माइकल डोर्सी, एक असफल अभिनेता, एक कचरा अस्पताल साबुन पर एक भूमिका पाने के लिए खुद को एक महिला के रूप में प्रच्छन्न करता है।माइकल डोर्सी, एक असफल अभिनेता, एक कचरा अस्पताल साबुन पर एक भूमिका पाने के लिए खुद को एक महिला के रूप में प्रच्छन्न करता है।माइकल डोर्सी, एक असफल अभिनेता, एक कचरा अस्पताल साबुन पर एक भूमिका पाने के लिए खुद को एक महिला के रूप में प्रच्छन्न करता है।
- 1 ऑस्कर जीते
- 26 जीत और कुल 31 नामांकन
फ़ीचर्ड समीक्षाएं
This movie just has to be one of the greatest comedies ever made. It is hilirious. Struggling and notoriously hard to work with actor Michael Dorsey (Dustin Hoffman) takes on the role of a woman in a daytime television soap opera, basically because he cannot get any more jobs as a male actor due to his reputation. The fun starts early on in the film with Dorothy Michaels appearing in the New York crowd suddenly and going for the script reading. From then on the film is sentimental, touching, dry and absolutely side-splittingly funny. The other actors/actresses in the film really do make it work. It is brilliantly cast with comedic moments from Teri Garr, Dabney Coleman, Charles Durning and the ever-brilliant and sarcastic Bill Murray. I wasn't even born until two years after the movie came out, but it's still so fresh and full of life after 22 years that you just have to love it. It's definately a five star for this. ***** out of *****
This is a wonderful film,I can't remember how many times I have seen it,I love it! Dustin Hoffman is brilliant as Michael Dorsey and Dorothy Michaels.Along with Jessica Lange and Teri Garr and fantastic direction from and co-star Sydney Pollack,this couldn't be any better.It's a great story and well scripted and very funny besides.If you love films you can't not love this one.This is my 2nd favourite film in the world only because ''Some Like it Hot'' is my first choice.Dustin is one of the best actors in the business and continues to be to this day.
Michael, an unemployed actor in New York, takes desperate measures by dressing up as a woman called Dorothy Michaels and gets a job at an TV soap opera, where he falls in love with Julie. But how to tell her that he is actually a man...?
Winner of 3 Golden Globes ( Best movie comedy/musical, best actors Dustin Hoffman and Jessica Lange ) and one Oscar ( Best actress Jessica Lange ), "Tootsie" is a small masterpiece of intelligent comedy, full of emotions, love and interesting observations about the relationship between women and men.
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The situations are deliciously written. Just take the scene where Dorothy is auditioning for the role in the TV soap opera but is turned down because she is "too soft". Her response is gold: "Yes, I know what you want! You want some gross caricature of a woman to prove some idiotic point, like power makes women masculine, or masculine women are ugly...! Well, shame on you, you macho sh*t a**!" When later asked from the producer if she was just acting when she said that or if she was natural, she responded: "Which answer will get me the job?" Needless to say she got the job that instant, and a special place in my heart. But the best scenes are the ones where Dorothy is constantly improvising on the set, like when she was supposed to say to a woman who was beaten up by her man to take a therapy, but instead decided to tell that she would never let a man raise his hand on her( and then she threw a vase of flowers into the wall! ). Wonderful fun! Billy Wilder would be proud!
Dustin Hoffman is pure genius, more as a woman then as a man, as are Terri Garr and Bill Murray, before his critical fame with "Lost in translation" and "Broken flowers". "Tootsie" is quite simply a classic all the way through!
Grade: 10/10
Winner of 3 Golden Globes ( Best movie comedy/musical, best actors Dustin Hoffman and Jessica Lange ) and one Oscar ( Best actress Jessica Lange ), "Tootsie" is a small masterpiece of intelligent comedy, full of emotions, love and interesting observations about the relationship between women and men.
