Wrong Is Right

WRONG IS RIGHT was not marketed right when it came out in 1982 and was due to fail. The movie ad tag lines called it "Dr. Strangelove for the 80's," which was a lame attempt to encapsulate a dark comedy by referring to another classic dark comedy, which also dealt with nuclear bombs. I think people were put off by that and because it was two years after the Iranian Hostage Crisis, people didn't want a dark comedy about the Middle East. I loved it in 1982, I love it even more today, because in large part, it was right, wrong is right was right.

HOWEVER, it predicted so much of what has happened in the world since, that it is so prophetic as to be scary. I won't say anything from the movie, but if you watch it and realize when it was made, it's incredible and shows the true genius of those who made it.

Sean Connery leads a cast which is superb.

You have to remember, this was before CNN became the go to news channel.

Enjoy.

Some films are truly ahead of their time. The 1982 satire Wrong Is Right is such a film. Though deemed unbelievable when first released nearly three decades ago its satire of TV news being driven more by entertainment then facts, Islamic terrorists seeks nuclear weapons and international intrigue makes it even more relevant today. In short it's a satire for today from yesterday.

The film features a fine cast. Sean Connery stars as Patrick Hale, a globe trotting TV reporter who uncovers the story of a life time. Connery shows off a considerable talent for doing black comedy throughout and comes across well as a cynical reporter who ends up virtually being the voice of reason towards the films end. George Grizzard (as the President), Rosalind Cash (as the Vice-Pesident), Robert Webber (as the CIA director) and Dean Stockwell (as the President's chief of staff) come across well as various government officials caught up in the crisis while in the midst of a presidential election. There's also Robert Conrad as the trigger happy General Wombat in charge of the counter terrorism task force in a performance perhaps a bit too reminiscent of George C. Scott in Doctor Strangelove. Facing off against them are the terrorists lead by Rafeeq (Henry Silva) and Leslie Nielsen as a proto-George W. Bush presidential candidate twenty years before the fact. That's not forgetting either Kathrine Ross as Sally Black or Hardy Kruger as a European arms dealer as both have small but important roles in the films. All together they make for a fine cast for this satire.

It's the satire and script that really makes this film stand out. Inspired by or loosely based on. depending on your choice of phrase, Charles McCarry's 1979 novel The Better Angels which like the film was deemed unbelievable at the time it originally came out. But the film would prove to be eerily prophetic of the world more then two decades later. Terrorists blow up airplanes without warning, a wealthy Middle-Eastern nation seeks to buy nuclear weapons for terrorists and suicide bombers blow themselves up with no warning may have been unbelievable thirty years ago but are practically ripped from the headlines of today. Plus things such as Leslie Nielsen's presidential candidate Mallory who, as not just played by Nielsen but written as well, could easily be mistaken for a satire of George W. Bush if the film hadn't been made in the 1980's but sometime in the last ten years. Yet all the while the film plays not so much as a satire but as a thriller as Hale explores the worlds of his own TV companies bias, government conspiracies, election year politics and Islamic terrorism. But the film works because of its heavy topics rather then despite them because it exposes the sheer absurdities that lies at the heart of it all. While the technology and fashions are those of the early 1980's the film could easily have been released, as the opening of the film states, in the time between now and later.

Armed with a fine cast and an excellent satire/thriller script, Wrong Is Right stands out nearly three decades after its original release. With its plot of TV news being driven more by entertainment then facts, Islamic terrorists seeks nuclear weapons and international intrigue it's hard to believe that a film from thirty years ago could speak so much more about the decades after it was originally released. But this film does and it would appear to have much more effect now then it has ever had. Wrong Is Right is a satire for today from nearly three decades.

24 July 2013. This uneven, obviously low-budgeted, all star cast political black drama is a difficult movie to assess because it depends strongly on what criteria one uses to judge a movie. From a current political messaging drama, it is uncanny in its authenticity even more than 30 years later. It remains relevant in terms of how oil and America's intelligence agency, the Presidency, and media manipulation all combine to echo what is happening in the world of 2013.

However in terms of special effects the movie presents some of the worst, obviously made up explosions and physical destruction resembling what might have been standard fare for cheap live action cartoons on Saturday mornings 30 years ago. The movie is overly ambitious, not well balanced tone-wise, sometimes presenting itself as a serious political drama and then at other times a light witty comedy, but overall the movie presents an uncertain directorial handling.

The old all star cast was fun to watch, the storyline somehow managed to hang together. Yet the unevenness and tone were more successfully handled in John Cusack's political drama in War, Inc. (2008).

What you're about to read is confidential. Well actually it's not, its show-business. This sorely forgotten 80s feature "Wrong is Right" is a scathingly windswept satirical pot-shot on the political scene and the influence of the media's technology manipulation on portraying that. Sean Connery plays Patrick Hale an international TV commentator who gets caught up in the thick of it, when he takes on a story involving spies, nuclear bombs, suicidal terrorists, arm-dealers, the CIA and an American president on an election campaign. It's very smarting, but bombastically all over-the-place and knotty. Where it's humour is sharp, cynical and to the point, if gloomy in its resolution of who's really using who. The cast is a strong one to boot. Connery cruises through the role, but it's an outstanding support cast which steals the show. John Saxon, Henry Silva, Robert Conrad, G.D. Spradlin, George Grizzard (who's perfectly cast as the president of America), Katherine Ross, Hardy Kruger, Leslie Nelson and Dean Stockwell add to the biting entertainment. Director Richard Brooks hectically keeps this circus of conspiracies ticking along, adding numerous big-scale actions to this intrusively whirlwind crusade.

"If it's good for America, it can't be wrong".

Times might be right for a critical reassessment of Wrong Is Right. Made during the Reagan era a lot of history has happened subsequently and Richard Brooks may have been a prophet just as Paddy Chayefsky was in Network. The topper may be the election of our current president.

Sean Connery whose international stardom didn't quite guarantee the box office returns for Wrong Is Right that the producers hoped for plays a cynical newscaster an observer on the scene of some history making events.

All starting with the spiritual revelations of Ron Moody playing the monarch of a desert middle eastern kingdom who gets some mystical revelations about starting a holy war. To do so he purchases a pair of suitcase nukes from arms dealer Hardy Kruger and makes alliance with a Mid Eastern terrorist Henry Silva.

There's a presidential election involved as incumbent George Grizzard tries to show himself as tough as the office demands, especially those demands voiced by former President Leslie Nielsen who is trying to do a Grover Cleveland and return to the White House.

The Twin Towers of New York actually play a role here so a faithful remake isn't possible. The end is right out of Duck Soup. Besides those mentioned I enjoyed Rosalind Cash as the Vice President, G.D. Spradlin as the harassed CIA head, and Robert Conrad with the Dickensian name of General Wombat.

He and Connery share the climax in an ending superb and sublime.

This one is a sleeper, check it out.