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Die Sehnsucht der Veronika Voss

  • 1982
  • R
  • 1 घं 44 मि
IMDb रेटिंग
7.6/10
8.1 हज़ार
आपकी रेटिंग
Rosel Zech in Die Sehnsucht der Veronika Voss (1982)
Drama

अपनी भाषा में प्लॉट जोड़ेंPartially based on the life of Sybille Schmitz, who found fame under the Nazi regime, but whose career was destroyed afterward. Veronika Voss is a once prominent UFA actress, kept by her doc... सभी पढ़ेंPartially based on the life of Sybille Schmitz, who found fame under the Nazi regime, but whose career was destroyed afterward. Veronika Voss is a once prominent UFA actress, kept by her doctor, who raises suspicion in a sports journalist.Partially based on the life of Sybille Schmitz, who found fame under the Nazi regime, but whose career was destroyed afterward. Veronika Voss is a once prominent UFA actress, kept by her doctor, who raises suspicion in a sports journalist.

  • निर्देशक
    • Rainer Werner Fassbinder
  • लेखक
    • Rainer Werner Fassbinder
    • Pea Fröhlich
    • Peter Märthesheimer
  • स्टार
    • Rosel Zech
    • Hilmar Thate
    • Cornelia Froboess
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.6/10
    8.1 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Rainer Werner Fassbinder
    • लेखक
      • Rainer Werner Fassbinder
      • Pea Fröhlich
      • Peter Märthesheimer
    • स्टार
      • Rosel Zech
      • Hilmar Thate
      • Cornelia Froboess
    • 33यूज़र समीक्षाएं
    • 39आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 4 जीत और कुल 4 नामांकन

    फ़ोटो92

    पोस्टर देखें
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    टॉप कलाकार27

    बदलाव करें
    Rosel Zech
    Rosel Zech
    • Veronika Voss
    Hilmar Thate
    Hilmar Thate
    • Robert Krohn
    Cornelia Froboess
    Cornelia Froboess
    • Henriette
    Annemarie Düringer
    Annemarie Düringer
    • Dr. Marianne Katz
    Doris Schade
    • Josefa
    Erik Schumann
    Erik Schumann
    • Dr. Edel
    Peter Berling
    Peter Berling
    • Filmproduzent…
    Günther Kaufmann
    Günther Kaufmann
    • G.I.
    • (as Günter Kaufmann)
    • …
    Sonja Neudorfer
    • Verkäuferin
    Lilo Pempeit
    • Chehm
    Volker Spengler
    Volker Spengler
    • 1. Regisseur
    Herbert Steinmetz
    • Gärtner
    Elisabeth Volkmann
    Elisabeth Volkmann
    • Grete
    Hans Wyprächtiger
    • Chefredakteur
    Peter Zadek
    • 2. Regisseur
    Johanna Hofer
    Johanna Hofer
    • Alte Frau
    Rudolf Platte
    Rudolf Platte
    • Alter Mann
    Armin Mueller-Stahl
    Armin Mueller-Stahl
    • Max Rehbein
    • निर्देशक
      • Rainer Werner Fassbinder
    • लेखक
      • Rainer Werner Fassbinder
      • Pea Fröhlich
      • Peter Märthesheimer
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं33

    7.68.1K
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    फ़ीचर्ड समीक्षाएं

    tomgillespie2002

    Haunting and beautiful period piece

    This sumptuous black and white period piece, tells the story of a once famous film star, Veronika Voss (Rosel Zech). After a chance encounter on a bus with Robert Krohn (Hilmar Thate), there lives are entwined, with Krohn finding himself trapped in a cat-and-mouse search for Voss's sanity, her past lives, and the many sycophants and gold diggers in 1950's Germany. Voss, now struggling to find work after a highly successful period, particularly in the 1940's, is addicted to drugs and alcohol and has paranoid delusions when out on the street; Krohn is pulled into this as he did not recognise who she was, and she vaguely sees him as protection.

    One of the last of Fassbinder's films - he died of an overdose (the official conclusion was suicide) in 1982 - which was also the last of a trilogy focusing on Germany's economic boom in the 1950's (the others being The Marriage of Maria Braun (1979) and Lola (1981)), the film also reflects some of the themes that the New German Cinema at the time. It was a time that Germany was reflective of World War 2, and the trauma that prevailed in a country torn between guilt and a resurgence of decadence and wealth as in the 1920's Weimar Republic. It is stated in the film that Voss's best period was during this period, and that she had been the star of Nazi Germany. After the fall of Nazi domination, she was cast aside.