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The situations are deliciously written. Just take the scene where Dorothy is auditioning for the role in the TV soap opera but is turned down because she is "too soft". Her response is gold: "Yes, I know what you want! You want some gross caricature of a woman to prove some idiotic point, like power makes women masculine, or masculine women are ugly...! Well, shame on you, you macho sh*t a**!" When later asked from the producer if she was just acting when she said that or if she was natural, she responded: "Which answer will get me the job?" Needless to say she got the job that instant, and a special place in my heart. But the best scenes are the ones where Dorothy is constantly improvising on the set, like when she was supposed to say to a woman who was beaten up by her man to take a therapy, but instead decided to tell that she would never let a man raise his hand on her( and then she threw a vase of flowers into the wall! ). Wonderful fun! Billy Wilder would be proud!
Dustin Hoffman is pure genius, more as a woman then as a man, as are Terri Garr and Bill Murray, before his critical fame with "Lost in translation" and "Broken flowers". "Tootsie" is quite simply a classic all the way through!
Grade: 10/10
There is so much more to this film than Dustin Hoffman running around in a dress trying to act like a woman. Tootsie is one of the most intelligent comedies I've ever seen. It is perfectly cast, well-layered, and full of surprises.
Dustin Hoffman plays Michael Dorsey. He seems to know everything about acting except how to stay employed as an actor. In an early montage we see him auditioning for numerous plays where he is either too old, too young, too short, simply not the right guy for the part, or in some cases impossible to work with. We also see him trying to teach his craft to some young wannabe actors, and working at a restaurant to pay the bills. After a hilarious argument with his agent, he is simply told "No one will hire you!" The very next shot has Hoffman in drag walking down the street to an audition for a soap opera part his friend (Terri Garr) was unable to land. So intent is the chauvinistic director (Coleman) on casting a woman that looks tough enough for the part of a hospital administrator, Hoffman is denied without so much as a reading. He responds with a hilarious tirade that opens the door to his television career. Hoffman lands the part, and is soon winning over fans all over the country.
While Hoffman finds it wonderful to be working regularly, his personal life is understandably put to the test. He alienates Garr, is constantly made fun of by his roommate (Murray) and falls in love with one of his co-stars (Lange) who of course cannot learn his secret or he's out of a job. Things are further complicated when two older men fall in love with him. It would be pointless to try and describe some of the awkward situations he finds himself in. You must see the movie to experience them for yourself.
The film is so well-cast it's incredible. There are so many fine actors at work here that it almost becomes a contest of who can steal the scene first. Murray gets his share with his improvised lines. His lamenting of the state of his plays during a party scene will have you howling. The icing on the cake was director Sydney Pollack agreeing to play Hoffman's agent. They only have a few scenes together, but they are the film's best.
Tootsie is head and shoulders above other films I've seen that deal with men in women's clothing. Mrs. Doubtfire for example was all slapstick without much heart. In the end it tried to redeem itself in that department and just got way too sappy. Tootsie also wisely holds back in the feminism department. Although Hoffman's Dorothy Michaels is clearly a woman who inspires others to stand up for themselves, he is advised to tone it down by Pollack in one scene. Hoffman feels his Dorothy character should be doing specials and giving advice and whatnot, but Pollack reminds him, "You have NOTHING to say to women, Michael." In other words, you're lucky you've gotten away with the stunt up to this point, now you should be looking for a way to get out.
Overall Tootsie is wonderful experience. It made a fortune when released, and is still very relevant today. Don't miss it! 10 of 10 stars from the Hound.
Dustin Hoffman plays Michael Dorsey. He seems to know everything about acting except how to stay employed as an actor. In an early montage we see him auditioning for numerous plays where he is either too old, too young, too short, simply not the right guy for the part, or in some cases impossible to work with. We also see him trying to teach his craft to some young wannabe actors, and working at a restaurant to pay the bills. After a hilarious argument with his agent, he is simply told "No one will hire you!" The very next shot has Hoffman in drag walking down the street to an audition for a soap opera part his friend (Terri Garr) was unable to land. So intent is the chauvinistic director (Coleman) on casting a woman that looks tough enough for the part of a hospital administrator, Hoffman is denied without so much as a reading. He responds with a hilarious tirade that opens the door to his television career. Hoffman lands the part, and is soon winning over fans all over the country.
