Three Days of the Condor

Sidney Pollack is a great admirer of Alfred Hitchcock, which he also proved with "The Interpreter". Apparently he loves suspenseful thrillers and I sure hope for him that his movies will age as well as those that Hitchcock made. And I guess they do. Even though it was made thirty years ago, "Three Days of the Condor" still hasn't lost any of its power. Sure, you could call it a typical product of the seventies, but even today this movie feels up-to-date and believable.

Turner works for the American Literary Historical Society, or at least so it seems. In reality he is a CIA researcher, with the code name Condor, who gets paid to read books, in which he has to find possible scenarios that could be used in intelligence work. When he returns to his office after he went out to get lunch, he finds all his colleagues dead and he doesn't know who shot them. He immediately calls a superior who sends his section chief to get him out of there. But when the man arrives, he immediately opens fire on Turner. In an act of pure desperation - he no longer knows who he can trust - Turner kidnaps a woman he has never seen before and forces her to hide him. He will stay in her house until he can find out what exactly is going on. But even there he isn't save. He is discovered and attacked in the woman's house, but is able to kill the man. Now he knows one thing for sure: the man too had a connection to the CIA, which means that someone in the CIA must be behind all this...

I guess the best thing about this movie is the fact that it doesn't give away all its information at once. At first Turner appears to be an ordinary guy who arrives late for work. Nothing special there. But because he gradually builds up tension by slightly releasing more information, the writer knows how to keep you focused and interested. I guess the best way to describe this movie is calling it a classic spy thriller without James Bond-like locations or bad guys and and no super hero who can beat all the bad guys with a blink of an eye. No, this is a normal man who was at the wrong place at the wrong time and who now has to face an unusual and life threatening situation. I guess that's where this movie gets its strength: you can easily identify with him, even though he is a spy.

And yes, the whole concept of the movie is very seventies: the paranoia towards the government, the insecurity of not knowing who your enemies or your friends are... all give it that typical feeling. but even today this movie hasn't lost any of its power or relevance. All in all this is a very good and stylish thriller that offers plenty of tension and some very nice acting. Especially Robert Redford and Faye Dunaway were very nice to watch, but the other actors did a fine job too. Thanks to the combination of the acting, a good story and some nice camera-work, Pollack has created a movie Hitchcock might have been proud of if he had done it. That's why I give this movie a 7.5/10.

The movie is well executed and has a great cast apart from the dodgy kissing scene which was very funny. The plot has enough to keep you entertained throughout. Max von sydow excels as does Robert Redford. The twin towers being in this movie was unmissable and always makes me think of what a iconic symbol they were.

Great film -Robert Redford has a way of drawing in the audience and Faye Dunaway is more vulnerable than ever, her best role since Thomas Crown. No vulgarity in the love scene just a great sensuality. Both stars have shown an outstanding performance ! Top-notch screenplay - 70's films are definitely the best ones in terms of storytelling and screenplays. Sidney Pollack does also a great job as a director and delivers an efficient thriller that you can watch over and over again.I agree with some reviewers who think that it is one of the Redford's best. The supporting cast is also excellent. Maybe the directors nowadays should watch more often 70's films to be more inspired.

Saw this movie in theaters way back when (yes I am old). It was so long ago that I had forgotten most of the movie. Thoroughly enjoyed watching it again during the virus lockdown. As much fun for first time viewers of today as it is for old timers like me.

Good intrigue yarn about a CIA agent whose code name is Condor who is forced to flee for his life when his cover operation (called American Literature History Society) is blown and becomes into man-on-the-run . In the next seventy-two hours almost everyone he trusts will attempt to murder him ( by an organization undercover called Five Continents Import Inc. ). The bookish CIA information reader (Robert Redford) aware more than he should and he finds all of his co-workers cruelly killed. He must outwit those responsible until he figures out who he can really trust and he suddenly himself as hunted man , being only helped by a stranger woman (Faye Dunaway) .

This exciting mystery contains thrills , action , shootouts , suspense and is quite entertaining . Good performance from Robert Redford as bookish researcher working for US Intelligence office and Faye Dunaway as the innocent who Condor uses to avoid capture and shelter him . Excellent support cast as Cliff Robertson with special mention to veteran John Houseman and of course Max Von Sydow who expertly handles a vignette as cold murderer . Very good cinematography , well filmed in New York City and Washington D.C. by Owen Roizman- The exorcist- and atmospheric musical score by Dave Grusin. The motion picture is stunningly directed by the recently deceased Sydney Pollack . Sydney was an excellent director , producer and secondary actor with several hits on all kind of genres as ¨The Interpreter¨ , ¨The firm¨ , ¨Out of Africa¨ , ¨Tootsie¨, ¨Yakuza¨ and many others . Rating : Good , better than average and worthwhile watching . The flick will appeal to Robert Redford fans and thriller buffs .