    Like Billy Wilder's Sunset Boulevard (1950), Veronika Voss highlights an industry that can easily create monsters, and also devastate lives. But unlike Wilder's subtle version of lost fame, Fassbinder shows the devastating effects of drug addiction, and the underbelly of society that is encountered in this process. Historically though, this is deeper and a hell of a lot more emotionally charged and interesting than Sunset. After all, this is not a Hollywood story, but is a post-World War 2 story of judgement, and loss after such a integrally debasing event in human history. How do you continue after working under the despotic power of the Nazi party? The elements of Nazi Germany are still in process, in the form of Veronika's control.

    The film is said to be based upon the real-life German film actress, Sybille Schmitz, who died of an overdose in 1955 at the tender age of 45. The film shows shows that the shadow of the war had a lasting effect on the German nation, that would take decades to come to terms with. This is film making par excellence. Haunting, beautiful, with a climax that is inevitable, shocking, but very satisfactory. Rosel Zech's performance is pitch perfect, her face in a constant state of anguish.

    www.the-wrath-of-blog.blogspot.com
    dkbs

    Memories are made of this

    Like many other Fassbinder films "Die Sehnsucht der Veronika Voss" tells about a decline and is very depressing. It is a visually stunning film that shows how much Fassbinder admired the classical Hollywood cinema and especially the films of Douglas Sirk. Like the films of his idol this film is stylish and artificial to an extreme extent which creates quite a distance between itself and the audience. Probably an even greater distance, since the style and the artificiality are used more consciously here, even as a instrument of alienation. So it is more fascinating than touching or even moving and might leave one even cold. Nevertheless the story is intriguing and it really tells something about the post war society in West Germany, so the film is interesting and even fascinating to watch. The scene where Rosel Zech as Veronika sings "Memories Are Made Of This" is very haunting, a gem.
    8claudio_carvalho

    Melancholic, Bitter and Depressive Reality of an Era

    In the 50's, in a rainy night in Germany, the sports reporter Robert Krohn (Hilmar Thate) offers his umbrella to the former successful UFA actress Veronika Voss (Rosel Zech) but he does not recognizes her. Later she calls him inviting for a drink, and he finds an unstable and decadent actress living in her past success. In a mixed sensation of love, empathy and curiosity, Robert has an affair with Veronika, and discloses a dangerous gang leaded by Dr. Marianne Katz (Annemarie Düringer) that addicts wealthy patients in morphine to get their fortune when they die.

    "Die Sehnsucht der Veronika Voss" is a melancholic, bitter and depressive tale based on the reality of an era, and the association with "Sunset Boulevard" is immediate. The story is based on the last years of the German actress Sybille Schmitz (1909-1955), who died due to an overdose of sleeping pills. The performance of Rosel Zech is impressive, showing the glamour of a former star in the Nazi period and the depression of an addicted woman in the 50's. Hilmar Thate is also perfect in the role of a simple innocent man that faces a greedy world of pain and death. The magnificent cinematography in black and white, using perfectly light and shadows, is homage to the Golden Age of Hollywood. My vote is eight.

    Title (Brazil): "O Desespero de Veronika Voss" ("The Despair of Veronika Voss")
    10hasosch

    The search for congealed history

    Rainer Werner Fassbinder's second-but-last film does not show primarily the life and downfall of the UFA-star Sybille Schmitz, but gives, at the hand of the Schmitz-inspired, yet fictive character Veronika Voss an unvarnished and hopeless picture of the Bundesrepublik Germany in the 50ies. Part of Fassbinder's "BRD-Trilogy", it is also one of his 4 "women"-films, besides "Lola", "Maria Braun", and "Lili Marleen".

    It is hard to say if the main focus of this movie is the former UFA-star Veronika Voss or the sports reporter Robert Krohn. One rainy night, he meets, in a little forest amidst of Berlin, a crying little bundle of mensch who seems to have completely lost her orientation. She is not so much thankful for his help but astonished that he does not recognize her: the great Veronika Voss. After he accompanies the woman to her door, she continues to occupy his mind. He asks his older colleagues who confirm him that she was once a movies' super-star, but now forgotten, divorced, impoverished, addicted and out of work. Soon, they meet again, and between Krohn, who is in a steady liaison, and Veronika, who sees in him one of her once many admirers, a very problematic love story starts which costs two humans' lives, leaves an investigative mind back in despair, discloses the corruption between medicine and politics and portrays the deterrent situation in the post-war German film industry which used his former flagships as fuel.

