अपनी भाषा में प्लॉट जोड़ेंIn this offbeat comedy, an unlikely romance develops between a flamboyant, middle-aged piano tuner and an extremely timid office worker.In this offbeat comedy, an unlikely romance develops between a flamboyant, middle-aged piano tuner and an extremely timid office worker.In this offbeat comedy, an unlikely romance develops between a flamboyant, middle-aged piano tuner and an extremely timid office worker.
- पुरस्कार
- 1 जीत और कुल 4 नामांकन
फ़ीचर्ड समीक्षाएं
Everyday stories about everyday people, with actors who can portray them well, don't usually make for box office hits. The vast majority of us fall somewhere in that group. And, quite frankly, we're just not entertained by looking at pictures of ourselves going through the routine humdrum of life. So, its understandable that Hollywood wouldn't make such films, as a rule. The film-makers learned early in the days after sound came to motion pictures that people needed to be entertained. And considering the time – at the start of a worldwide depression, a dust bowl in the U.S. and looming global war, the people needed to have their spirits lifted. So, what we needed was comedy, and romance, and music, and mystery, and action, and adventure to lift us out of the doldrums and keep us in high spirits.
And, that's what we got for the most part. And, even when times are good, what we can expect most often. But once in a while, an "everyday" type of film will come along that's very good and that many people will enjoy. Usually, such films have to reach beyond the routine of drama. They do this most often with comedy or some lighter treatment of matters. Or, they may have some mystery, intrigue or tragedy – anything that will break out of the everyday.
That's what we have in "Lonely Hearts." A story about two lonely people who have only two things in common. They both are shy, and they want to meet and befriend a person of the opposite sex. Some people think of these characters as coming from dysfunctional families. But I have known such people as these. I've known people – men and women, who have sacrificed their personal lives to care for ill and aging parents, other family members, or friends. I have known shy people who are unconformable in company and who prefer to be alone much of the time. I doubt that shyness has ever been considered dysfunctional. It's just the way some people are wired. In time, many people adapt, change or open up to other people.
This is a fine story of two very shy people who are able finally to take a chance at meeting someone. It has the usual ups and downs, with some humor, warmth, suspicion, fear, and yes – lingering shyness. Far from being mundane, the film takes us along as the leads interact and take steps to change their lives. And in the end, we share in their happiness as they come out of their shells to begin a new chapter in their lives together.
And, that's what we got for the most part. And, even when times are good, what we can expect most often. But once in a while, an "everyday" type of film will come along that's very good and that many people will enjoy. Usually, such films have to reach beyond the routine of drama. They do this most often with comedy or some lighter treatment of matters. Or, they may have some mystery, intrigue or tragedy – anything that will break out of the everyday.
That's what we have in "Lonely Hearts." A story about two lonely people who have only two things in common. They both are shy, and they want to meet and befriend a person of the opposite sex. Some people think of these characters as coming from dysfunctional families. But I have known such people as these. I've known people – men and women, who have sacrificed their personal lives to care for ill and aging parents, other family members, or friends. I have known shy people who are unconformable in company and who prefer to be alone much of the time. I doubt that shyness has ever been considered dysfunctional. It's just the way some people are wired. In time, many people adapt, change or open up to other people.
This is a fine story of two very shy people who are able finally to take a chance at meeting someone. It has the usual ups and downs, with some humor, warmth, suspicion, fear, and yes – lingering shyness. Far from being mundane, the film takes us along as the leads interact and take steps to change their lives. And in the end, we share in their happiness as they come out of their shells to begin a new chapter in their lives together.
I saw this movie nearly twenty years ago now, and I'm still wishing that I had a copy.
I'm not going to say much about the plot, because it's actually a very simple one. Two slightly older, slightly less than attractive people begin to have feelings for each other. Both have difficulties in social situations, and neither has a lot of experience with dating or with interacting with members of the opposite sex. The movie is kind of a duet of romantic motion: forward, backward, a mis-step, a detour away from the path to a relationship, treated with great sensitivity and affection for the main characters.
I wish more people knew about this film. It was such a refreshing contrast to the usual formula of two gorgeous people eyeing each other across a room and instantly having an affair. Hollywood does what Hollywood does. Lonely Hearts shows us a slice of life.
I'm not going to say much about the plot, because it's actually a very simple one. Two slightly older, slightly less than attractive people begin to have feelings for each other. Both have difficulties in social situations, and neither has a lot of experience with dating or with interacting with members of the opposite sex. The movie is kind of a duet of romantic motion: forward, backward, a mis-step, a detour away from the path to a relationship, treated with great sensitivity and affection for the main characters.
I wish more people knew about this film. It was such a refreshing contrast to the usual formula of two gorgeous people eyeing each other across a room and instantly having an affair. Hollywood does what Hollywood does. Lonely Hearts shows us a slice of life.
In short, this was a slow, measured study of a romance between dull dysfunctional characters. Without giving anything away (there is not a lot to give away, I'm afraid), we watch older characters try to have a relationship in spite of their dysfunctions. Admittedly, this type of slow moving study is probably my least favorite genre.
However, it was well acted and the story ernest. I totally believed the characters were boring and had personal problems. The problem is that I wouldn't want to watch them.
Not my cup of tea, anyway.
However, it was well acted and the story ernest. I totally believed the characters were boring and had personal problems. The problem is that I wouldn't want to watch them.
Not my cup of tea, anyway.
After watching two of his films (the other being INNOCENCE), I simply cannot understand why Paul Cox is such an acclaimed director. I find his work uninspiring, wooden and dull. Lonely HEARTS is an insipid, slow, disjointed and uninteresting story. It is not a love story; there is no spark between the two principal characters. Things happen in the film without any explanation. The acting is average at best. The script is utterly empty. How did this win Australia's equivalent of the Academy Award for Best Picture?? Comes off as a second-rate TV movie.
I now see two recurring themes in these Paul Cox films: keyboard skills and rebound. INNOCENCE: an organist hops into the sack with his old girlfriend because he misses his deceased wife. LONELY HEARTS: a piano tuner hits the dating scene after his mother dies. I do not know what Mr. Cox's reasons are for using these themes but, from any angle, he is not a good storyteller.
I now see two recurring themes in these Paul Cox films: keyboard skills and rebound. INNOCENCE: an organist hops into the sack with his old girlfriend because he misses his deceased wife. LONELY HEARTS: a piano tuner hits the dating scene after his mother dies. I do not know what Mr. Cox's reasons are for using these themes but, from any angle, he is not a good storyteller.
क्या आपको पता है
- ट्रिवियाThis Australian movie's title was changed to "Lonely Hearts" from its original title of "Close to the Heart" to avoid confusion with the American film One from the Heart (1981).
- साउंडट्रैकBye Bye Blackbird
(uncredited)
Music by Ray Henderson
Lyrics by Mort Dixon
Sung by Myrtle Roberts and Irene Hewitt, and also used as a theme throughout the film
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $7,77,087
- दुनिया भर में सकल
- $7,77,087
- चलने की अवधि1 घंटा 46 मिनट
- ध्वनि मिश्रण
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