V

This is one of those rare epics that come only once in a blue moon. This is one of the best 'First Contact' genres ever made. No movie on the big screen so far - no, not Independence Day or even Close Encounters of the Third Kind (amongst my favorite films, I might add) have been able to give you the kind of goose pimples that watching 'V' gave me.

The ensemble cast with Marc Singer, Faye Grant, Jane Badler and others have done a fantastic job and Kenneth Johnson has done a superb job making this show. Not only is the storyline and plot very capturing, the characters in this really come to life and you actually get involved with them unlike many other shows. And this is even more amazing because there are SO MANY characters and each one of them has their own story which is depicted very well. I love the way the characters all start off in different settings and events and don't know each other, but gradually they come together.

The Nazi-esquire theme also works out well. The special effects for 1983 are cool enough to be used today and the lasagnas on 'V' are the absolutely coolest ones ever. Better than Star Trek 'phasers' or Star Wars 'blasters'. Not to mention the Mother Ships and the various classes of shuttles.

This is a good one and this is certainly something I am hoping they give more. Either a movie or a remake. There is supposed to be a 'V-The next generation' in the making. I can hardly wait!

I was 5 years old when the series premiered on television. It was the biggest and to me, the greatest science fiction show ever made! More than 20 years have pasted, and still, to a degree, the show remains strong. Even though the special effects are now considered lame and at times funny, the show in itself was a giant milestone for network history. The Beastmaster, Marc Singer is the poster child for early 80's cool. Richard Hatch must have asked for too much money. You could not of had movies like Independence Day if V wasn't made. Today, video shelves have the original 3 hour mini series with a separate tape, "the final battle." The following year has not yet been made available for the public.

Now this is real sci-fi! Kenneth Johnsons story is (in my opinion) one of the best ever written. While I rank The Tripods as my favourite sci-fi adventure, this will come as a good second.

I wasn't very old when I saw V for the first time, but I can honestly say it blew me away! And even now almost 20 years later I can still watch it and be in awe like I was way back then.

And now I am just waiting for the return of V, which finally seems to be becoming reality. Hopefully it will stick to the basics and not go "overboard" like so many re-makes have done over the years. But with Kenny at the helm I doubt that will be a problem, since I happen to know that the legacy of V means a lot to him.

Considered by many to be one of the best in the genre, V is a television classic.

Airing during 'May Sweeps' on NBC over two nights, the mini-series was a surprise ratings smash. Critically praised for it's introspective tale with strong themes, the special effects were top-notch, particularly for television of the time.

NBC had taken a gamble with this cutting-edge, creative, and creepy alien-invasion story that pays off in some memorable performances from members of the large cast.

Twenty-plus years later, Kenneth Johnson's epic V holds up extremely well, it's message of resistance and sacrifice being ever more relevant in this Post- 9/11 world.

1983 was perhaps the peak year for the TV mini-series, with The Thorn Birds, The Winds of War and V all premiering to big ratings. V features a worldwide alien invasion, as huge, circular motherships arrive and take up stationary orbit all over the planet, directly over large cities. The media soon dubs them the "Visitors", and they appear human, although sensitive to the light and with strange voices. They seem to be benevolent at first, sharing medical and technological breakthroughs, while not asking for anything in return. But of course they are after something, and they will stop at nothing to get it, and soon they are disposing of enemies and setting up human collaboration units to weed out the "undesirables". A group of people soon set up an underground resistance, but can they hope to stop the seemingly superior alien invaders?

Marc Singer stars as a heroic war correspondent who is the first to learn of the aliens true nature, along with Faye Grant as a biologist, Jane Badler as an alien commander, Richard Herd, Andrew Prine, Leonardo Cimino as a Holocaust survivor who sees the writing on the wall, Evan Kim, Michael Wright, Bonnie Bartlett, Neva Patterson, Robert Englund as a friendly alien, and many more.

This was probably intended as a starting point for a series, but instead it led to another mini-series the following year, before finally a short-lived series (and a remake in 2009). It's derivative of a lot of things, namely the Arthur C. Clarke novel Childhood's End. It's also a very heavy-handed allegory of the Nazi occupations in Europe and the Holocaust; the alien symbol is even a variation on a swastika. The effects are decent, if dated at this point, and the script, by writer-director Kenneth Johnson, never really rises above average. But it's fun in a dopey, Saturday-morning serial way. At slightly over 3 hours, it's also a bit short as far as mini-series go.