The Being

Happy Easter, you One-Eyed Willy Monster.

As a bona fide horror fan, especially from the 80s, I'm shocked I missed this one. I've known about it my whole life, but never got to it. And wow, I'm pretty shocked how much they put into this.

The biggest positives stem from how many times they showed the penis creature, or at least, parts of the penis creature. Like right from the beginning, every couple of minutes until the great penis monster's climax.

Now, the acting, editing at times, continuity and people's unnatural reaction to green ooze all over the town or the monster's appearances are all bad, but I was actually entertained through to the end...even when I couldn't really comprehend how many penis monsters there were, if there were more than one or their powers.

I will have to also point out that I suspect the studio invited morons to its test screenings. In the beginning, there were a lot of odd narration (over a radio DJ - hard to hear both!) and voice overs to explain the thoughts of our husky lead detective. I bet they added these in post because, I assume, the test audience had less-than-desirable I.Q.s.

Some of the subplots I found amusing: Mayor Spuds Mackenzie and his extremely limited Jaws ripoff scenes and the townsfolk's objection to smut coming into their very Southern-acting town in Idaho. Specifically, they're scared of a massage parlor opening as they might be massaging something else...

(Insert penis monster reference here.)

It's not perfect, but I would've enjoyed the heck out of this as a kid for how many times we saw the monster in a creature feature. If you're like me with cheesy 80's monster movies, watch this.

***

Final Thoughts: It was a major coincidence I decided to watch this on Easter-Eve and I didn't even know it was a holiday film. Huh, they should really market this as such. I can't think of another Rated-R Easter Horror movie, other than The Passion of the Christ.

The first thing that struck me when watching this was how on earth the lead actor got the job. He has to be one of the worst I've seen, honestly, he delivers his lines like he's in a school play. Then I found out he's married to the director, who is also the writer. Aside from all that this very much wears its influences on its sleeve, it's mostly 50's style B-movie horror. A monster movie that begs and borrows ideas from its predecessors. It's not very good to be honest, it's badly edited, poorly lit, wastes its location, has weak monster design, and of course the terrible wooden acting from the main character. There's also out of place voice-over moments early one where we hear the lead characters inner thoughts, really odd. Also, we hear a radio broadcast every now and then telling us about a storm that is never actually in the movie, completely pointless. Landau, Ferrer, and Buzzi are actually ok in their supporting roles and ultimately carry the movie. Not surprisingly the director didn't go on to have much of a career, a case of too much imitating over innovating it seems.

This isn't a magnificent movie, though it isn't a bad one either. This is pretty much as average as they come. A year before Toxi the Toxic Avenger graced out screens there was The Being.

This is a story about a boy who falls foul to a greedy Mayor who sells his soul to a corporation so they can dump pollution in his township. Once the boy is mutated, his damaged brain send him on a killing spree. As always, with the plethora of horror films, this could have been better, especially the story which is only there to create The Being.

What this film has in its favour is it's cast, though not the cream of the crop there are some very good masters of their craft involved. Both Martin Landau and Jose Ferrer in their respective roles of Dr Garson Jones and Mayor Gordon Lane, who is nice and sleazy. In fact, most of the cast give good performances with the material they have, even Roxanne Cybelle Osco, who is the little girl in the Easter Egg Hunt scene (one of my favourites in the film). The only person who seems miscast is Bill Osco as Detective Mortimer Lutz, his style is that of a Chippendale chair... Oh, and there's even a naked Traci Lord painting her toenails before being attacked by a rubber monster (sorry I couldn't resist - though it is true).

So why didn't this get a higher rating? For me, it's the directing. Though Jackie Kong's story isn't too bad for an '80's horror film his directing skills aren't up to the same standard. That said there are some good scenes. As I stated I liked the Easter Egg Hunt; I liked the opening sequence where you hear a radio broadcast informing the town that the storm has passed, this creates a nice atmosphere... which is then spoiled by a narration. The narration isn't required as everything is explained throughout the movie. I don't know if this was requested to be added later, it feels that way, or if it was the original plan, but what I do know is that it kills the atmosphere and spoils the feel of the film. This may even get a few people turning off. Kong is also good at filming in the dark as he opts to make everything visible (there's nothing worse than when a scene is so dark you cannot see what's happening). He can even build up the tension as the scene in the dinner shows, nice and creepy. If he could have kept this up for the entirety of the film it would have been so much better.

Then there are the effects. The ripping out of a heart is well done as is the oozing pollution which comes through the car's vents and radio. However, the monster itself is laughable and it's a good thing that you don't see it fully until the finale. It resembles a box of goo on a skateboard and the one eye it has doesn't look at all realistic; I was waiting for the glue to go off and the table tennis ball to fall off.

If you like, leave your brain at the door '80's horror and you've not seen this one yet then give it a gander as it's at least worth one viewing. It should be said that it would be better viewed in the dark with a nice cold drink... or two... or three... while the rain outside is spattering your window.

Though it has its faults, this movie has several core messages that make it work as a horror film. First, environmentalism: Showing how the disposal of nuclear material can negatively affect the world Second, the philosophical question of the innocence of children: The monster in this movie is just a mutated child who has little to no control over their actions, which brings into question the ethical validity of killing them/.

This movie tries very hard but reeks of a production that didn't really know what it was doing.

Many times I got the impression something was missing too, whether because of production errors, the poor night lighting or editing, who knows, but narration often has to step in to tell us what's going on, which is always a red flag.

Add to that some giggle inducing deaths plus the final monster reveal being more comedic than scary and you've got the makings of a cult classic.

With some beer and friends it's not your worst choice, certainly it can't be described as boring as the pacing is good.

Worth a look, if you're into that sort of thing.