Hey Good Lookin'

Often compared to GREASE being that the main character, a suave/strutting New York City hood, resembles John Travolta, animation icon Ralph Bashki's HEY GOOD LOOKIN' is more Martin Scorsese's MEAN STREETS as an adult-oriented cartoon, and for two good reasons...

The first is that the script and some of the artwork were created in the mid-70's, right after STREETS came out and where Bashki was to originally combine animated and live-action characters... leaving only a few genuine locations, from a dingy poolhall to Coney Island...

But the main similarity to the Scorsese proto-mob classic is that Richard Romanus and David Proval, who played Michael and Tony, voice the main characters Vinnie... a suave, bragging lady's man... and his psychotic sidekick Crazy, resembling a circus clown on acid...

While the visual animation is terrifically bright yet urban gritty... combining the director's COONSKIN and HEAVY TRAFFIC... it simply doesn't feel like a throwback to the 1950's, where the flashbacked story takes place...

Instead centering more on the two buddies basically just hanging around, mostly with two girls, while the violent gang aspect is less than peripheral (attempting traits from THE WARRIORS to THE WANDERERS)... and a musical singing-group side-story feels out of place...

So overall, Ralph Bashki's HEY GOOD LOOKIN' would have probably worked better as an animated short since... while there's plenty of noisy action... not much literal ground's really covered.

This movie has some of the best dialogue I've seen in an animated movie in a long time. It feels very natural and the terrible mic quality actually adds a special feel to the movie. Both the main two voice actors do such a good job at voicing a couple friends that I am convinced they shot their lines together in a studio

The animation and tone of the film is very dirty, like most 70s/80s adult animated films so that's to be expected. But this really works on the darker aspects of the grease style film. There are many aspects of Italian/black gang life strewn in an the characters that would be associated and I really think it pulled together a lot of the 50s new york scene in an intersecting way

I personally think it does a great job at romanticizing and vilifying the era.

When "Coonskin/Streetfight" caused a load of controversy and the technical specs caused difficulty, this one sat on a shelf for WAY too long.

And it may be Bakshi's best.

This was like "Heavy Traffic" but two decades earlier. Take away the 70's lingo and bring in the greasers. Ralph seems to be exorcising a rough past with his father here. Not for the first time either.

The best part of this film is the wrecking of the 50's myth. It wasn't all great economy and capitalism. The poor existed. Gangs ran rampant. And the races were at odds. This film points that out. And points again...

The autobiographical angle shows too. Both this and "Traffic" have the struggling artist character getting heat from all around him.

This was like a JD flick but VERY serious. Getting lost in that shuffle was the worst thing that could happen to it.

Go see it.

I became a Bashki film from the first time I saw American Pop. It was the most amazing cartoon I'd ever seen and since then, I'd been on the look out for more Bashki cartoons.

Hey Good Lookin' is my second round of Bashki. And, though I didn't like it as much as American Pop, I did like it. It was a darkish cartoon look at rumble life of a couple of 1950s hoods. But, unlike American Pop, which also had the bazaar stlyistic drawings of dark alley life, Hey Good Lookin' has a lot of cartoonish humor like a guy being caught up in a basketball game and chucked in a basketball hoop. I liked it all except for the ending, which got me a little confused, getting wrapped up in Crazy's hypnotic dreaming sequence dancing around and shooting antennea's and stuff. I wasn't sure when it ended. But nonetheless, I did like this movie, and I'd definitely check out more Bashki films.

The first time I saw this film was at 3am after returning home from a bar. I had only caught the end at the time but was greatly impressed. In fact the movie had left such an impression on me that I spent a month trying to locate a copy on video cassette. This video is now among one of my most prized tapes.

The story is based around two good friends, Crazy Shapiro and Vinnie. Vinnie is the leader of a gang known as the 'Stompers'. Vinnie isn't much of a leader, and Crazy is a loose canon. The story takes us on a journey of how Vinnie dealt with his cowardly ways and how Crazy took a leap to insanity.

One of the reasons this movie has made it into my all time favorites is due to how the movie ends.

This movie like most Psychedelic cartoons is not for everybody. You will either love it or hate it.