The Plague Dogs

I first saw Plague Dogs when I was about 4 years old, right after I first saw Watership Down. I did not understand much of the film then, but now I do. This movie is not about happy endings, zesty lines, or colorful musical scenes. This is about the hardships of life and the ever growing errors of man's interuption in the animal kingdom. You will walk away depressed, but at the same time be more aware of how important respect towards animals is. If possible buy or rent this movie as soon as you see it. I do not believe it has ever been re-released in any form. The acting and direction feels very much like a live action film. Many things about Plague Dogs will stick in your mind for years.

A perfect film. Strong characters, wonderful animation; a rarity. It manages to be real; it actually CAPTURES the totality of its components without catering to any audience.

It's a difficult film to watch. You suffer alongside, vicariously. The hardships portrayed here are viciously painful. You'll hug your pets tight and be glad they wound up as your pets.

This movie is very special - considering the content, it could have easily been pandering and preachy. It manages to go so far beyond anything you've ever experienced. It's quite an achievement on every level.

It won't leave you happy, but it will affect you permanently. It is emotional, but never manipulative. It's a tragic and unrecognized masterpiece.

As the plot synopsis has been covered in sufficient detail by many previous comments, I instead offer this comment as a humble plea to film and animation enthusiasts, such that they may actively seek out this criminally underrated and genuinely affecting animated drama. My hope would be that sufficient renewed interest in this successor to "Watership Down" might provide the impetus for a well-deserved North American reissue of the film in it's uncut version.(An uncut, 99 minute Region 4 PAL disc is now available online through import sites, while the only available Region 1 NTSC versions are of the 82 minute edit). The voicing of the two principle characters, the Smooth Terrier "Snitter" and the noble Labrador "Rowf", is nothing short of brilliant, with John Hurt providing an especially poignant turn as Snitter, whose brain has been tampered with at the research facility, thereby confusing his perception of objective/ subjective realities. There is a powerful message and some timely social commentary to be had here, though the film wisely refrains from overt didacticism and sentimentality. As fate would have it, the film will now stand as one of the last animated features to have been entirely hand colored (to great effect, I might add). At once powerful, haunting and emotionally draining, this film is surely not to be forgotten once viewed (example: many previous comments having mentioned the author retaining vivid recollections of the film from childhoods far removed). I implore you, please seek out a copy (cut or uncut) and view it with those closest to you. Discuss it with your friends, your children and fellow film enthusiasts. Let's not allow this masterwork to languish and slip into further obscurity.

"I'm inside my head now. And it's where I should be... I can't come out. If I do, I'll go mad again" - Snitter

A beautifully melancholy and poignant story about companionship, loyalty, and hope. An incredibly strong cast (including the classically trained John Hurt and Patrick Stewart) give this excellently scripted tale a fully believable life of its own, more vivid and heartfelt than the majority of blockbuster Hollywood movies you're likely to see this year (or any other for that matter). If the fact that this is an animation puts you off, do yourself a favour and don't let it. Once the narrative is under way I defy anyone to find the animation detrimental to the experience.

Certainly in regards to the genre of animated films this is superior to anything Disney have ever done, both in respect of visual and intellectual content, and stands alone as a benchmark of what can be achieved in the genre.

From the creators of 'Watership Down', this film shares the same author and production company, but despite its PG certificate you should be warned that some scenes may be upsetting, not specifically for younger viewers but for everyone - this is a genuine tear-jerker of a film.

Highly recommended. If you don't watch it you are doing yourself a disservice.

Richard Adams's novel 'The Plague Dogs' always stood in the shadow of his superior masterpiece - the classic 'Watership Down'. The same goes for the animated films, both of them directed by Martin Rosen. The animated version of The Plague Dogs, released four years after the acclaimed Watership Down, never quite achieved the kind of success its predecessor had; not because it wasn't as good, but because of pretty much the same reasons for the novel's limited success. While Watership Down hid violence and severe social-political criticism behind a disguise of a children's tale, The Plague Dogs is much more in-your-face, much less subtle, and makes no attempts to hide itself behind pretty words. The Plague Dogs is a tragic tale that is mercilessly critical toward modern society, taking a strict stand on the subject of cruelty to animals. The idea of an animated film strictly for adults was as difficult to swallow twenty years ago as the idea of a novel for adults told from an animal's point of view. Therefore, movie-goers didn't quite know what to make of the film; it didn't seem right for an adult to go watch an animated film about animals - and a parent who takes his little child to this film would face an even bigger problem of explaining to them why the bad people do such horrible things to the poor dogs.

Fortunately, today we know that animation isn't just for kids, and we can fully appreciate this masterpiece. The story is that of two laboratory dogs, voiced brilliantly by John Hurt and Christopher Benjamin, who escape from their cages and from the lab seeking the freedom of the outside world, and finding out that surviving in the wilderness isn't as easy as that. The scientists have reason to believe that the dogs contacted a bubonic plague virus during their escape, and so the two must run for their lives and fight for survival. Most of the film is from the dogs' point of view (they are later joined by a fox, voiced by James Bolam, who helps them survive in the wild, not without his own reasons). On the other hand we also hear the humans' conversations, yet we never see a human being's face; Rosen doesn't allow us to sympathize or identify with any of the human characters. The animals are clearly the more humane here, and that's the basis of what Rosen and Adams say here.

Be warned - don't let the animation fool you, this is not an easy watch. The violence in The Plague Dogs is more explicit than in most live action films, and the message it bears about human beings as a whole is difficult to swallow. John Hurt's performance as Snitter, alternately funny and sad, dominates the film, and it makes for one of the most beautiful and round animated characters ever seen on film. The story, especially that of Snitter's, is incredibly sad and touching, and is more powerful emotionally than any other animated feature I've seen. A highly recommended film, and not just for animation enthusiasts.