IMDb रेटिंग
7.7/10
13 हज़ार
आपकी रेटिंग
एक महिला, एक अनुभवी वर्ल्ड ट्रैवलर द्वारा समकालीन जापान पर केंद्रित मननशील लेखन को, पढ़ के बताती है.एक महिला, एक अनुभवी वर्ल्ड ट्रैवलर द्वारा समकालीन जापान पर केंद्रित मननशील लेखन को, पढ़ के बताती है.एक महिला, एक अनुभवी वर्ल्ड ट्रैवलर द्वारा समकालीन जापान पर केंद्रित मननशील लेखन को, पढ़ के बताती है.
- पुरस्कार
- कुल 5 जीत
Amilcar Cabral
- Self
- (आर्काइव फ़ूटेज)
James Stewart
- Self
- (आर्काइव फ़ूटेज)
- …
David Coverdale
- Self
- (बिना क्रेडिट के)
- …
Chris Marker
- Self
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
To call this film a documentary is to cheapen it. It's life on screen, not a mere document. It's poetry... and I'm not sure that word is adequate. How about your view of how you live and the world around you? Have you ever seen a film that gave you the questions to ask yourself? This film is startling... I can't praise it enough. My mind was exhausted by considering the layered imagery, both audio and visual, and the contextual shifts between them. How does anyone pick up a camera after seeing this? You might as well toss it in the trash because Marker has made Earth's last film.
It's a crime that this film is not available on VHS or DVD in the U.S. Fans of this film should also seek out "The Koumiko Mystery", another transcendant film by Chris Marker.
It's a crime that this film is not available on VHS or DVD in the U.S. Fans of this film should also seek out "The Koumiko Mystery", another transcendant film by Chris Marker.
I've only seen this film twice, both on the same day, nearly fifteen years ago; and yet its poetic-philosophical themes, its melancholy, its images still remain with me. Viewing it was an intensely personal experience; I find myself a little startled to find that other people have seen it. I find myself plagiarising it constantly; I think of it at odd times (when I accidentally catch someone's eyes and immediately look away; whenever I visit San Francisco); it is a work of lingering and subtle beauty that percolates through my bloodstream, informing the hours and days, changing the things and ways I see...
A response to the reviewer who called the film pretentious claptrap: This movie is not for everyone and I can easily understand the sentiments of one who finds it pretentious. But when one says "Assumptions include that the east is superior to the west, television is bad, capitalism evil,etc." you are so thoroughly missing the point of the film that I have to wonder if you watched it out of the corner of your eye while doing a crossword puzzle. Perhaps one doesn't hear "Capitalism is good" and understands "capitalism is evil," but that all occurs within the viewer. I for one never saw any of these "assumptions" being made here.
I must be brief. This documentary, which splices in cuts from Vertigo and from some guerrilla films, is definitely worth seeing. Though a student of French literature, and therefore habitually and terminally bored by pretentious studies of memory, this movie is remarkable in the way it makes connections across continents through the filmmaker's memory, extended as it is by the visual images he has stored on film. To put it disrespectfully, there is a lot of eye candy in this film, some of which is extremely beautiful ... the computer graphics towards the end might even remind Cocteau fans of some of scenes from Blood of a Poet (these, though, were what I found to be a bit over the top). So far I have only seen this film once, and so many of the memories that it prodded just three weeks ago have faded, like for example the name of the composer whose Bez Solntse inspired the title, and the documentary on volcanic activity I saw somewhere sometime which was echoed in the section filmed in Finland. In any case, this film will give you insight into the fascinating co-existence of traditional and modern culture in Japan. This struck home with me because I lived in Asia during the 80s when the technology of video-games, computers, and stereophonic luxe were exploding in the very same culture in which colorful Hindu and golden Buddhist temples w/ smoking incense, bird-singing contests and kite races were popular Sunday diversions from production. Bref, a fabulous film. As others have suggested, be prepared to suspend the Hollywood mindset for this treat.
10joeloh
A poetic and rambling essay film, in the form of a letter from a lost and lonely traveller. Chris Marker lets his mind and camera roam through the landscape of early eighties Japan, and his imagination drift across the world. Memory history and emotion blend into a loving study of human existence. The film's form is loose and sprawling and it it almost impossible to try to follow it in any linear fashion. Instead it washes across the surface of you conscious mind, occasionally burrowing deep with images you can never forget. It is a completely unique film and is inspiring in its ability to bring the political, the philosophical and the poetic together on screen. Chris Marker is one of the unsung greats of film history.
क्या आपको पता है
- ट्रिवियाThe scenes from Iceland were filmed by Haroun Tazieff in 1965, on the island Vestmannaeyjar. It shows 3 sisters, Kristbjörg Sigríður Kristmundsdóttir, born 1954, Halldóra Kristmundsdóttir, born 1957, and Áshildur Kristmundsdóttir, born 1959. They first found out about being in this film in June 2015.
- गूफ़The narration refers to the year 4001 and the 40th century. But the year 4001 will belong to the 41st century, not the 40th.
- कनेक्शनEdited into The Green Fog (2017)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Sans Soleil?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Sans Soleil
- फ़िल्माने की जगहें
- 224 Grant Avenue, सैन फ़्रांसिस्को, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Florist is Podesta Baldocchi Grant Street shop)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $30,878
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $6,460
- 12 अक्टू॰ 2003
- दुनिया भर में सकल
- $31,111
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