Przypadek

What difference does a fraction of a second make? In baseball, it's the difference between a home run and strike three.

In the Olympics, it's the difference between a gold medal and 10th place.

In the movie Blind Chance, it's the difference of a lifetime.

An example of expert craftsmanship by Krzysztof Kieslowski, Blind Chance affords us the rare opportunity to see how a blip in time, a mere split second, can profoundly affect a person's current situation, and the path their life will take from that moment forward.

While the significance of sliced seconds is shown, we get to enjoy some quality time with the communist party, the anti-communist underground, some lovely ladies sans attire, and a mob of disgruntled drug addicts. We are also treated to one or more Slinkies going down stairs alone or in pairs. Indeed, it's quite a blend of characters, motives, and ideologies. However, it is not the point of the film to take sides, make moral statements, or ponder idealistic philosophies. The point is merely to illustrate its premise.

Let there be no doubt that the premise is more than adequately served. From top to bottom, beginning to end, Blind Chance is a fantastic film, an entertaining drama that encourages thought, while not being overbearing.

Just be sure to pay close attention, because a fraction of a second can also be the difference between understanding this film and missing the point entirely.

Blind Chance was built on a fascinating and intriguing idea yet the film feels like it's made mostly for the Polish audience or at least the audience familiar with 80s in Poland. Some scenes feel too uncomprehensible, and the director doesn't even bother explaining them. The three versions being built on mainly political, religious and scientific paths is another good idea of the film but the execution falls short yet again. Overall interesting movie but it's not fun to watch or even thought-provoking as it may sound.

No way I could read the previous terrible review and not comment.

This film is outstanding and is a must-see for anyone interested in films by Kieslowski and films of this era. It is also a great film for non-film buffs who are interested in the experience of Eastern European Communism.

This movie formats the ethical problems of living under/in Communism better than any professor or history book. You don't have to have an intricate knowledge of communism, ethics, or of post-WWII Polish history to enjoy the film. But you have to follow each scenario closely. You can't doze off or leave the theater. (I would think that the 3-in-1 format alone would be enjoyable for the average viewer--who should be able to clearly delineate the basic dilemmas in each setting.)

Those who did not live in Poland or Central and Eastern Europe can probably not fully relate to the multiple ethical obstacles daily life presented and the existential nature of it all. However, we all have choices to make in our daily lives. Although in a totally different setting, we all must make a choice to join, resist, or withdraw in various stages of our lives.

I would strongly encourage anyone to view this film. I would also encourage the previous reviewer, and any viewer of the film, to watch it more than once.

This is no doubt one of my most favorite films of all times. It has a great screenplay filled with powerful and true characters. The cast is just great. And the gloomy atmosphere of our country back in the seventies...

The only flaw that I can think of is the fact that this film is probably very hard to understand for non-Poles as it is so very... Polish. And although the message the movie tries to convey seems to be more universal, you probably cannot get the whole of it if you were not born in a country located between Russia and Germany.

And if you compare this one to last year Peter Howitt's flick "Sliding Doors"... See how films of similar content can differ?

The recent romantic comedy 'Sliding Doors' postulated what might happen if a character caught, or did not catch, a particular train. But master Polish film maker Krzysztof Kieslowski had had this idea twenty years earlier, and in his film 'Blind Chance', he used it to much more serious purpose: to explore the interplay of chance and character in the fate of a man. At the same time, he painted a picture of Poland in a state of flux (the film was made during the period of martial law, and duly suppressed for five years); and of the way the same moral choices confront everyone, albeit in different forms. The film lacks the high artistry of his subsequent works, but his ability to distill the essence of life into minimalist drama is already much in evidence. The stark awfulness of the communist regime may have aided him in this, as evidenced by the looser, more mystical nature of his final, French-set work. But his greatest achievements, the openly political 'No End' and the perfect morality plays of the 'Dekalog', can each be seen as natural extensions of the themes of 'Blind Chance'.

In the film's final scene, an aircraft takes off, but to us, it appears as if it is sinking into the earth. The world of cinema is poorer without its director and his bleak, poetic visions.