be a bystander on the ground watching them film this beast in the air.

7/10

Very good action yarn made during the same year as the more intellegent and superior Badham film, WarGames(1983). Still an entertaining action thriller with three major set pieces. One, the chase among helicopters in the same area as the chase in Terminator 2(1991). Two, the climatic battlescene while at times seems ruthless is nevertheless cheorgraphed with some impressive effects for its time. Three, the final conflict chase between Roy Scheider and Malcolm McDowell.

Acting leads includes Peckinpah actor, Warren Oates whose performance is very good in what was one of his final film roles before his death. He is justly at home in his role of the head of his Police department, and gives us his patterned hard edged cynical with a slight humor mannerisms. Blue Thunder(1983) is one of the five best films from a director in John Badham whose career has been full of ups and downs. I feel his output from the early to mid 1980s are his most successful times as a filmmaker. Roy Scheider is professional and tough in his role of the film's protagonist.

Malcolm McDowell gives another demented performance as Scheider's former mentor, and now chief nemisis. When channeling the right key, McDowell can be one convincing menacing villain. Badham's late 1990s Hitchcockian type thriller, Nick of Time(1996) used many of the same ideas on action and suspense as his earlier film, Blue Thunder(1983). That film even has a similarly sinister mentor/student relationship as this film. While not a classic is certainly something that can be watched when one has little to do, or wants to be entertained.