Trilogy of Terror

I don't remember the first two films but I must have seen them when the trilogy was shown on UK television in the 70s. The one that stuck with me, in fact terrified me, was the third one of the trilogy, Amelia. It's come up now to my mind from an article in the Guardian and I would never have known the name of it unless I'd read that article.

I was watching at my parents' house after they had gone to bed. I honestly didn't know what I was letting myself in for. That doll made me genuinely frightened. Whoever, in the props department, conceived of it was an evil genius. The way it moved, chasing its victim through her flat was perfect, as was the terrible noise it made.

I met some friends the next day who shared a flat. They had also watched the film and afterwards all slept in the same bedroom together as they had been so freaked out. I'm glad I hadn't been the only one to have been utterly spooked. I admit that when I went to bed, I was worried that that horrifying doll would come charging out from under a cupboard or out of a wardrobe.

I can still feel the frisson of terror forty five years later. It's one that I shall never forget.

Three stories interwoven together and starred by the great Karen Black. All of them are filled with mystery , suspense , terror , grisly killings , twisted events and horrible happenings. The first, : ¨Julie¨about a college student infatuated with his teacher , as she is blackmailed by one of her pupils for a past indiscretion in which she played an unwilling part, but then things go wrong , and she turns the tables on him the first chance she gets . The second, ¨Millicent and Therese" a paranoid tale of two sisters - one good girl , the other bad girl , only their doctor who visits from time to time knows the real thing behind the scenario . And the the final story : ¨Amelia¨, equally starred by Karen Black in a solo terror story monologue concerning a woman who buys an African Zuni fetish , it results to be actually a Native American voodoo doll that comes to life and pursues and attacks on her own flat . An electrifying experience - you won't believe your eyes !

A vintage , bizarre horror film financed from producer/director Dan Curtis and written by prestigious writer Richard Matheson , formed by three episodes ¨Julie¨, ¨Millicent and Therese" and ¨Amelia¨, with full of creepy events , chills , surprises , thrills and horrifying scens . These tense terror stories all of which stars Karen Black in four different roles playing tormented women : a sexually-repressed college teacher who is blackmailed by a pupil , a reclusive woman who lives with her amoral twin sister and a woman who's terrorized after buying a doll that chases and mistreats her . It deals with three entertaining and chilling segments ; all of them competently performed by Karen Black , accompanied by a familiar cast , such as : Gregory Harrison , John Karlen and George Gaynes of ¨Police Academy¨franchise .

These three horror anthology stories of tormented women being compellingly directed and in limited budget , as shooting was completed in a few weeks . Being financed by the notorious producer/directed by Dan Curtis at his best . Curtis created the series about Kolchak or Night Stalker (1972) , in fact in first segment the starring appears at a drive-in theater where can be seen showing the movie "The Night Stalker", this is an in-joke reference to filmmaker himself . Dan was a good writer, producer and director of TV series , working from the 60s . Curtis was a specialist in terror genre as proved in ¨Dark shadows¨, ¨Trilogy of terror¨, ¨Night Stalker¨, or ¨Scream of wolf , ¨Night Strangler¨¨ and successful wartime series filmmaker as ¨Winds of war¨ and ¨War and remembrance¨ , among others . Trilogy of Terror(1975) rating : 6.5/10 . Better than average horror movie. THe flick will appeal to terror enthusiasts and Karen Black fans .

Karen Black excels playing four different roles in this made-for-TV horror trilogy adapted from the works of Richard Matheson. In `Julie,' a meek college professor turns the tables on a student who drugs, rapes and attempts to blackmail her. `Millicent and Therese' details a pair of feuding sisters; a frigid, jealous brunette and a kinky, malicious blonde. Finally, 'Amelia' (also known as `Prey') details Black's horrific battle with a re-animated Zuni fetish doll inhabited by the spirit of a bloodthirsty African warrior. Although the first tale doesn't hold together very well and the second is too predictable, this is well worth sitting through for the final segment and, as always, Karen Black rocks in all four roles. `Amelia' is also available separate on video as TERROR OF THE DOLL, by the way. It was followed by an OK 1996 made-for-cable sequel starring Lysette Anthony.

Score: 7 out of 10

"Trilogy of Terror" is one of the best remembered made-for-t.v. movies of my generation. It deserves to be. It scared all of us to death. Watching it now, It's still pretty good. The first story is way too short. It deserves a full ninety minute treatment. The second story is pretty obvious. The third story is, hands down, the best of the bunch. The last one was the cause of many bad dreams way back when. "Trilogy of Terror" is definitely worth the watch.

Karen Black is too frightening for mainstream cinema. You couldn't watch her in a romantic comedy without wondering whether she's going to kill and devour the male lead. But those freaky crossed eyes and that off-kilter sexuality make her a magnetic screen presence and we're all lucky that she found a handful of directors who were able to use her well without rendering her ridiculous ("Five Easy Pieces" by Rafelson) or shrewish ("Nashville" by Altman). Of all Karen Black's worthy star vehicles (an extremely short list), "Trilogy of Terror" is far and away the standout.

The first two pieces are mildly diverting -- the first, "Julie," has an entirely untelegraphed twist that feels like a cheap trick, so it's the weakest link. Still, it coasts along nicely on its creepy camera angles and Karen's dark-star power, and the last couple of scenes are just unsettling enough to whet your appetite for the delights to come. The second segment, "Millicent/Therese," is some standard mid-70s horror fare, laced with madness and hints of sexual perversity, that would be a "Flowers in the Attic"-style yawn if it weren't for the lovely Karen, who plays warring sisters: prim, evangelical Millicent and slutty, predatory Therese. As Therese, she wears a ridiculous blonde wig and sashays around the set like a drag queen, a fully intended foray into pure camp made even more bizarre by Karen's much more nuanced performance as repressed, mousy little Millie. Slowly you wonder if all of Therese's evil is a figment of . . . well, I don't want to spoil it for you.

Ol' Karen saves the best for last: "Amelia." As played by Karen Black, Amelia is a complex, very modern, very normal woman confronted with an utterly conventional dilemma: does she spend Friday night with her boyfriend or her mother? But this isn't a sitcom starring Valerie Harper, it's a horror movie starring Karen Black and something intensely weird happens -- the Zulu doll she has bought as a present for her boyfriend comes to life and starts chasing her around the apartment! (Sound familiar, "Chuckie" fans?) It sounds ridiculous, and it would be if it weren't for the magnificent Ms. Black. She believes. There is no ironic distance between actress and character, no winking acknowledgment of the absurdity of the situation, no excess of histrionics. Dammit, Karen is being menaced by a vicious, spear-wielding figurine and you are terrified for her! Maybe you could make the argument that the vignette is an attempt to juxtapose the civilized and the savage and to expose our true uncivilized nature. But no. It's an ugly doll attacking a cross-eyed actress. It's silly. It's stupid. It's pure entertainment. If you haven't seen it yet, go get it now.