प्रायोगिक पुलिस हेलीकॉप्टर के लिए पुलिस परीक्षण पायलट नए वाहन के भयावह प्रभाव सीखता है.प्रायोगिक पुलिस हेलीकॉप्टर के लिए पुलिस परीक्षण पायलट नए वाहन के भयावह प्रभाव सीखता है.प्रायोगिक पुलिस हेलीकॉप्टर के लिए पुलिस परीक्षण पायलट नए वाहन के भयावह प्रभाव सीखता है.
- 1 ऑस्कर के लिए नामांकित
- 1 जीत और कुल 4 नामांकन
Clifford A. Pellow
- Allen
- (as Clifford Pellow)
फ़ीचर्ड समीक्षाएं
One of the things that really caught my attention about this film was the brief blurb at the beginning which stated something to the effect of "All of the surveillance equipment depicted in this film exists and is in use in the United States." Knowing what I do of technology, I am not surprised that those capabilities existed back then. However, I received a powerful demonstration of the stealth technology called "whisper mode" in the film, a couple of years after seeing it. I live near a major U.S. Army firing range, and our local airport hosts a considerable amount of military traffic. At this particular time, I was renting a house about one kilometer from the airport. I went out for a walk late one Sunday night, and, shortly after leaving the house, I heard a noise I could not identify. It was a loud hissing sound, 'which seemed very close at hand, but I could not locate the source, until I looked up. Passing overhead at about 200 meters was a Chinook helicopter, the type with two rotors, and fuselage that looks kind of like a banana. Normally, the rotor noise on these cargo helicopters will rattle windows, but this baby was tip-toeing out of town very quietly. If I had been indoors, I never would have heard it. This made me completely rethink the sequence where the helicopter was hovering right outside of a building, and the people inside couldn't hear it! I took it for artistic license at the time, but the demonstration I witnessed of "whisper mode" made it seem entirely feasible.
This film appealed to me strongly, for several reasons. I am a techno freak, to begin with, and I love anything that flies. Also, the characters in the movie are amazingly human, kooky, (especially the lead characters wife,) and easy to identify with. And the kind of shenanigans the Feds were trying to pull seem all too realistic to me, in light of some of the things that they have been caught doing! And I loved the response of sending a couple of F-15's armed with missiles after the renegade, when he is stooging around in downtown Los Angeles. Missiles are not known for being highly selective when they are of the heat seeking type, and urban areas are rich with thermal signatures which can confuse the tiny brain packed into an air-to-air missile. The filmmakers actually downplayed the havoc that could result from launching such weapons in a downtown area.
I found the film to be an enjoyable, realistic, thought provoking experience, which I would recommend to most people. The hardware is not the star, thanks to the excellent work of Roy Scheider and his supporting cast, and the dialog is tight and realistic. When informed that one of the suspects in a liquor store robbery is wearing a Hawiian shirt and a cowboy hat, Scheider's character says, "What ever happened to being inconspicuous?"
This film appealed to me strongly, for several reasons. I am a techno freak, to begin with, and I love anything that flies. Also, the characters in the movie are amazingly human, kooky, (especially the lead characters wife,) and easy to identify with. And the kind of shenanigans the Feds were trying to pull seem all too realistic to me, in light of some of the things that they have been caught doing! And I loved the response of sending a couple of F-15's armed with missiles after the renegade, when he is stooging around in downtown Los Angeles. Missiles are not known for being highly selective when they are of the heat seeking type, and urban areas are rich with thermal signatures which can confuse the tiny brain packed into an air-to-air missile. The filmmakers actually downplayed the havoc that could result from launching such weapons in a downtown area.
I found the film to be an enjoyable, realistic, thought provoking experience, which I would recommend to most people. The hardware is not the star, thanks to the excellent work of Roy Scheider and his supporting cast, and the dialog is tight and realistic. When informed that one of the suspects in a liquor store robbery is wearing a Hawiian shirt and a cowboy hat, Scheider's character says, "What ever happened to being inconspicuous?"
Very good action yarn made during the same year as the more intellegent and superior Badham film, WarGames(1983). Still an entertaining action thriller with three major set pieces. One, the chase among helicopters in the same area as the chase in Terminator 2(1991). Two, the climatic battlescene while at times seems ruthless is nevertheless cheorgraphed with some impressive effects for its time. Three, the final conflict chase between Roy Scheider and Malcolm McDowell.
Acting leads includes Peckinpah actor, Warren Oates whose performance is very good in what was one of his final film roles before his death. He is justly at home in his role of the head of his Police department, and gives us his patterned hard edged cynical with a slight humor mannerisms. Blue Thunder(1983) is one of the five best films from a director in John Badham whose career has been full of ups and downs. I feel his output from the early to mid 1980s are his most successful times as a filmmaker. Roy Scheider is professional and tough in his role of the film's protagonist.
Malcolm McDowell gives another demented performance as Scheider's former mentor, and now chief nemisis. When channeling the right key, McDowell can be one convincing menacing villain. Badham's late 1990s Hitchcockian type thriller, Nick of Time(1996) used many of the same ideas on action and suspense as his earlier film, Blue Thunder(1983). That film even has a similarly sinister mentor/student relationship as this film. While not a classic is certainly something that can be watched when one has little to do, or wants to be entertained.
Acting leads includes Peckinpah actor, Warren Oates whose performance is very good in what was one of his final film roles before his death. He is justly at home in his role of the head of his Police department, and gives us his patterned hard edged cynical with a slight humor mannerisms. Blue Thunder(1983) is one of the five best films from a director in John Badham whose career has been full of ups and downs. I feel his output from the early to mid 1980s are his most successful times as a filmmaker. Roy Scheider is professional and tough in his role of the film's protagonist.
