Mansfield Park

After watching the more recent movie version of this movie, I must admit I put off watching this one for fear they would be similar. I'd read the book years ago and enjoyed it, although not as much as Sense and Sensibility and Pride and Prejudice. I finally got around to viewing this about a month after I'd purchased the box set and was VERY pleasantly surprised. It stayed very faithful to the book and unlike a few of the other reviews I read here, I did not find it at all dull nor did i find the acting lacking in any fashion.

I especially liked the development of the relationships between Fanny, Tom and Edmund. It was neat seeing them grow and mature over the course of the mini-series.

I was also impressed with the interactions between the Crawfords. The characters had always irked me a bit in the story but in this version they came across as more subtle.

Low budget films and television productions have to be accepted for what they are. That being said, the 1983 Mansfield Park still has a distinctive on-location look and the cast is uniformly strong - Sylvestra Le Touzel has just the right mix of prettiness and austerity and Nicholas Farrell is excellent as Edmund.

Where the 1999 film sacrificed the book's moral subtlety for pretty obvious ends (Fanny becomes a sort of pseudo-feminist icon, but of course back in the eighteenth century, before it was cool) the 1983 film contains all the troubled morality of the book - its characters, many of whom are failures in way or another, are presented with sympathy and irony, and the faithfulness of the screenplay is infinitely to be preferred to the 1999 film's racy, but ultimately pedestrian value system.

This is unquestionably the best ever adaptation of this book, faithful to the text and faithful to the feeling of the book. Sylvestra le Touzel is appropriately mouse-like and really embodies the real Fanny Price, (one of my favourite Austen heroines). She displays that transcendence of flesh that Austen uses as a metaphor for stability in an increasingly precarious situation, both for the estate and for the individuals associated with it. More recent adaptations have tried to make Fanny more capricious and human... but that is not what she is about. She represents the rise of the diligent lower classes to dominate the corrupt aristocracy, of merit over money, and morality over license. She and Edmund are the eventual winners, custodians of their inheritance, when all the favoured children have fallen into sin and temptation and proved themselves unworthy. Fanny Price is not so very different from Jane Bennett, Anne Elliot or Elinor Dashwood. I don't understand why so many people find her character "difficult"

I will agree with others that the production value of this mini series is a bit low. The acting is very stiff and is some places just unconvincing. For users of digital televisions the picture and sound quality is very low, but understandable since this production was made in the early 80s.

The thing that amazes me most about this rendition is how faithful it is to the book. If you loved the book, then you will also like the movie. I'm sure the costume designer and casting directors looked at the old Hugh Thomson illustrations. This most noticeable in the characters of Henry and Mary Crawford.

Lady Bertram is very much like she was in the book -except for her voice. I found it very odd! Rather overdone in my opinion. Mr Yates had a very strange hairstyle as well.

The locations and set were very nicely done. Sotherton and Mansfield Park are very much like the way I pictured them. There was one scene in Portsmouth where there was a matted background with ships. That was rather cheesy looking but it was the only scene that I was less than satisfied with.

This production lacks the polish of BBC's Pride and Prejudice (1995) but it is worth seeing for the serious Austen fan.

It's true that this version is a bit long and should only be attempted by real aficionados of Austen's work. I prefer it to the 1999 version, but someone looking to be entertained for an afternoon ought to look elsewhere. I didn't mind the actress who played Fanny as much as everybody else seems to. I won't praise her acting, but found it not much worse than anyone else's. She looked the part so much more than Frances O'Connor and played it with the necessary timidity that the other actress completely ignored. Edmund, I thought, looked all wrong for the part. I suppose this is a debatable point, but I felt his features were too old and his expressions too severe. Edmund was meant to be serious but warm. It is a subtlety that I felt, unfortunately, neither he nor the 1999 actor got right. The worst choice was Henry Crawford. His portrayal was so off and confusing that I found it hard to focus on the rest of the film. The actor played Crawford so flamboyantly that it is hard to imagine he made so many girls fall in love with him. Those are all of my real complaints; otherwise I found it an enjoyable, faithful adaptation of a wonderful book.