The Sword and the Sorcerer

I'm sorry that a sequel was never made of The Sword And The Sorcerer. It was fairly obvious that Lee Horsley got caught up with his Matt Houston series at the time. This one was a very well done fantasy adventure.

Lee Horsley plays Talon deprived of his rightful place as king by evil usurper Richard Lynch who employs the black arts of sorcery to conquer the kingdom run by Horsley's father. Talon who is a child at the time flees, but grows up to be an adventurer medieval soldier of fortune with one nasty triple sword that actually fires two of its blades like a spring, the better to take care of more than one adversary.

In the meantime brother and sister Simon MacCorkindale and Kathleen Beller are having Richard Lynch now threaten their domain. Of course it is the mysterious Horsley that comes to their aid.

Lynch of whom I can't think of playing any good guys in his career is as evil as they come. Soon after resurrecting a wizard to help him in his quest, he kills the same wizard played by Richard Moll. But the sorcerer is far from done with him.

And there's George Maharis a mysterious nobleman with his own agenda involving the kingdom.

Horsley cut quite the romantic medieval figure and Kathleen Beller is a beautiful doe eyed princess who knows exactly where men are vulnerable in protecting her virtue. Nice special effects also characterize The Sword And The Sorcerer. I wish Horsley had done more films with his Talon character.

The main reason this movie was even made was that they wanted it to be in theaters at around the same time as the film "Conan the Barbarian" in 1982. Believe it or not, both films were even released by the same studio! If the films had been made thirty years earlier, they would have been released as a double feature. They were part of a wave of sword fight pictures that included "Excalibur" and "Dragonslayer." Without a lot of fanfare, "Sword and the Sorcerer" managed to become a minor hit. One of the cast members was on a talk show and confessed that the success of the film was a surprise because that person thought it was not very good.

I enjoyed the action scenes and some of the humor. It has some good one-liners. The second half also has generates a fair amount of tension concerning the whereabouts of the sorcerer mentioned in the title. I also liked how the forces came together randomly for the climatic battle scenes. True, the film has many flaws, but it still works for me as an enjoyable adventure. It is the kind of thing I watch on a Friday night to ease me into the weekend.

Add me to the list of those disappointed that the sequel promised in the closing credits was never made.

"I have a debt to pay" ... for 15 years of viewing pleasure. This film is an absolute joy, untarnished by repeated viewings, sadly overshadowed by Schwarzeneger's vastly inferior Conan movies, and unreasonably critically trashed alongside truly terrible contemporary low budget thud and blunder efforts. The script creaks more than the plot, but reigned in from the curse of camp by director Albert Pyun the actors deliver their lines with a straight face and leave the the audience to find the comedy themselves. Almost a dictionary definition of "ahead of its time", the film is a blueprint for the success of Sam Raimi's Hercules and Xena, right down to the use of Australian bit players. Effects like the demon sorceror's tomb might be managed better technically today, but no more atmospherically, and the closing sword battle is a triumph. The performances are eccentric and electric, and you could not wish for a more motley crew of cut-throats and sidekicks. Richard Lynch eats the scenery with unalloyed zeal, and quite simply more of Lee Horsley as Talon would have made the movie world a better place.

Ah, this brings back the memories.

This was one of the scariest movies I saw when I was young, and one of the best adventure/d&d movies. Some of the scenes were truly gruesome, especially the big monster bloke with the beating heart. I still remember grimacing as the hero puts his hand on the tree and one of the baddies fires an arrow into it, and when Talon is attached to the cross and has to pull his hands with big nails in them out. Ouch, that gave me the heebygeebees. Classic stuff for kids, although I nearly died with embarrasment (watching this beside my mum at the time) when Talon is being chased through the castle and crashes into the bedroom filled with beautiful bronzed naked women.

9/10 as a kid, but the cast do know it's trash and ham it up for what it is.

Albert Pyun's minor budgeted sword and sorcery foray is just as amusing now, as I remembered it to be and one of the better (if not one of the best) attempts of the over-flooded sub-genre that skyrocketed in the 80s. Never does it cop out on the ingredients that make this type of b-films fun. The wonderful camp level is high, as blood and flesh (topless mainly) run freely. Pace stays zippy, and while the pulpy story has cut and dry outline, it still has personality and a complex array of schemes to keep it excitingly brash, and not just relying on set-pieces. Don't go looking for a mythical medieval journey filled with a variety of beasties, and obstacles on this one though. It's the standard boy seeks revenge when grown up on the man who killed his family, and took over his father's thrown. The hacked-up script is colourfully tacky, but has an agreeable sarcastic edge and unpretentious novelties streaming off it. Sure there are some untied plot details, but never does it fault the entertainment. Yes its entertainment, that's better not to delve too hard in to. Pyun (in his directorial debut) confidently does a workable job constructing an epic scale treatment, by using his budget wisely. Enthusiastic set-designs, and prop work look respectable and are well-integrated. We get bravado sword fights, busting with adrenaline and guts. It's pure mayhem during certain stages, but commendably executed. Then there's the potent make-up FX that holds a vivid imagination, and brutal punch. David Whittaker spirited score chimes in largely, and overwhelms many sequences. Lee Horsley makes for a charming, brawn heroine and a lively Richard Lynch mercifully eats it up as the clichéd villain of the piece. Kathleen Beller stands tall with her bold performance, and makes for nice eye-candy. Simon MacCorkindale has a strong showing, and Richard Boll (in gooey make-up) stands out too in his role as a monstrous sorcerer. In solid support are George Maharis, Joe Regalbuto and a formidable Robert Tessier.