Le retour de Martin Guerre

This definitive version of the story of Martin Guerre (remade in English with Richard Gere and Jodie Foster as 'Sommersby'; and musicalised in a misguided version by Boublil and Schoenberg) is amongst French actor Gérard Depardieu's greatest roles. As the bluff, romantic, sensitive soldier who returns to the village after years away (or does he?) he manages to provoke all sorts of reactions from his other on-screen characters as well as the film's audience.

As Bernadette de Rols, the wife seeking love and companionship, Nathalie Baye is superb; while a large and talented cast give flesh to the remaining characters. I defy anyone to see this adaptation and not be moved by it; try and see in the cinema, where it undoubtedly has more power than on a small screen; and avoid the version dubbed into English. 'Le Retour de Martin Guerre' need to survive with its language and poetry intact.

OK. This is not a remake of "carrefour", as many may think. This is the actual story, on which carrefour was based, from 16th century France, it just happens to have been transferred to film after the other adaptation. Go read the book if you're at all interested, it's by Janet Lewis and is called "The Wife of Martin Guerre". The story is based on court documents among other things, and the character names in this film are those of the actual people. Don't get confused- carrefour may have been made before this film, but this is the closer adaptation and, thus, should not be labeled a remake.

The one thing that THE RETURN OF MARTIN GUERRE serves to do is prove positively and absolutely that not all the great film productions come from the USA.

This is an extremely well made movie, with extremely high production values. Great acting, great sets, great costumes, great score. Pure quality.

This isn't a comment on the actual quality of the movie itself, but rather a response to the number of postings which have suggested this movie is not an original concept.

I have some shocking news for you, but there really was a Martin Guerre. His court case in the mid-16th century is well documented in primary sources and this movie attempts to retell this story.

In 1983, historian Natalie Zemon Davis, who incidentally was originally involved with the film as an historical consultant, wrote a well received micro-history on the court case and it's outcome. (The Return of Martin Guerre - published by Harvard University Press, 1983)

This case was thought of as unusual even during the 16th century. So much so, that it became part of French folklore. Earlier Hollywood movies likely tapped into this folklore, when they penned similar stories.

So this film, rather than simply being another in a long line of similar movies, is the first to tackle the "original story". That being said, the movie is not perfect and strays from the facts a great deal. Natalie Zemon Davis, herself, states in her introduction to her book that she was troubled by the film's creative license with history.

Nevertheless, I recommend anyone to see this film yourself and make up your own mind. Better yet, read the book!

This is the true story of a peasant in 16th century France who left his home village for almost a decade without saying a word to anyone, even his long suffering wife. When he comes home he's different; he's better. He's sweeter, more helpful, he smiles, hell - he laughs. Martin was never so good. Then comes the day a couple of drifters hit the village. They claim to know Martin but by a different name. That was the first chink in the armor. Things become so uncertain that he is finally put on trial to ascertain who this guy is. This is a loving microhistory intimately telling the story of life on a southern French farm after the wars of religion. It is superbly directed and acted, especially by the two leads, Gérard Depardieu and Nathalie Baye.