Buffalo Bill

When will the network suits realize that they have genius within their grasp: they've screwed up TWO Dabney Coleman series' in one decade and, of the two, this one is the saddest loss.

In "Buffalo Bill", Coleman plays Bill Bittinger, the host of a local talk show in Buffalo, New York (naturally), who isn't above a little pushing, shoving, name-calling and double-dealing to get what he wants from his show, co-workers, fans, guests...the list goes on and on.

And of course, as created by the creative team of Tom Patchett and Jay Tarses, it is not lacking for sardonic wit and commentary so biting it leaves a mark. Just check their credits - they're no strangers to this territory.

And the supporting cast contains no slouchers. Joanna Cassidy, John Fiedler, Geena Davis (!), Charles Robinson (Mack from "Night Court"); every one of them is a pro and shine their brightest. But the best support comes from Max Wright, who plays Bill's station manager - the ever-paranoid Karl Shub.

But this show was at its best when Coleman was at his most corrosive. There were touchy subjects delved into here (racism, work ethics, demanding relationships, etc.), all sharpened to razor-keenness and delivered unflinchingly with only the slightest sugar-coating.

And HERE'S the weird part: after winning accolade after accolade from reviewers, magazines, TV fans and just about everybody else...it got CANCELED! WHY??! Well, probably because it dove a little TOO deep into what goes on behind the scenes of a TV show. Oh, those crazy network suits and their 180's....

Well, far be it from me to second-guess what NBC was thinking when they got rid of this singular gem in their schedule. But it was a bad move on their part, to say the least. Maybe they figured having "Hill Street Blues" was enough?

Ten stars for "Buffalo Bill", and one bonus star for Dabney Coleman at his best. If you ever get a chance, shuffle off to THIS "Buffalo".

Only once in a while does a show this clever come along. Buffalo Bill Bittiner (Dabney Coleman) is an arrogant, self-centered, misogynistic pig, who hosts a low budget local talk show in Buffalo, NY. While the concept of an off-color comedy based on such a vile character will not appeal to all audiences, this show had many layers, and was very well written and executed. On the surface, the show focused on the offensive, yet hilarious, antics of Dabney's character, but below the surface is an insecure, paranoid, confused, and cowardly train wreck of a man -- not that one should feel sorry for him. Bill Bittiner may think his "assertive" antics conceal his flaws and insecurities from his co-workers and talk show audience, but these antics are transparent to everyone but Bill, and only added comedic and ironic flavor to the show.

Not only was Dabney Coleman brilliant in this role, but so was his supporting cast. His research assistant was played by a young Geena Davis, his faithful stage hand by the late John Fiedler (the voice of Piglet), and his makeup man was played by Charles Robinson, who later directed Night Court. There were also a number of notable guest appearances such as: Oscar winner Martin Landau, comedian Julie Brown, and an uncredited appearance by Jim Carrey. Most of the show focused on Bill Bittinger's antics, but there were also some genuine moments and meaningful side-skits acted out by Coleman's diverse cast of supporting characters.

This show did not do so well in prime time, and I was very disappointed to see it canceled.. I suspect that too many viewers found Coleman's character too much to bear, even if taken with a grain of salt. Nevertheless, I was thrilled when I found out that the complete series was released on DVD, even though it took 20 years.

BUFFALO BILL was originally received like a Neil LaBute or Todd Solondz movie; the few who liked this program LOVED it, while the masses who didn't like it LOATHED it.

There had been sitcoms starring essentially unlikable characters before, such as ALL IN THE FAMILY and FAWLTY TOWERS, but Archie Bunker and Basil Fawlty were veritable pussycats compared to Dabney Coleman's Bill Bittinger, host of a Buffalo, NY talk show. Think Coleman's "sexist, egotistical, lying, hypocritical bigot" of a boss in the movie 9 TO 5 and you pretty much have his BUFFALO BILL character, only here he's surrounded not by feisty secretaries but by wimps and sycophants. His stage manager Woody (John Fiedler) worships him, his research assistant Wendy (a young, nubile Geena Davis) is flustered around him while his director/longtime girlfriend Jo-Jo (Joanna Cassidy) puts up with him primarily out of self-loathing.

Brandon Tartikoff wrote in his memoirs that his greatest regret as NBC head was canceling BUFFALO BILL in 1984; one more season and it might have become a hit. Executive producer Bernie Brillstein went on to oversee THE LARRY SANDERS SHOW, and he's said he considers that successful HBO sitcom (also about an insecure talk show host) to have been the critical and ratings hit BUFFALO BILL should have been.

The series was created by the great comedy team of Tom (ALF) Patchett and Jay (MOLLY DODD) Tarses, who wrote the funniest episodes of THE BOB NEWHART SHOW in the 1970s. They bitterly broke up by the end of this show's run. I suspect that even if BUFFALO BILL had become a SEINFELD or FRIENDS-level hit, they'd have broken up anyway because the show was emotionally draining for an early-1980s sitcom. In one two-parter Jo-Jo, pregnant with Bill's baby, vindictively gets an abortion. In another episode, the racist Bill fires his black makeup man Newdell (Charlie Robinson), only to have a nightmare where he's chased by grotesque black stereotypes who lip sync to Ray Charles' "Hit the Road, Jack." Bill rehires Newdell and is congratulated on his enlightenment. In other words, WE GOT IT MADE or MAMA'S FAMILY this wasn't.

While BUFFALO BILL may not offer instant gratification, sticking through the entire run is worth it. Each member of the outstanding ensemble gets a moment to shine, the guest stars include Martin Landau and Jim Carrey (who impersonates Jerry Lewis) and the story lines are well-constructed with intelligent dialogue. In a stroke of good fortune, all 26 episodes were released in a no-frills three-disc DVD set in the fall of 2005 -- unfortunately, licensing issues prevented the "Hit the Road, Jack" sequence from making this set. Do yourself a favor and pick this up. There won't be another sitcom quite like BUFFALO BILL on network TV anytime soon.

This was a terribly funny corruscating comedy centered upon a loathsome boss at work. The show was consistently surprising - fast-moving with real bite. I loved it - it's a shame it was taken off the air so soon. I'd love to see a DVD of the episodes.

Dabney Coleman can deliver terribly funny terribly unprofessional lines better than any actor I know - the striking thing is that they seem so natural to the character he plays. Joanna was a perfect foil.

The series was just perfect - but not promoted well enough before it was cancelled to build up a head of steam among the audience.

Come to think of it, they could just put the series on again today - Coleman is very much still around. It would be loved.

Not ahead of it's time but firmly planted in the times. It gave us a nice look at the nastiness of the age. Hilarious. Probably one of the top three comedies to hit the airwaves. I have a distinct memory of laughing so hard that I fell off the couch. I have tried by hook or crook to get copies. I also think it's cancellation represents the true death of the soul of this country. The country had decided that it could not tolerate smart people writing for television. I don't know what it's numbers were but with a show of this quality it's bad business to not give it time to at least develop an audience. So, what's new another tragedy perpetuated by the Network idiots.