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Die Sehnsucht der Veronika Voss

  • 1982
  • R
  • 1 घं 44 मि
IMDb रेटिंग
7.6/10
8.1 हज़ार
आपकी रेटिंग
Rosel Zech in Die Sehnsucht der Veronika Voss (1982)
Drama

अपनी भाषा में प्लॉट जोड़ेंPartially based on the life of Sybille Schmitz, who found fame under the Nazi regime, but whose career was destroyed afterward. Veronika Voss is a once prominent UFA actress, kept by her doc... सभी पढ़ेंPartially based on the life of Sybille Schmitz, who found fame under the Nazi regime, but whose career was destroyed afterward. Veronika Voss is a once prominent UFA actress, kept by her doctor, who raises suspicion in a sports journalist.Partially based on the life of Sybille Schmitz, who found fame under the Nazi regime, but whose career was destroyed afterward. Veronika Voss is a once prominent UFA actress, kept by her doctor, who raises suspicion in a sports journalist.

  • निर्देशक
    • Rainer Werner Fassbinder
  • लेखक
    • Rainer Werner Fassbinder
    • Pea Fröhlich
    • Peter Märthesheimer
  • स्टार
    • Rosel Zech
    • Hilmar Thate
    • Cornelia Froboess
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.6/10
    8.1 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Rainer Werner Fassbinder
    • लेखक
      • Rainer Werner Fassbinder
      • Pea Fröhlich
      • Peter Märthesheimer
    • स्टार
      • Rosel Zech
      • Hilmar Thate
      • Cornelia Froboess
    • 33यूज़र समीक्षाएं
    • 39आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 4 जीत और कुल 4 नामांकन

    फ़ोटो92

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 85
    पोस्टर देखें

    टॉप कलाकार27

    बदलाव करें
    Rosel Zech
    Rosel Zech
    • Veronika Voss
    Hilmar Thate
    Hilmar Thate
    • Robert Krohn
    Cornelia Froboess
    Cornelia Froboess
    • Henriette
    Annemarie Düringer
    Annemarie Düringer
    • Dr. Marianne Katz
    Doris Schade
    • Josefa
    Erik Schumann
    Erik Schumann
    • Dr. Edel
    Peter Berling
    Peter Berling
    • Filmproduzent…
    Günther Kaufmann
    Günther Kaufmann
    • G.I.
    • (as Günter Kaufmann)
    • …
    Sonja Neudorfer
    • Verkäuferin
    Lilo Pempeit
    • Chehm
    Volker Spengler
    Volker Spengler
    • 1. Regisseur
    Herbert Steinmetz
    • Gärtner
    Elisabeth Volkmann
    Elisabeth Volkmann
    • Grete
    Hans Wyprächtiger
    • Chefredakteur
    Peter Zadek
    • 2. Regisseur
    Johanna Hofer
    Johanna Hofer
    • Alte Frau
    Rudolf Platte
    Rudolf Platte
    • Alter Mann
    Armin Mueller-Stahl
    Armin Mueller-Stahl
    • Max Rehbein
    • निर्देशक
      • Rainer Werner Fassbinder
    • लेखक
      • Rainer Werner Fassbinder
      • Pea Fröhlich
      • Peter Märthesheimer
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं33

    7.68.1K
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    फ़ीचर्ड समीक्षाएं

    m67165

    One sad tale

    This movie left me feeling rather low. Its world is quite bleak. People are either strong or weak in the face of a society that feels cold. Looks like being strong won't make any difference in the long run. A very sad tale with beautiful black and white photography.
    6sol-

    My brief review of the film

    Beautifully photographed in simple black and white, with some lovely gliding shots and some interesting camera angles and framing, the film is an amazement on a visual scope, even if the screenplay and acting are nothing special. Fassbinder's choice of lighting is excellent, giving true stark contrast between areas of black and areas of white in certain scenes. Sound is a significant aspect too, with soft radio recording heard in the background of just about every scene. The meaning behind such an audio style is not clear, but still it provides an interesting feel if not much else. As already alluded to however, the technical aspects outweigh the rest of the film. It is a rather cold tale with awkward characters, which are hard to sympathise with. Towards the end it also goes off on a bit of a tangent, from being a drama to a thriller. The film definitely seems more dedicated to its style than its substance, but that only makes is a certainly degree less fascinating to watch. The style quite literally sparkles and the film applies a few interesting editing tricks to change from scene to scene. If not involving as a tale, it is nevertheless great "eye candy".
    8zetes

    Quite good

    A man runs into a pretty but aging woman in the middle of a rainstorm. He politely protects her from the downpour with his umbrella, and even lifts her over a fence so she can get to her bus. He also gets on the bus, and, beginning to pant, she declares that she can't go near anyone else on the bus, because she's a famous actress and she'll be thronged. The other passengers on the bus look up at the exasperated woman, but don't pay her any more mind than that. A bit later, the woman proudly tells the man that she is Veronika Voss, and all he can do is politely nod. She hasn't been in a movie for three years, and hasn't been in a good one for longer than that. Veronika has to try really hard to pin the man, Robert, down and seduce him, and even when she accomplishes this feat he doesn't seem particularly interested. Robert's interest does grow when he begins to discover some nasty secrets about her life, notably that she is addicted to morphine. A strange doctor seems to be little more than a local drug dealer when he begins to look into the situation.

