Moznosti dialogu

The mix of creepy animation and clear - precise message is the main virtue of this not ordinary animation , reflecting impressive rich animation, fair requisitorium and the great use of ordinary materials and clay for remind old truths , too easy to ignore but defining us. Short, impossibility of dialogue in three admirable . examples.

This is one of those films that is so filled with substance, one can't possibly absorb it all in one sitting. Even though it lasts only twelve minutes, one would have to cut it into about forty parts and comment on each. It is about communication, not just verbal, but in what we represent to each other. The claymation techniques are priceless, showing all sorts of cultural interactions. It must have been an amazingly grueling task to present all of this.

"Moznosti dialogu" (1982) aka "Dimensions of Dialogue" (or it could be translated as "Possibilities of Dialogue" is one of my very favorite Svankmajer's short films. It consists of three parts, "Eternal Dialog", "Passionate Dialog", and "Exhausting Dialog". When I watched it, I was thinking about Tennessee Williams' words, "All of us are locked in our loneliness like in the cage". Complete loneliness, inability to communicate, impossibility of dialog and understanding - this is quite a dark opinion of the humanity but how masterfully and wickedly funny it was presented. How incredibly unique and marvelous Svankmajer's vision is. Among many spectacular images, the clay lovemaking scene in the "Passionate Dialog" was perhaps one of the most sensual I've ever seen in the movies. As any genuine work of Art, Svankmajer's little gem fascinates a viewer on many levels. You can try to explain the images and their deep meaning or you can simply sit back and let the fantasy, Art and imagination take you to the amazing world which you will never be able to forget

These short films were very visually appealing, as you watch pieces of food and clay be formed to the audiences own interpretation. It must of taken days to create a film purely made up of objects, which in every detail you can see in it's impressive flow to the animation of the film. I really enjoyed the interaction between the two clay humans and the message they were trying to make through the interaction of both because it can be taken in many different ways, which is the purpose of art; to make one think outside of the box. Jan Svankmajer's "Dimensions of Dialogue" was created in 1982, and was composed of three short films in which were purely animation. I liked how different it was to many other films in the 1980s and it really set itself apart from many of the other films out there at that moment in time.

This is a rather interesting short film from legendary animator/filmmaker Jan Svankmajer that looks at the notions of communication breakdown and personal alienation. It is a completely stop-motion piece of animation; offering something of a social parable broken into three individual chapters. The sequences include Exhaustive Discussion, Passionate Discussion and finally, Factual Conversation. Each segment is supposed to represent a satirical comment on various aspects of communication breakdown within modern Czech culture, though whether or not you choose to follow this particular interpretation will be entirely down to you.

Regardless of the message, which could be viewed as somewhat simplistic in relation to Svankmajer's more engaging works - such as The Flat (1968), Jabberwocky (1971), Alice (1988) and Conspirators of Pleasure (1996) - it is the animation that remains the truly impressive factor in this film's overall design, with the director creating some wonderful characters and scenarios out of a variety of old, inanimate objects. If you are a fan of the bizarre, provocative and imaginative world that this particular filmmaker creates, then Dimensions of Dialog (1982) (or more fittingly, Possibilities of Dialog, given both the design and thematic subtext) should be required viewing.