2019 - Dopo la caduta di New York

A Mad Max-like rogue soldier is asked by the President of the new world, to go to New York (Which is of course a wasteland) and rescue the last fertile woman on earth, while on the mission he runs into a band of good mutants, savage cannibalistic gangs and a good midget who knows the location of the last fertile woman, while on the way the totalitarian establishment conducts experiments and also want to find the last fertile woman on earth. 2019:Fall Of New York actually predates Hell Comes To Frogtown and Cyborg which basically borrow plot elements from this movie. Of course the main inspiration here is Escape From New York and Mad Max, in fact the main lead looks sort of like Kurt Russell, but with that said this is actually a fun movie. Indeed I was shocked at how invested I was in the hero's plight. I also found many elements interesting, the first one being that our heroes are aided by those devastated physically by the nuclear holocaust, usually they serve as villains but here they aid the heroes in their fight against the normal looking soldiers in the employ of a ruthless cult. Sure the message doesn't mean much and the film is goofy but this element adds likability to the characters and I found myself strangely engrossed in the hero's mission. In fact, for a no-name cast this is actually pretty decently acted. The movie could've used a tighter pace, and the ending seems rushed but as far as Escape From New York rip offs go, this is a very enjoyable product.

**1/2 Out Of 4-(Pretty Good)

Fascist kingpins scheme in an office decorated with a futuristic knockoff of "Guernica." Gladiators clash in souped-up sedans, then get hookers dispensed by cyborgs styled like female clowns. A Dr. Evil-like chrome-dome bad guy gets his eyeballs pulled out by hooks, then replaced by peepers from an unlucky donor. Sergio Martino's AFTER THE FALL OF NEW YORK may be the only grindhouse ripoff of a famous movie that out-invents the original by a power of one hundred. It's supposed to be a copy of ESCAPE FROM NEW YORK, but it suggests Jess Franco having a field day on the abandoned sets of Altman's QUINTET. Dizzily cast and designed, with more visual ideas and free-form movement than any grindhouse movie of the period, it's a lesson in what B movies are supposed to be--and were, before they turned into bland late-night-Cinemax fodder.

After the Fall of New York is one of the best of the seemingly endless Italian rip-offs of John Carpenter's Escape From New York that deluged the early 80s. Mind you, I really like these films, so that is not a slam by any means. This flick is certainly one of the most entertaining of the lot. Michael Sopkiw does his best Snake Plisken imitation and is quite good. The story is original: Parcifal (Sopkiw) must journey into the hell hole to retrieve the last fertile woman alive; the key to the survival of the human race! You have all the great exploitation elements: violence, gunfire, brutality, gore… could have used more t&a, but hey, you can't have everything. Creative characters abound like the midget (Shorty, what else!) and George Eastman as Big Ape. Anna Kanakis (wow) is great as the treacherous Eurac officer trying to stop Parcifal at all costs.

If you are not a B-movie lover, stay away. Genre fans, however, will not be disappointed here. Enjoy!

This movie pulls no punches and makes no pretensions. It sets out from the beginning to do a job, and it not only does it, it overkills it. The job you might ask? Why to rip-off every post-apocalyptic, after the bomb, flick that has come before it. Mad Max/Road Warrior, ripped off, Escape From New York, ripped off large, anything that is remotely cool from almost any flick of this genre previous, is exploited. Hell, they even have some Planet of the Apes in there too... Now don't get me wrong. This is not necessarily a bad thing. It's pretty well done 'in that over the top Italian Cinema way'. When I first saw this thing when I was about 15, I ate it right up and it was one of the first 10 videos I owned in my life. And by the time I was done college the tape was worn out. And years and years later when I saw it in a cheap previously viewed video bin for $4, I picked it up again and it was worth every penny.

20 years after a nuclear holocaust radiation has rendered all remaining humans sterile. After winning a motorized deathmatch an ex-Confederate soldier named Parsifal is offered a place on a rocketship by The President if he can infiltrate New York City and retrieve a fertile woman, or be killed.

Directed by Sergio Martino 2019, After the Fall of New York (2019 - Dopo la caduta di New York) is more sci-fi orientated than most (with a spaceship inclusion). Ernesto Gastaldi, Martino and Gabriel Rossini screenplay has echoes of Blade Runner (1982), Mad Max 2 (1981) and borrows heavily from Escape from New York (1981). It's one of the better copy-cat post-apocalyptic Italian films in the vein of similar to the films 1990 The Bronx Warriors, Escape from the Bronx, The New Barbarians and Endgame to name a few. Even copying a scene from Flash Gordon (1980).

It has all the same production issues of these low budget Italian cash-ins. Questionable, dialogue, acting, special effects, dubbing and sound design. This aside, the catchy soundtrack from Guido De Angelis and Maurizio De Angelis compliments the shenanigans and action adding to the B-movie charm. In contrast to the kitted vehicles, some of the sets and locations are notable. The derelict city set scenes have plenty of atmosphere courteous of cinematographer Giancarlo Ferrando as Michael Sopkiw's Parsifal and his rag tag side kicks Bronx and Ratchet make their way through the city encountering rats, cyborgs, fallout stricken street gangs, horses, ape-like mutants, dwarfs and dodging sonic weapons. It's grim and downbeat for the most part.

Miss Italy Anna Kanakis as evil officer Ania and striking Valentine Monnier as Giara along with B-movie regular George Eastman are memorable. Unfortunately Monnier is given little to do. Tiziana Fibi and Alessandra Tani even less. Kanakis shines here as the femme fatale as steals the film from not only the villain Serge Feuillard's Eurac Commander but also lead Sopkiw. To Martino's credit and company it's well filmed, with some tight continuity (Donatella Botti) and editing by Eugenio Alabiso there's also a few light left of field twists from the writers in the closing act.

Overall, it should come as no surprise it's over the top, full of tropes and holes, but its fast pace keeps momentum in true 80s Italian science fiction film style.