    The plot is decent; it would have been a really good one for a classic Hollywood film starring Joan Crawford or Bette Davis or someone like that. Its greatest worth is in the performance of Rosel Zech, who has the titular role. Cornelia Froboess as Robert's girlfriend and Annemarie Düringer as the wicked doctor are also good. The character of Robert is never very interesting. The black and white cinematography (Xaver Schwarzenberger) and the unconventional score (Peer Raben) are very good. The tape I watched was not in a very good condition, so I may have liked it more if I had seen a better copy. 8/10.
    7Galina_movie_fan

    Dances with Death

    A famous German actress, Veronika Voss (Rozel Zech) in her forties tries to revive her career while struggling with alcohol and drugs in the final chapter to Fassbinder's trilogy about collapse of the West German postwar dream. The film was inspired by the tragic life of famous UFA actress, Sybille Schmitz (1909-1955). She began her career in the films by the giants such Georg Wilhelm Pabst and Carl Theodor Dreyer and soon became one of Germany's beloved actress. Everything changed during the WWII and especially after its end.

    Fassbinder's film which was shot in black and white visually is very impressive. "Light and shadows are two cinema's best secrets" says Veronika in the movie and light and shadows make the film a joy to behold. I like it but I think it is the weakest part of the trilogy perhaps because "Lola" and "Maria Braun" are so strong. I found the documentary about Sybille Schmitz, "Dances with Death" which is included on Criterion DVD much more compelling.

    Veronika - 7/10 Dances with Death 8.5/10
    10hasosch

    The search for congealed history

    Rainer Werner Fassbinder's second-but-last film does not show primarily the life and downfall of the UFA-star Sybille Schmitz, but gives, at the hand of the Schmitz-inspired, yet fictive character Veronika Voss an unvarnished and hopeless picture of the Bundesrepublik Germany in the 50ies. Part of Fassbinder's "BRD-Trilogy", it is also one of his 4 "women"-films, besides "Lola", "Maria Braun", and "Lili Marleen".

    It is hard to say if the main focus of this movie is the former UFA-star Veronika Voss or the sports reporter Robert Krohn. One rainy night, he meets, in a little forest amidst of Berlin, a crying little bundle of mensch who seems to have completely lost her orientation. She is not so much thankful for his help but astonished that he does not recognize her: the great Veronika Voss. After he accompanies the woman to her door, she continues to occupy his mind. He asks his older colleagues who confirm him that she was once a movies' super-star, but now forgotten, divorced, impoverished, addicted and out of work. Soon, they meet again, and between Krohn, who is in a steady liaison, and Veronika, who sees in him one of her once many admirers, a very problematic love story starts which costs two humans' lives, leaves an investigative mind back in despair, discloses the corruption between medicine and politics and portrays the deterrent situation in the post-war German film industry which used his former flagships as fuel.

    R.W. Fassbinder got for this films the "Golden Bear" out of the hand of Jimmy Stewart who was his friend for many years. Fassbinder had been nominated for the highest German film price since a long time, but it was Stewart who realized that soon it might come too late. Fassbinder passed away only a few days after having received the Golden Bear.

    इस तरह के और

    Lola
    7.4
    Lola
    Die Ehe der Maria Braun
    7.7
    Die Ehe der Maria Braun
    Faustrecht der Freiheit
    7.6
    Faustrecht der Freiheit
    In einem Jahr mit 13 Monden
    7.3
    In einem Jahr mit 13 Monden
    Die bitteren Tränen der Petra von Kant
    7.5
    Die bitteren Tränen der Petra von Kant
    Händler der vier Jahreszeiten
    7.3
    Händler der vier Jahreszeiten
    Berlin Alexanderplatz
    8.4
    Berlin Alexanderplatz
    Fontane Effi Briest
    6.9
    Fontane Effi Briest
    Angst essen Seele auf
    8.0
    Angst essen Seele auf
    Lili Marleen
    7.1
    Lili Marleen
    Martha
    7.5
    Martha
    Chinesisches Roulette
    7.2
    Chinesisches Roulette

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Based on the true story of German film star Sybille Schmitz.
    • गूफ़
      The film is set in 1955 but the song "The Battle of New Orleans" by Johnny Horton, released in 1959, is heard on the radio a number of times.
    • भाव

      Dr. Marianne Katz: Artists are different from ordinary people. They are wrapped up in themselves, or simply forgetful.

    • कनेक्शन
      Featured in Visions: Cinema, Cinemas/Q & A with Paul Schrader/A Film Comment by Angela Carter (1982)
    • साउंडट्रैक
      Run, boy run
      Written by Lee Hazlewood

      Performed by Sanford Clark

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल18

    • How long is Veronika Voss?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 13 मई 1982 (नीदरलैण्ड)
    • कंट्री ऑफ़ ओरिजिन
      • पश्चिम जर्मनी
    • भाषाएं
      • जर्मन
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Veronika Voss
    • फ़िल्माने की जगहें
      • Bavaria Studios, Bavariafilmplatz 7, Geiselgasteig, Grünwald, Bavaria, जर्मनी(Studio)
    • उत्पादन कंपनियां
      • Laura Film
      • Tango Film
      • Rialto Film
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • DEM 26,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $8,144
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $11,623
      • 16 फ़र॰ 2003
    • दुनिया भर में सकल
      • $8,158
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 44 मिनट
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.66 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Rosel Zech in Die Sehnsucht der Veronika Voss (1982)
    टॉप गैप
    By what name was Die Sehnsucht der Veronika Voss (1982) officially released in India in English?
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