IMDb रेटिंग
5.1/10
1.1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn ambitious priest seduces a nun and leads the Vatican into shady business during and after World War II.An ambitious priest seduces a nun and leads the Vatican into shady business during and after World War II.An ambitious priest seduces a nun and leads the Vatican into shady business during and after World War II.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
Robert Prosky
- Bishop Walkman
- (as Robert J. Prosky)
फ़ीचर्ड समीक्षाएं
Someone on a game show once named this as his favorite bad movie, citing that hilarious scene in the church when Genevieve Bujold, playing a tramp postulant, realizes that her boyfriend is a priest.
There's nothing good to be said about this film except that it has glorious scenery. It's sad today to see Christopher Reeve healthy and walking - and wasting what little time he was going to have in rotgut like this. As someone raised in the Catholic church, I loved hearing the Latin again. Also with the recent scandals in the church that have come to light, I don't really put much past the Catholic church or the high mucky-mucks. But this movie is really ridiculous.
The performances were okay, given what these poor people had to deal with. The Genevieve Bujold character is a riot; the role is a career-killer. I mean, bare breasts exposed, the woman is asking the Reeve character, "Do you think I'll make a good nun?" The Christopher Reeve character - that of a mafioso priest - is preposterous. I used to love Jason Miller. Not in this. I'm old enough to remember the old pope - were they kidding with that characterization of him?
Alas, today, you really wouldn't watch this with friends for a few laughs (as one of the older posts suggests) because it's just too awful to see young, handsome Christopher Reeve. So probably the best thing some higher-up can do is take this baby out of circulation. If I'm going to watch Christopher Reeve, I'll watch him fly and remember him when he was just starting out, vital, handsome, with it all in front of him.
There's nothing good to be said about this film except that it has glorious scenery. It's sad today to see Christopher Reeve healthy and walking - and wasting what little time he was going to have in rotgut like this. As someone raised in the Catholic church, I loved hearing the Latin again. Also with the recent scandals in the church that have come to light, I don't really put much past the Catholic church or the high mucky-mucks. But this movie is really ridiculous.
The performances were okay, given what these poor people had to deal with. The Genevieve Bujold character is a riot; the role is a career-killer. I mean, bare breasts exposed, the woman is asking the Reeve character, "Do you think I'll make a good nun?" The Christopher Reeve character - that of a mafioso priest - is preposterous. I used to love Jason Miller. Not in this. I'm old enough to remember the old pope - were they kidding with that characterization of him?
Alas, today, you really wouldn't watch this with friends for a few laughs (as one of the older posts suggests) because it's just too awful to see young, handsome Christopher Reeve. So probably the best thing some higher-up can do is take this baby out of circulation. If I'm going to watch Christopher Reeve, I'll watch him fly and remember him when he was just starting out, vital, handsome, with it all in front of him.
It's inconceivable that a director like Frank Perry could have been associated with "Monsignor". Mr. Perry was a man responsible for some good movies in the sixties and seventies. Who knows what might have attracted him to direct this high camp picture that should be better forgotten.
The plot of the movie is preposterous, at best. The point the movie is trying to make is how the Catholic Church makes a perfect partner with the Mafia, something that could only make sense to the author of the novel. The second theme deals with the way Flaherty falls in love with the novice Clara, and how he keeps from her the secret of his identity, which is obvious, as the pair move in the same circles, so it would be inevitable for the young woman to find out who her lover really is.
"Monsignor" wastes two hours in trying to make sense without success. The cast does what it can trying to give life to these one dimensional characters they were asked to bring to life for the movie. Not even the musical score by John Williams does anything to help the movie.
Future viewers are warned as to what to expect.
The plot of the movie is preposterous, at best. The point the movie is trying to make is how the Catholic Church makes a perfect partner with the Mafia, something that could only make sense to the author of the novel. The second theme deals with the way Flaherty falls in love with the novice Clara, and how he keeps from her the secret of his identity, which is obvious, as the pair move in the same circles, so it would be inevitable for the young woman to find out who her lover really is.
"Monsignor" wastes two hours in trying to make sense without success. The cast does what it can trying to give life to these one dimensional characters they were asked to bring to life for the movie. Not even the musical score by John Williams does anything to help the movie.
Future viewers are warned as to what to expect.
saw this as a sneak preview, and there was a lot of mumbling in full theater as reeve was cast as priest, to begin with. more mumbling ensued as film went on, then laughter, and occasional comments from crowd. loved scenes as lines of people approached the pope, and the overhead camera view was hysterical when eyes met. one comment from crowd was directed at diminuative pope character- "ET phone home". i've been looking for it on video for years for a good laugh, but couldn't even find it among reeve's credits. kudos to bujold for listing everything no matter how nasty... i don't remember anyone leaving the theater, as i've seen in some sneak previews, probably because the of the 'so bad it was good' factor.
I have read some of the negative comments on this film, they must have been written by staunch Catholics. One person said Miss Bujolds career was ruined by this movie if that is so it is a shame.
I have watched this Movie many times. Monsignor delves into the many aspects of human sin and how we all fail God every moment of every day that we live. I think those who dislike this film have latched onto the notion that nuns and priest are perfect,they should pick up the paper.
Monsignor is a sad film but a good one,sad because of the longings of the heart not fulfilled. This film hit home with me because of the many times our deepest longings go unfulfilled.
This movie also had many redemptive qualities to it. I also think I liked it because it did not go the way I wanted it to.
I have watched this Movie many times. Monsignor delves into the many aspects of human sin and how we all fail God every moment of every day that we live. I think those who dislike this film have latched onto the notion that nuns and priest are perfect,they should pick up the paper.
Monsignor is a sad film but a good one,sad because of the longings of the heart not fulfilled. This film hit home with me because of the many times our deepest longings go unfulfilled.
This movie also had many redemptive qualities to it. I also think I liked it because it did not go the way I wanted it to.
Now, I didn't rent this thinking it would be a good movie. I had heard this was an uproarious unintentional comedy, so that's what I was expecting. There are a few laughs to be found, but I found this movie to be a mostly dull and murky drama. Reeve is totally miscast and out of his league here, even if the screenplay was better.
क्या आपको पता है
- ट्रिवियाWhen Christopher Reeve was offered this movie, Reeve was keen to play against his 'Superman' super-hero screen persona, which he had also done in Deathtrap (1982) and Somewhere in Time (1980). Reeve once commented after being cast in this film: "I thought the chance to play a morally ambiguous character who was neither clearly good nor clearly bad, someone to whom life is much more complex than the characters I've played previously would be good."
- गूफ़At the end of his Requiem Mass in the field, Father Flaherty says "Requiescat in pace." The Mass, however, was clearly celebrated (as would be expected in a war zone) for more than one person (as indicated by plural pronouns in a previous prayer). In that case, the correct verb form would be "Requiescant" and not "Requiescat."
- क्रेज़ी क्रेडिटThe spelling of the names of two key creatives related to the film was slightly different to their billings in the film's credits compared to their actual correctly spelled names. Actress Geneviève Bujold was billed as "Genevieve Bujold" whilst source novelist Jack-Alain Léger was credited as "Jack Alain Leger".
- कनेक्शनFeatured in Hollywood vs. Religion (1994)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Monsignor?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,24,08,066
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $36,31,834
- 24 अक्टू॰ 1982
- दुनिया भर में सकल
- $1,24,08,066
- चलने की अवधि2 घंटे 1 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.66 : 1
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