The Seduction

Long before the days of anti stalking laws and before it was a crime just to even look at a woman if she suspected fear, this film "The Seduction" shed light on the issue of stalking bringing it to the headlines. As in the early 80's when the film was made most states had yet to impose stalking laws, as the victims were put thru a lot of torment just as the Fairchild character was in this film. Yet thru the years with attractive stars, newscasters, and sports sideline reporters being the victims of stalkers the issue has came to the forefront and the laws against stalking are broad and tough. Mostly the well known and attractive are targets and this film showcased that well.

"The Seduction" is one underrated early 80's thriller with plenty of suspense and erotic drama. Set in L.A. anchorwoman Jamie Douglas(the beautiful and attractive Morgan Fairchild)is at the top of her game with cover girl looks, a beautiful California hills home, and a top rated news show along with a tough guy lover Brandon(Michael Sarrazin). Yet add one big negative and that's Jamie has a strange and obsessed fan a crazed and lonely admirer named Derek(B movie legend Andrew Stevens). Right away when Jamie says no to Derek's romantic offer, he becomes off the chain in his obsession one by one it's the strange phone calls, letters, flowers, to the eventual following of Jamie to work, the mall and even her own home. Derek's snapshots of Jamie's most private and personal moments are at an all time high as this obsessed guy is now a regular pepping tom! Yet the police can't assist as in these times before the anti stalking laws were written this was a laugh, so revenge and stoppage must come from Jamie! Overall this film was a joy to watch for it's suspense and erotic scenes proving that many like Derek become obsessed with a beautiful attractive lady. And these obsessions can take a turn for the worst, and this film in my opinion shed light on the issue of stalking as it probably helped push for strict laws and tougher guidelines. Overall this is one film not to miss.

I've seen this movie about three times,and its preposterousness(is that a word or did I just make one up?)made it something that practically all parties involved,particularly the leads, would probably want to forget they took part in. Having said that,it is at least marginally interest-emitting and,of course,lovingly sexual.

I recall that when this movie was being primed for release in early 1982,the selling point was almost entirely around the (still)lovely Morgan Fairchild--who,at the time,was nursing a floundering career after her series "Flamingo Road" was left to whither on the vine by NBC--and her sex/nude scenes. Sure enough,the scenes where she is sans trow are lovingly shot and have a lushness of editing and sound(her bubble bath scene has a particularly rapturous feel,reminiscent of Angie Dickinson's opening scene in Dressed to Kill) that would make the viewer believe that Andrew Stevens' creepy script boy stalker ISN'T the only one stalking Fairchild's eye-candy news anchor-lady.

Another IMDb commenter gave away some perceivably important plot points. Suffice it to say,the thriller/suspense/mystery element of this movie languishes behind the soft-core erotic quality of the film up until the last twenty minutes of the film,when suddenly the urgency of a dangerous stalker(with amazing ability to hide and enter people's abodes)with rapist/deadly abilities comes to the top of the agenda. This is probably ONLY a recommend for FAirchild fans and worshipers,since it is a donut-hole without her.

THE SEDUCTION (1982)

I am so happy they decided to restore this retro, schlocky gem that I might have never seen. It stars a fierce and gorgeous Morgan Fairchild as a tv news personality who finds herself stalked by a sexy, obsessive stalker played by a hunky Andrew Stevens. It's pretty by the numbers but it's a fun horroresque, erotic thriller that really delivers. Not to spoil anything but basically she just reaches the point where she refuses to be the victim and fights back. It's pretty damn satisfying.

Budget: $3m Box Office: $11.4m

7.5/10

I'm not really sure if this movie was originally made for TV; but I wouldn't be surprised if it was as it has all the hallmarks of a made for TV thriller, and unfortunately that isn't a good thing. The film is called The Seduction but there's nothing really seductive about it; admittedly 'The Tired, Cliché Ridden, Suspense-less Thriller' might not have been the wisest choice for a title; but at least it would have been a bit more apt! The movie takes the often used idea of a stalker taking his stalking of a famous person too far; in this case the famous person is pretty newswoman Jamie Douglas. Morgan Fairchild, who takes the lead role, is actually one of the best things about the film; she delivers a good performance and looks nice too, unfortunately it's wasted with such tired material. There's very little suspense in the film and director David Schmoeller (who previously directed the decent seventies horror Tourist Trap) seems more keen to focus on humdrum events. There's the odd sex scene and it's slightly steamy but nothing to get excited about. The ending is actually fairly well done but it's not worth an hour and a half of tedium getting there! Overall, I'm actually quite disappointed in this because I love a good throwaway thriller; but this is not a decent example and therefore not recommended.

After an erotic, sinuous credits-sequence with a shadowy woman gliding through the waters of a swimming pool, we get mired in straight-faced, B-movie hell. Morgan Fairchild, looking unsure and as stiff as her hairdo, plays a TV news anchorwoman who attracts a stalker. Truly mines the depths of drive-in cliches--and dispatches with one character in such a ridiculous fashion it may have invented a new cliche--"The Seduction" is just half-undressed tripe. Too bad, it had the possibilities of being a juicy, nasty little thriller with soft-core edges. There's nothing edgy about Fairchild's presence: she's as slick as lip gloss and about as permanent. * from ****