Hank Williams: The Show He Never Gave

I've loved the songs and the singing of Hank Williams for many years. When I saw this film I felt as though I were watching Hank himself. The actor who portrays him is excellent, the songs wonderful. My only criticism is that the film could have been an hour or two longer, with a lot more songs. Any Hank Williams fan would have to love this movie.

This is a movie that should be in the Smithsonian. It's a profound reflection of a time period that produced some of the best American music ever. I was very surprised to read at the end of the film that Hank Williams was only 29 when he died and that he had written over 700 songs many of them classic. I was born in '48 so he was not of my generation but after the 60's rock and roll died I came to appreciate the greats of the past like Hank and Bill Monroe. I think Sneezy Waters did an incredible job of acting. The writing was right on target for humor and the soulful journey that Williams must have experienced. He seems to be searching for a peace that eludes him. I didn't know he had written "I saw the light", which he sings here.

A fairly touching film about a man that I knew very little about, and whom quite frankly I had only heard a few tunes from my boyhood in the rural part of the United States. It was another HBO afternoon airing that caught my attention for this film. I gave it a chance because it seemed to be of some quality.

It's a bit of a sleeper that also has some fire in it. We see summation of a man's life in a performance that is fictional, but brings to both audience and characters the reflections of ups and downs of life's challenges. Hank Williams, as brilliant as he was as a musician, musical orator, and musical philosopher, was, after all, merely mortal-- as are we all.

But it's Hank Williams that we're interested in. He seems to know more about life than we do, and gives us messages on how to live better, or, when down, how to slug through the mire of life's toughs by telling us how he knows that life can be cruel, but that we're not the only ones by virtue of his singing.

The film itself has a kind of raw cinema veritae, almost documentary like quality to it. It's classic film making from the late 70s, on the cusp of the 80s. Who or what was Hank Williams? He was a man with a physical ailment that perhaps put him in tune a little better than most people with the pain that infects everyone. Sneazy Waters may not strictly resemble Hank Williams, but he does give us a good mimicry of Hank Williams energy in performances that Williams would have been proud of.

A Canadian film touching on an American icon, and telling of American ideals, the independent quality, as has been mentioned in other reviews, is something that actually helps deliver the film's story. Even so it doesn't quite translate to DVD, as the print seems to be somewhat battered.

Yet the film itself shines. Waters' performance is superb, the supporting cast do a fine job, even if the technical merits are a little on the rough side. A fresh print from an original negative would be welcome, but that may have to wait for another generation to rediscover this film.

If you can forgive the technical marks of the DVD, then you should be able to enjoy a touching character study of a brilliant mind with a heart.

Give it a whirl.

This made for television film is a chilling recount of the final hours and death of singer Hank Williams. In The Show He Never Gave, Sneezy Waters plays Hank, and it is not a bad performance. This is no lighthearted fare, very true to the last hours of Hank's life.

Some of the filming techniques and lighting are aged, as one could tell. Although not the best as it was a television film made in 1980, it makes the story that much darker and sincere. A tribute to the life and death of Hank.

If you are a fan of Hank Williams Sr., then this is a must see. I promise you won't be disappointed. The soundtrack is mostly Hank's music, sung by Sneezy Waters.

I am the guy in the doorway, bar patron Lonnie Jewks, having a cigarette in the opening shot and patting Hank on the back as he enters the bar. I had a great view of Hank's performance as the director positioned me directly behind the bandstand. Say what you will about his lack of resemblance to Williams, Sneezy was channelling Hank. The director allowed us to improvise our movements. My buddies, actors John Corbett (Pee-Wee Hupple) and John Novak (Soldier) scuffled and I attempted to intervene and break them up. They handed out unfiltered Camels and the beer was real, folks. I also appear, with my back to the camera, coming out of the bathroom and getting in the way of my dear, departed friend, singer-actor Tex Konig, O"H. Most of us were hired for the entire shoot, which not only helped pay the rent, but made for some memorable after-parties at John Corbett and John Novak's place on Oxford Street (affectionately known as The Baths) in Kensington Market ( Toronto, Canada). The director and Sneezy were professional and friendly; no "star" nonsense. I was there when the shoot wrapped and the producers presented Sneezy with his costume as a gift; he accepted it with sincere gratitude and humility. (The janitor) Jackie Washington's guitar-playing, beautifully recorded in a studio and over-dubbed, sparkles and forges a true-to-life link between Williams and his childhood teacher, Montgomery street- musician, Tee-Tot. Peace and Love, Wolf Krakowski www.kamea.com

@ lechuguilla: Williams was on his way to Canton, Ohio.