Let's Spend the Night Together

Forget what critics say about this one, it's a rock 'n' roll concert NOT

cinema verité and that's all I want from The Stones. Filmed at Sun Devil Stadium in Tempe, Arizona (outdoors segment) and

the Meadowlands in East Rutherford, New Jersey (indoor segment) by

director Hal Ashby ("Harold And Maude", "Coming Home") in the fall of

1981 on the Stones' very successful Tattoo You Tour. This is the last tour to feature the basic meat and potatoes Stones lineup

(guitar, bass, drums, piano, sax) as every subsequent tour since has featured an musical entourage of 3 or 4 backup singers, big horn sections and

multiple keyboardists. The material is great although I wish they'd have

played "Gimme Shelter", "Monkey Man", "Street Fighting Man", "Bitch"

but hey, those songs were not performed on that tour so what are you

gonna do? I would have liked more backstage activity but then again that's what the

"C*cks*cker Blues" 1972 film by Robert Frank does to excess. "Let's Spend The Night Together" perfectly captures the Stones as they

were in 1981 in their late 30s and early 40s and is a must for any Rolling

Stones fan.

4 - 1/2 STARS out of 5

Let's Spend the Night Together (1983)

** 1/2 (out of 4)

The Rolling Stones 1981 "Tattoo You" tour was captured by the infamous Hal Ashby but the end results are certainly mixed at best. Filmed from shows in Tempe, AZ and East Rutherford, NJ the setlist is as followed:

Under My Thumb / Let's Spend the Night Together / Shattered / Neighbours / Black Limousine / Just My Imagination / Twenty Flight Rock / Let Me Go / Time Is On My Side / Beast of Burden / Waiting on a Friend / Going To A Go Go / You Can't Always Get What You Want / Little T&A / Tumbling Dice / She's So Cold / All Down the Line / Hang Fire / Miss You / Let It Bleed / Start Me Up / Honkey Tonk Women / Brown Sugar / Jumpin' Jack Flash / Satisfaction

Having seen countless official concerts by the Stones as well as seeing them in person I must admit that I wasn't totally blown away by the performances here. The biggest problem however is the direction by Ashby, which really seems all over the place. To me it seems like he showed up with a film crew, without any thought, and just pointed the camera at various things. There really doesn't seem to be too much thought about what was getting filmed or the visual look that would appear on screen. As far as The Stones performance it too is a mixed bag. "Twenty Flight Rock" comes off fairly poor does a few other tracks including "All Down the Line" and "Going to A Go Go". Even some of their classics like "You Can't Always Get What You Want" comes off bland as does "Let It Bleed" and "Time Is On My Side". There are a few good moments with the best one being "Start Me Up", which was still a new release at the time yet the crowd ate up the performance. Other new songs from the album include a nice version of "Little T&A" as well as a great, slowed down version of "Waiting On a Friend". The closing tune "Satisfaction" doesn't really pack the punch it should have. In the end I think fans of The Stones will enjoy what's here but at the same time they'll be saying that the film should have been a lot more.

Strange- I had maybe too high expectations for this concert movie (not a documentary, suffice to say it is not Gimme Shelter's mix of concert and behind the scenes). Mostly it was on the basis of it being 70's iconoclast director Hal Ashby behind the lens of the Stones on two dates of their 1981 shows. Curiously enough, even as just a piece of film of the concert itself, the editing and shots of the concert are sometimes just ill-conceived. Sometimes Ashby's style of 'kicking back' and not cutting away from a shot is effective, as one almost gets that feeling of being in the same spot looking at the stage and (somewhat) lively performers. Unfortunately, there seem to be some songs that get editing treatment that displays, a little too much so, that Ashby is not really too adept at mixing archival footage in with the rest of the concert footage.

The cutting back to the backstage during the song isn't too distracting, but the cutting to the 60's footage during 'Time is on My Side' of the Stones and (particularly) Mick Jagger is a bit shabby in the ways that should make for some convincing footage. And considering Ashby's strengths started as an editor it's kind of sad to say more often than not what isn't too appealing about the film is based on his work on it. This being said, his work as just capturing the footage ON stage is not too bad, which is helped by the Stones doing well with their songs. Some of these even I hadn't heard before, as they seem to reach back into either their latest of the period (late 70's into Tattoo You numbers) or some of the songs from the 60's albums. And performance wise it's hit or miss- more hit than miss, with the good numbers being very good (i.e. the title song, Under My Thumb, Shattered), and the misses being sort of forgettable in the midst of a large, overwhelming arena crowd as in Phoenix. The film itself is not as readily available as the better Stones documentary Gimme Shelter, but for fans its worth a view at least once, maybe more depending on reaction. As an Ashby fan I should say it has some liabilities.

By 1981 the Stones were beginning to struggle under the weight of their own legacy, and it shows in "Let's Spend the Night Together". The first three numbers--'Under My Thumb', the title song, and 'Shattered'--are terrific, but the set soon descends into mediocrity. Part of the problem was that the band tried to cram way too many songs into a ninety-minute performance, which resulted in sped-up versions with no melody or musical texture. The other problem was that they had played this material too many times; what you see and hear in the film is a great band simply going through the motions. The rest of the set ranges from decent ('Let It Bleed') to embarrassingly bad ('Miss You') to somewhere in between ('Start Me Up'). You might want to see this if you're a Stones fanatic, but it's not a must. Interestingly, the live album recorded during this tour ("Still Life") is far better than the concert film itself--better versions of the songs were chosen, and the sound is immaculate. "Still Life" is, in fact, my favorite Rolling Stones live album.

This film documents the first of many comebacks by the World's Greatest Rock and Roll Band. Are they in their prime here? Definitely NOT! But rock they do...From the curtain rising "Under My Thumb", filmed outdoors during daylight at Tempe's Sun Devil Stadium, vignetting into their indoor arena performances at New Jersey's Meadowlands Arena, you see a band that appears ageless at a time when rockers in their late 30's/early 40's were considered ancient.

Hal Ashby captures the raw essence of one of the last regular Stones Tours (back when they toured in 3-year cycles) backing one of their last strong albums, Tattoo You. "Start Me Up" is a brand new song the band is just breaking into their set. It's also the last tour with long time touring keyboardist Ian Stewart, whose obituary is noted in the film.

At times, LSTNT captures the raw energy and fun of a Rolling Stones concert from a fan's perspective. Falling balloons, confetti, the whole enchilada. After seeing this film, you'll want to either see it from the beginning again....or buy tickets to see them in person!