IMDb रेटिंग
6.1/10
1.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंBrooklynite Libby Tucker leaves her mother in Brooklyn to visit her screenwriter dad Herbert Tucker in L. A. She hasn't seen him for years and aspires to find a fast-paced life in movies. Al... सभी पढ़ेंBrooklynite Libby Tucker leaves her mother in Brooklyn to visit her screenwriter dad Herbert Tucker in L. A. She hasn't seen him for years and aspires to find a fast-paced life in movies. Along the way, Libby discovers who her dad is.Brooklynite Libby Tucker leaves her mother in Brooklyn to visit her screenwriter dad Herbert Tucker in L. A. She hasn't seen him for years and aspires to find a fast-paced life in movies. Along the way, Libby discovers who her dad is.
फ़ीचर्ड समीक्षाएं
I Ought to Be In Pictures was mostly boring. It's about a teenager who goes from New York to Hollywood for acting in the film business and also to be in touch with her dad that she hasn't seen since she was three years old because of a divorce. The relationships weren't anything memorable and there were a few laughs and it kind of ended how it began where not much was accomplished. I was hoping for better because the screenplay is by Neil Simon and the director is Herbert Ross who also directed Simon's The Sunshine Boys with Walter Matthau also in it. Ann-Margret plays Walter's girlfriend and while the performances did their best, the script isn't about much.
Wonderful film with Neil Simon again showing that he is the master of writing.
Dinah Manoff is just marvelous as the precocious 19 year old who goes to California to see the dad she hasn't seen in 16 years.
The film is touching as it first shows that Matthau knows so little about his daughter (and son) but then as the film goes on, he shows all the attributes that a father shows.
As Matthau's girlfriend, Ann-Margret is very good. The picture itself provides no screaming of usual Matthau antics. He is genuine here in every sense of the word.
The film shows the strong bond that is formed and we're sorry when Libby takes the bus back to N.Y. At least, there is a commitment by the father to keep in touch.
We also have to wonder what kind of woman he was married to that drove him away years before.
Dinah Manoff is just marvelous as the precocious 19 year old who goes to California to see the dad she hasn't seen in 16 years.
The film is touching as it first shows that Matthau knows so little about his daughter (and son) but then as the film goes on, he shows all the attributes that a father shows.
As Matthau's girlfriend, Ann-Margret is very good. The picture itself provides no screaming of usual Matthau antics. He is genuine here in every sense of the word.
The film shows the strong bond that is formed and we're sorry when Libby takes the bus back to N.Y. At least, there is a commitment by the father to keep in touch.
We also have to wonder what kind of woman he was married to that drove him away years before.
what an outstanding and heart-tugging performance by DINAH. i never miss a rerun and go out of my way to see it. i can't believe she was not nominated for something. a perfect bit of acting by her and WALTER MATHAU. my wife says, "i guess you're.... just in love". the first time i saw the film was totally by accident. i was in a dentist's office for an appointment for teeth cleaning. the movie came on in the waiting room and after it was thirty minutes into filming the nurse came out and said "next". by a stroke of luck it was the last appointment of the day. i asked the dentist, who is also a dear friend, to let me continue watching. well, we both watched. the nurse had gone and he worked on my cleaning himself. he said it was worth it.
What's a daughter to do when she wants to get in touch with her father who she hasn't seen in 16 years and lives 3,000 miles away? Answer: watch this movie and find out. It would be easy to rag this movie, to cite all its flaws, to point out its corniness, to dwell on Dinah Manoff's incredibly loud performance; to emphasize all the schlock, dreck, schmoozing and kvetching that identifies this movie as another example of 'ethnic" humor. Yes, one could easily rag this movie, but I won't do it. Not here, not in this website, not on the pc. Why? Let me tell you: I LIKED THIS MOVIE!!!!! Yes, I admit it. THIS WAS A GOOD MOVIE!!!!. So what if the acting was a bit strained! So what if the story was as stale as a corn beef sandwich that's been sitting in the refrigerator all night! This movie is a about a father and daughter who re-establish a relationship and that's something that cannot be ragged. No way. So what if the daughter talks with a certain ethnic inflection! So what if Walter Matthau reminded me of Oscar Homolka in "I Remember Momma." So what if this movie contains what has to be Ann-Margret's most forgettable role!! So what if this movie is like a pastrami sandwich with a lot of fat!!! So what if this movie's most inspiring character is a deceased grandmother!!!! I liked this movie and you will too if you just keep an open mind and remember: IT'S JUST A MOVIE!!!
This is a modest but affecting little film. Besides his gift for one-line zingers, Neil Simon has a way of giving his characters lines that are both surprising and believable. Dinah Manoff is perhaps a bit abrasively cooky at first, but she moderates the Brooklyn shtick after awhile and comes over as more complex and real. Walter Matthau as her bewildered but finally disarmed dad is consummately believable. Ann Margaret has little to do, but she does it with superb subtlety. Just watch how well she listens and understands
क्या आपको पता है
- ट्रिवियाWalter Matthau once said of this movie: "It's filled with very real emotions . . . there were a few seconds while I was acting when I flashed back to my childhood when my father deserted us . . . I was exhausted at the end of each day. Some roles are easier but comedy, such as Neil Simon writes, is twenty times more difficult than straight acting or tragic acting. I prefer the challenge of comedy. It requires a great deal more energy, a great deal of kinetic output."
- गूफ़In the closing scenes Libby is first seen sitting on the left side of the bus talking to her seat mate, then when Herb drives his car up next to the bus on the right side she sees him through the right side window.
- साउंडट्रैकOne Hello
Music & Lyrics by Marvin Hamlisch and Carole Bayer Sager
Sung by Randy Crawford
Produced by Tommy LiPuma
(P) 1982 WEA International Inc.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is I Ought to Be in Pictures?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Neil Simon's I Ought to Be in Pictures
- फ़िल्माने की जगहें
- 6830 Sunset Boulevard, हॉलीवुड, कैलिफोर्निया, संयुक्त राज्य अमेरिका(motel Libby stays at upon arrival in Hollywood)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,05,00,000(अनुमानित)
- US और कनाडा में सकल
- $69,68,359
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $21,70,397
- 28 मार्च 1982
- दुनिया भर में सकल
- $69,68,359
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
टॉप गैप
By what name was I Ought to Be in Pictures (1982) officially released in Canada in English?
जवाब