    R.W. Fassbinder got for this films the "Golden Bear" out of the hand of Jimmy Stewart who was his friend for many years. Fassbinder had been nominated for the highest German film price since a long time, but it was Stewart who realized that soon it might come too late. Fassbinder passed away only a few days after having received the Golden Bear.
    8brogmiller

    "All I have to give you is my death."

    In a career spanning a mere sixteen years, Rainer Werner Fassbinder made forty-four films before his death at just thirty-six, which occurred a few months after the premiere of this, the final part of what has come to be designated as his BRD Trilogy.

    It is beautifully written by his regular collaborators Peter Marthesheimer and Pea Froelich, shot in knife-like black and white by his preferred cinematographer Xavier Schwarzenberger and as one would expect from this director, features a strong leading role for an actress, in this case Rosel Zech, whose character is loosely based upon that of the fascinating but tragic Sybille Schmitz who despite never being fully accepted by Herr Goebbels and company found it virtually impossible to continue her post-war career because of her perceived Nazi connections and whose drug-fuelled downward spiral ended in suicide in 1955.

    Zech is simply stupendous in a demanding role that requires a wide range of emotions and as a bonus she performs a beguiling, Dietrich-like rendition of 'Memories are made of this." As a lesbian Dr. Feel-good, there is a magnificently chilling performance by Annemarie Dueringer. The entire cast is uniformly excellent and all of the characters are well drawn. Armin Mueller-Stahl again makes his presence felt whilst the influence of America in the Germany of the time is epitomised by the sound track and not least by the presence of the ubiquitous African-American GI played as always by Guenter Kaufmann. As well as being a tribute to the mighty UFA Studios, the relationship between fading star Voss and the journalist of Hilmar Thate is a nod to 'Sunset Boulevard'.

    There is an absence of socio-political comment here and the whole enterprise succeeds solely through the myths of the movies. Fassbinder was an avowed devotee of the dream factory that was Hollywood and professed his adoration for Douglas Sirk. As it happened the master long outlived the pupil and Sirk offered a fitting tribute:"Although his fims were controversial.....only those things that survive opposition have the power of permanence."

    इस तरह के और

    Lola
    7.4
    Lola
    Die Ehe der Maria Braun
    7.7
    Die Ehe der Maria Braun
    Faustrecht der Freiheit
    7.6
    Faustrecht der Freiheit
    In einem Jahr mit 13 Monden
    7.3
    In einem Jahr mit 13 Monden
    Die bitteren Tränen der Petra von Kant
    7.5
    Die bitteren Tränen der Petra von Kant
    Lili Marleen
    7.1
    Lili Marleen
    Händler der vier Jahreszeiten
    7.3
    Händler der vier Jahreszeiten
    Berlin Alexanderplatz
    8.4
    Berlin Alexanderplatz
    Angst essen Seele auf
    8.0
    Angst essen Seele auf
    Martha
    7.5
    Martha
    Mutter Küsters' Fahrt zum Himmel
    7.5
    Mutter Küsters' Fahrt zum Himmel
    Chinesisches Roulette
    7.2
    Chinesisches Roulette

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Based on the true story of German film star Sybille Schmitz.
    • गूफ़
      The film is set in 1955 but the song "The Battle of New Orleans" by Johnny Horton, released in 1959, is heard on the radio a number of times.
    • भाव

      Dr. Marianne Katz: Artists are different from ordinary people. They are wrapped up in themselves, or simply forgetful.

    • कनेक्शन
      Featured in Visions: Cinema, Cinemas/Q & A with Paul Schrader/A Film Comment by Angela Carter (1982)
    • साउंडट्रैक
      Run, boy run
      Written by Lee Hazlewood

      Performed by Sanford Clark

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Veronika Voss?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 13 मई 1982 (नीदरलैण्ड)
    • कंट्री ऑफ़ ओरिजिन
      • पश्चिम जर्मनी
    • भाषाएं
      • जर्मन
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Veronika Voss
    • फ़िल्माने की जगहें
      • Bavaria Studios, Bavariafilmplatz 7, Geiselgasteig, Grünwald, Bavaria, जर्मनी(Studio)
    • उत्पादन कंपनियां
      • Laura Film
      • Tango Film
      • Rialto Film
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • DEM 26,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $8,144
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $11,623
      • 16 फ़र॰ 2003
    • दुनिया भर में सकल
      • $8,158
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 44 मिनट
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.66 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Rosel Zech in Die Sehnsucht der Veronika Voss (1982)
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    By what name was Die Sehnsucht der Veronika Voss (1982) officially released in India in English?
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