Malcolm McDowell gives another demented performance as Scheider's former mentor, and now chief nemisis. When channeling the right key, McDowell can be one convincing menacing villain. Badham's late 1990s Hitchcockian type thriller, Nick of Time(1996) used many of the same ideas on action and suspense as his earlier film, Blue Thunder(1983). That film even has a similarly sinister mentor/student relationship as this film. While not a classic is certainly something that can be watched when one has little to do, or wants to be entertained.
Old movies have it hard on ImDb. They got pushed in this database without all the benefits modern movies have to artificially boost their initial user score. Publicity stunts, media spin, false "user" feedback... They got none of that. How many bad movies have you seen start at 8,5 and end up being turds. To remedy that, Blue Thunder gets a solid 8 from me. It is a typical 80's flick, sprinkled with sexist and racist bits nobody would dare to approach today. Movies reflect their epoch; here we find a pre-olympic L.A. not very far from it's race crisis. More important, we find real helicopters doing real stunts above and inside the city. No production will ever get a permit to do all this anymore and only for that, that movie is worth watching.
Always liked this one. Well written and acted, with excellent aerial action sequences. It's a shame this was Warren Oate's last role - he was magnificent. Other reviewers made a valid point about this film presaging the use of military hardware against civilians. We already use airplanes to catch speeders on the ground - doesn't the aviation fuel cost more than the amount of revenue taken in through summonses?
A helicopter is developed for police work using full surveillance technology, stealth modes etc. Officer Murphy and his partner are trained to fly it for street tests. However Murphy suspects that it has more sinister uses when he finds that the man in charge is Colonel Cochrane who he has a history with in Vietnam. The battle between the two men heads for a showdown as Murphy gets evidence to back up his suspicions.
Made as a film but turned into an inferior tv show this film is entertaining but no more than that. The plot is interesting with plenty of conspiracy stuff but the action is sometimes forced. Because most of the helicopter shenanigans are save for the climax we are given car chases etc to help fill the time. The helicopter itself is very cool and well used and the final battle above the city is exciting if formulaic. The morals of a `big brother' helicopter, able to pry everywhere isn't examined as well as could have been but it's still interesting.
Scheider is always good to watch and does well, as do Warren Oates and a young Daniel Stern. However the show is stolen and the film made by a great baddie from Malcolm McDowell (catch you later!) who is menace incarnate for me.
Overall an enjoyable thriller but it really only sticks in the memory due to the TV series that followed worth watching for McDowell though.
Made as a film but turned into an inferior tv show this film is entertaining but no more than that. The plot is interesting with plenty of conspiracy stuff but the action is sometimes forced. Because most of the helicopter shenanigans are save for the climax we are given car chases etc to help fill the time. The helicopter itself is very cool and well used and the final battle above the city is exciting if formulaic. The morals of a `big brother' helicopter, able to pry everywhere isn't examined as well as could have been but it's still interesting.
Scheider is always good to watch and does well, as do Warren Oates and a young Daniel Stern. However the show is stolen and the film made by a great baddie from Malcolm McDowell (catch you later!) who is menace incarnate for me.
Overall an enjoyable thriller but it really only sticks in the memory due to the TV series that followed worth watching for McDowell though.
क्या आपको पता है
- ट्रिवियाOne reason Roy Scheider made this film was so that he would be unavailable to get cast as Chief Brody in ज़ॉज़ 3 (1983), though he also admitted in an interview that the "Jaws" producers knew better than to ask him to play Brody again.
- गूफ़Cochrane sabotages Murphy's Bell jet ranger by removing the cotter pin and loosening the nut on the throttle-control linkage bolt so it can slip out. Aviation bolts are always installed head-end up as a safety precaution to keep the bolt in place should the nut come off.
- भाव
[Icelan and Braddock are discussing Murphy]
Icelan: He checks his sanity with a wrist watch!
Jack Braddock: What do you check yours with, a dipstick? There are no paranoid schizophrenics in my department.
- क्रेज़ी क्रेडिटThere are no opening credits after the title is shown.
- इसके अलावा अन्य वर्जनWhen "Blue Thunder" was first released on video in Sweden, the scene where Kate drives to the the TV station with the videotape, involved a crazy stunt when she drives into a narrow alley and meets a police car that comes the other way. To avoid a disaster, Kate flips her car on its side, hits its roof on a wall and flips back again. In later video versions, the stunt is gone. We only see the car when it enters the alley and then we see her driving on the freeway with a strange damage on the roof.
- कनेक्शनFeatured in At the Movies: Blue Thunder/Return of the Jedi/Breathless/La Traviata (1983)
- साउंडट्रैकTheme From Blue Thunder (Murphy's Law)
(uncredited)
Written by Arthur B. Rubinstein
Performed by Arthur B. Rubinstein, Cynthia Morrow, Brian Banks and Anthony Marinelli (as the Beepers)
Produced by Evan Pace
Associate Produced by Reno Romano
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Blue Thunder
- फ़िल्माने की जगहें
- City of Los Angeles Piper Technical Center - 555 Ramirez Street, Downtown, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Police helipad - Command Center)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,20,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,23,13,354
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $82,58,149
- 15 मई 1983
- दुनिया भर में सकल
- $4,23,13,354
- चलने की अवधि
- 1 घं 49 मि(109 min)
- रंग
- पक्ष अनुपात
- 2.39 : 1
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