While Hoffman finds it wonderful to be working regularly, his personal life is understandably put to the test. He alienates Garr, is constantly made fun of by his roommate (Murray) and falls in love with one of his co-stars (Lange) who of course cannot learn his secret or he's out of a job. Things are further complicated when two older men fall in love with him. It would be pointless to try and describe some of the awkward situations he finds himself in. You must see the movie to experience them for yourself.
The film is so well-cast it's incredible. There are so many fine actors at work here that it almost becomes a contest of who can steal the scene first. Murray gets his share with his improvised lines. His lamenting of the state of his plays during a party scene will have you howling. The icing on the cake was director Sydney Pollack agreeing to play Hoffman's agent. They only have a few scenes together, but they are the film's best.
Tootsie is head and shoulders above other films I've seen that deal with men in women's clothing. Mrs. Doubtfire for example was all slapstick without much heart. In the end it tried to redeem itself in that department and just got way too sappy. Tootsie also wisely holds back in the feminism department. Although Hoffman's Dorothy Michaels is clearly a woman who inspires others to stand up for themselves, he is advised to tone it down by Pollack in one scene. Hoffman feels his Dorothy character should be doing specials and giving advice and whatnot, but Pollack reminds him, "You have NOTHING to say to women, Michael." In other words, you're lucky you've gotten away with the stunt up to this point, now you should be looking for a way to get out.
Overall Tootsie is wonderful experience. It made a fortune when released, and is still very relevant today. Don't miss it! 10 of 10 stars from the Hound.
Remember when comedies used to be actual movies with actual stories with actual points and the funny just flowed out of them, instead of just a flimsy excuse to string together jokes and funny scenes and stock situations? Yeah, me too. What happened?
If you're in the mood for a great movie that will get you to cough up a boatload of honest laughs, then you ain't gonna do better than TOOTSIE. You are not going to find a better written, acted, and directed comedy anywhere. There are plenty as good - but none better. This is a career highpoint for all involved, and when "all" includes names such as Sydney Pollack and Dustin Hoffman, you know that's a sentiment that carries some significant weight.
And it just reaffirms the old adage that every single comedy should have Bill Murray in it.
If you're in the mood for a great movie that will get you to cough up a boatload of honest laughs, then you ain't gonna do better than TOOTSIE. You are not going to find a better written, acted, and directed comedy anywhere. There are plenty as good - but none better. This is a career highpoint for all involved, and when "all" includes names such as Sydney Pollack and Dustin Hoffman, you know that's a sentiment that carries some significant weight.
And it just reaffirms the old adage that every single comedy should have Bill Murray in it.
क्या आपको पता है
- ट्रिवियाThe character of Dorothy originally did not speak with a Southern accent, but in doing research, Dustin Hoffman discovered his voice fell more closely into the range of female pitch while doing the accent.
- गूफ़Sandy tells Michael to take Vitamin C "with milk only." Vitamin C should never be taken with milk, other dairy products, calcium supplements, or antacids that contain calcium. Calcium may make it harder for your body to absorb certain minerals.
- क्रेज़ी क्रेडिटDustin Hoffman is credited twice: Dustin Hoffman .... Michael Dorsey Dustin Hoffman .... Dorothy Michaels
- इसके अलावा अन्य वर्जनOriginal UK release was cut by 6 seconds to obtain a "PG" classification. Subsequently passed uncut with a "15" certificate.
- कनेक्शनFeatured in At the Movies: Tootsie/The Verdict/Sophies Choice/Airplane II (1982)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Tootsie
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,10,00,000(अनुमानित)
- US और कनाडा में सकल
- $17,72,00,000
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $55,40,470
- 19 दिस॰ 1982
- दुनिया भर में सकल
- $17,72,00,285
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें