IMDb रेटिंग
7.0/10
11 हज़ार
आपकी रेटिंग
एक ट्रेनर एक शातिर कुत्ते को फिर से प्रशिक्षण देने का प्रयास करता है जिसे काले लोगों पर हमला करने के लिए पाला गया है.एक ट्रेनर एक शातिर कुत्ते को फिर से प्रशिक्षण देने का प्रयास करता है जिसे काले लोगों पर हमला करने के लिए पाला गया है.एक ट्रेनर एक शातिर कुत्ते को फिर से प्रशिक्षण देने का प्रयास करता है जिसे काले लोगों पर हमला करने के लिए पाला गया है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
Helen Siff
- Pound Operator
- (as Helen J. Siff)
Glen Garner
- Pound Worker
- (as Glen D. Garner)
फ़ीचर्ड समीक्षाएं
Where are all the protesters who gather whenever some idiot tries to censor artwork or expression that is contrary to American culture? None of them seem to have shown up when this great work was put on the shelf, then later chopped up. Europeans, with an open eye to American society (only due to the benefit of being distant), were able to see this film with honesty. I say this because that's where it was shown uncut and critically acclaimed.
The truth is that it is a statement about and against racism, completely misunderstood by the civil rights groups and the others who opposed it. It is a good, hard look at the way racism is propagated in America, through the training of not only this one single dog, but of young people by racist adults and peers as the young people mature into adulthood. It tackles the subject with an honesty that is sadly missing in the statements of most anti-racist organizations.
Most groups prefer to gloss over the true causes of racism with platitudes, and a few often have a political agenda that promotes socialistic ideals, so they really don't give full attention to the true causes of racism. Everybody now is so afraid of offending anybody else, that everything becomes a watered-down, grayish, inoffensive litany no more bothersome than grouchiness. Sam Fuller stated in film what it really is, and that is that people learn from others throughout childhood, not always by overt indoctrination but by subtle methods, to think in stereotypical and racist terms. Not just whites thinking of blacks as uneducated gangster-rappers, but also those who think of Native Americans as lazy drinkers, Italians as loud-mouthed mob disciples, country folks as hillbilly trailer trash, and so on.
And Hollywood does little of significance to dispel this, because they mostly grind things down to these kind of stereotypes to fit into the 2-hr film story mode that they like, which is long on violence, sex and action, and short on character. It's easier that way. Thanks to Sam Fuller for his courage.
ADDENDUM: I had the opportunity to see this again recently after 25 years, and it is still as powerful as I remembered. It does have a B-movie quality to it, a roughness that actually makes it better than if it had been a polished film. The final sequence remains as terrifying as anything I've seen in any type of film, horror, suspense, Hitchcock, and so on. And it has a fabulous music score by Ennio Morricone. I'd confidently call this one a must-see!
The truth is that it is a statement about and against racism, completely misunderstood by the civil rights groups and the others who opposed it. It is a good, hard look at the way racism is propagated in America, through the training of not only this one single dog, but of young people by racist adults and peers as the young people mature into adulthood. It tackles the subject with an honesty that is sadly missing in the statements of most anti-racist organizations.
Most groups prefer to gloss over the true causes of racism with platitudes, and a few often have a political agenda that promotes socialistic ideals, so they really don't give full attention to the true causes of racism. Everybody now is so afraid of offending anybody else, that everything becomes a watered-down, grayish, inoffensive litany no more bothersome than grouchiness. Sam Fuller stated in film what it really is, and that is that people learn from others throughout childhood, not always by overt indoctrination but by subtle methods, to think in stereotypical and racist terms. Not just whites thinking of blacks as uneducated gangster-rappers, but also those who think of Native Americans as lazy drinkers, Italians as loud-mouthed mob disciples, country folks as hillbilly trailer trash, and so on.
And Hollywood does little of significance to dispel this, because they mostly grind things down to these kind of stereotypes to fit into the 2-hr film story mode that they like, which is long on violence, sex and action, and short on character. It's easier that way. Thanks to Sam Fuller for his courage.
ADDENDUM: I had the opportunity to see this again recently after 25 years, and it is still as powerful as I remembered. It does have a B-movie quality to it, a roughness that actually makes it better than if it had been a polished film. The final sequence remains as terrifying as anything I've seen in any type of film, horror, suspense, Hitchcock, and so on. And it has a fabulous music score by Ennio Morricone. I'd confidently call this one a must-see!
If you get the chance, by all means see this movie, but try to leave your preconceptions aside.
Before this movie came out, it was roundly denounced by people who misunderstood what it is about. The story is not, as many feared, about a dog trained to attack black people. It is the story of a man (Paul Winfield) and his determination to do something that everyone says cannot be done - FREE the dog of its programming. Unfortunately, it seems that too few people were able to break THEIR programming and give this movie a chance.
Before this movie came out, it was roundly denounced by people who misunderstood what it is about. The story is not, as many feared, about a dog trained to attack black people. It is the story of a man (Paul Winfield) and his determination to do something that everyone says cannot be done - FREE the dog of its programming. Unfortunately, it seems that too few people were able to break THEIR programming and give this movie a chance.
Quite an interesting film about a hound trained to attack black people, and a black animal trainee, Keys, played by Paul Winfield, for whom it becomes a very personal matter to do a difficult job of deprogramming a dog. Misunderstood by many as a racist film at the time it came out, now it became sort of cult-classic. The most remarkable thing about this movie is certainly the most amazing performance from the main character - which is the dog itself. Only to see this dog acting is a sufficient reason to see this film. 6/10
"white dog" is one of the best films of the 80's,it's a very very hard film but also a really clever and lucid film about racism,conditioning,hatred and the complex connections between people and animals. The acting (especially from Kristy McNichol and Paul Winfield) is great,Fuller's direction and his sense of editing and use of slow motion are really effective,the screenplay is brilliant and ennio Morricone's soundtrack is really beautiful and haunting. I have only an old VHS (with bad dubbing and full screen format)of "white dog"...this underrated masterpiece really deserves a beautiful edition on DVD!
White Dog is often mentioned on lists of all-time most controversial films, and there's a good reason for that. Samuel Fuller's film is controversial because it confronts the theme of racism head on, and succeeds where modern films such as 'Crash' fail in that it actually makes you think. Rather than actually being 'about' racism, White Dog tells a story and lets the themes flow; thus meaning that the audience is allowed to see the themes shining through, rather than being beaten over the head with them. The film is really clever and is based on a premise that isn't immediately obvious. In fact, if it wasn't for a series of little niggles; this film would be an absolute masterpiece. The problems with the film are largely down to the execution, as Samuel Fuller uses too many close-up shots; and the scenes where the title animal attacks in particular suffer from poor editing, which means that it's sometimes difficult to tell exactly what's going on and most of the time gave me a headache. Furthermore, the plot doesn't move particularly well and the film can seem like it isn't going anywhere at times.
It's a good job, then, that Fuller utilises his themes so well. Racism isn't a subject that interests me generally (mostly because of tacky, sentimental dross like Crash), but the plot here is used in such a way that it's impossible not to be taken in by it. We follow a young aspiring actress that accidentally runs a dog over. After becoming attached to it, she decides to take it in; but pretty soon the dog attacks someone, and she finds out that aside from being a white dog, it's also a 'White Dog'; a dog used by white people to kill blacks. The main reason why this film is so good is down to the title animal. Here we have an entity that is entirely innocent of its crimes; the guilty party being the racist that trained him. By letting us see what the dog is capable of, but making sure we know that the dog is only doing what it has been programmed to do ensures that the true horror of racism is allowed to shine through; as well as the futility of hatred down to skin colour. Films like White Dog are few and far between; here we have a movie that dares to tell a story despite its implications, and a movie that forces its audience to think about their own prejudices. It's just sad that we live in a world where films like Crash win Oscars while films like White Dog are banished into obscurity. Highly recommended!
It's a good job, then, that Fuller utilises his themes so well. Racism isn't a subject that interests me generally (mostly because of tacky, sentimental dross like Crash), but the plot here is used in such a way that it's impossible not to be taken in by it. We follow a young aspiring actress that accidentally runs a dog over. After becoming attached to it, she decides to take it in; but pretty soon the dog attacks someone, and she finds out that aside from being a white dog, it's also a 'White Dog'; a dog used by white people to kill blacks. The main reason why this film is so good is down to the title animal. Here we have an entity that is entirely innocent of its crimes; the guilty party being the racist that trained him. By letting us see what the dog is capable of, but making sure we know that the dog is only doing what it has been programmed to do ensures that the true horror of racism is allowed to shine through; as well as the futility of hatred down to skin colour. Films like White Dog are few and far between; here we have a movie that dares to tell a story despite its implications, and a movie that forces its audience to think about their own prejudices. It's just sad that we live in a world where films like Crash win Oscars while films like White Dog are banished into obscurity. Highly recommended!
क्या आपको पता है
- ट्रिवियाThis film is based on a true story. While she was living in Hollywood with her husband, writer Romain Gary, actress Jean Seberg brought home a large white dog she had found on the street that seemed friendly and playful. However, when the animal saw her Black gardener, it attacked him viciously, injuring him. Afterward, the couple kept it in the backyard, but one day, it got out and attacked another Black man on the street, but no one else. After this happened a third time, they realized that someone had trained the dog to attack and injure only Black people. Gary wrote a short piece about it for "Life" magazine in 1970, which eventually became a full-length fiction novel.
- गूफ़Just before the white dog finally takes the hamburger from his trainer, he looks up at him and, just under his lip, shows the edge of the prosthetics that hold his cheeks in a snarl.
- भाव
Roland Gray: You got a four-legged time bomb!
- कनेक्शनFeatured in From the Journals of Jean Seberg (1995)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is White Dog?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Entrenado para matar. Perro asesino
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $80,00,000(अनुमानित)
- US और कनाडा में सकल
- $46,509
- दुनिया भर में सकल
- $46,509
- चलने की अवधि
- 1 घं 30 मि(90 min)
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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